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I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels.

When I was running the Troubadour, there was this transition from the classic singer/songwriter Jackson Browne types to bands like Black Flag, the Dead Kennedys, and Fear. Those are just some that come to mind. Oh, and Adam Ant! The Fear fans wanted to 'crush' the Ants. These guys hated each other.

Don't try to be young. Just open your mind. Stay interested in stuff. There are so many things I won't live long enough to find out about, but I'm still curious about them. You know people who are already saying, 'I'm going to be 30 - oh, what am I going to do?' Well, use that decade! Use them all!

I get so antsy. When you're working, you're like, 'Oh my God, I'm so tired.' And then a hiatus starts, and you're off for three days, and you don't know what to do with yourself. You're never gonna have another job in your life, and you suck at acting. Your world comes tumbling down pretty quickly.

Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades.

I live in Surrey, but up until the age of eight I lived in London. And the way I heard about this 'Peter Pan' film was there was an open-call audition that I'd heard about, or read about, and I just thought, 'Oh, I'll go along for the fun.' Because I never dreamed in a million years I'd ever get it.

I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.

Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'

Oh, Diane Nash deserves her own film. Diane Nash is a freedom fighter who is still alive and kicking. She was one of the leaders of the desegregation of Nashville, basically. She was a student at Fisk University who was one of the founding members of SNCC, the Student Nonviolent Coordinating Committee.

I've never been willing to lie about my age. Why on earth would I want to tell people I'm 35, which I'm not, and have them say, 'Oh that's nice,' when I could tell them I'm 47, which I am, and have them look at me and go, 'Whoa!'. I'm not afraid of aging. I stopped being afraid of life a long time ago.

Take my gay-hairdresser routine. You'll let your hairdresser say things to you that you wouldn't let your parents say. My hairdresser will say the funniest things, so I asked him if I could put him in my routine - you know, make fun of him in a good way. He said, 'Oh, mention my name, mention my name!'

I like to mix it up, yeah. I don't sort of think, 'Oh, I need to do a comedy, I've done three dramas this year.' I don't think of it like that, but I definitely from project to project I feel like I want to just do something different all of the time and stop, I don't want to bore myself or anyone else.

I'm not one of those shoppers where I go to a store and I'm like, trying it on, I'm not sure, 'Oh, can you put this on hold?' No. It's either love it or hate it. And it's the same way with scripts. I usually know within the first 10 pages. If I don't latch into it by then, then it's not going to happen.

You watch these reality shows and say, 'Oh, I would do that, except for eating all the gross stuff.' These reality shows are like everyone's little guilty pleasure. To have an opportunity to be on one, why not? Anybody who says, 'No, I don't want to be on one' is kind of lying in the back of their heads.

What really broke it down was I had my son while I was locked up, so that really affected me. I can't really have this, knowing my father was locked up when I was small. So that really out of everything - through the fame, the money, everything - that really put the toll on me: 'Oh yeah, I gotta change.'

It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.

I've won some awards. 'Time' magazine designated me as one of the environmental heroes of the 20th century. Oh, and I've got some honorary citizenships, like from the Conch Republic of the Florida Keys. But the one thing I am proud of is I didn't get the Chevron environmental award. Never did get that one.

It's like, if you can't focus on a movie for 90 minutes without looking at your phone, then don't go to the movies! You've got some issues, so you should probably stay home and work on those issues, and not distract everyone with lights, and sounds, oh my gosh, the tapping on the screens, it makes me crazy!

You have two pages, that's the whole credit card agreement. The terms are clear and flat and easy to see so anyone can read them. So you could lay four credit cards in front of you and say, 'Oh, that's the one that has the highest rate, that's the one that has the really scary provision that could hurt me.'

In relationships, I'm usually the one who's like, 'Oh, I don't need this right now. I don't need commitment. I can do well on my own. I'm independent,' and all this stuff, and I realized recently that that was making me really closed off to relationships and just closed off to anyone no matter who they were.

I don't listen to the radio, cause I don't have a driver's license. But if I'm in L.A. or somewhere where we have to rent a car, I'll hear my songs. Sometimes I hear them when I'm in stores, and I'm still like a little kid in a candy shop: 'Oh my God, that's my song!' I don't know how that could ever get old.

The writing process, the way I go about it is I do whatever the beat feels like, whatever the beat is telling me to do. Usually when the beat comes on, I think of a hook or the subject I want to rap about almost instantly. Within four, eight bars of it playing I'm just like, 'Oh, OK. This is what I wanna do'.

I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.

You show up in Paris, and on the drive from the airport to the hotel you're like, 'This is so cool! I want to see something! I want to go to the Eiffel Tower!' And then you leave the next morning. You think, Oh, I didn't get to do anything. I tell people: I've been just about everywhere, but I've seen nothing.

In any film business, if you're trying to get your next film made, you would never say, 'Oh, my last film was a cult film.' I'd say, 'Oh, great, well I hope this one isn't!' I always say to Johnny Knoxville, 'How do you do it? You sort of do the same thing we did, except you made millions, and I made hundreds.'

Oh man, I love what the South brings as far as the soul, and I really have noticed from even the early days of listening to OutKast and Goodie Mob that Atlanta and the South has a diverse sound to it. You have bounce music. You have soulful musicians. You have artists with vocals who try to do different things.

There's the 7-year-old me that pretended to be Wonder Woman running around the schoolyard. Like, what an incredible thing to imagine that when the bully shows up or the villain, you would be strong enough to do something about it. But, also, you look like Lynda Carter while you're doing it - like, 'Oh, my God.'

Jeff Eastin is good in that he'll tell me a plot twist that's coming up if he thinks it would be something Peter would know ahead of time, and if it's something that would be a surprise to Peter, I'll tell Jeff, 'Oh, don't tell me. I don't want to know.' And then it's exciting to read it and exciting to play it.

If I'm looking at a client, I can say, 'Oh, wow, this is where you're weak; this is what you need to work on.' I can correct her in a matter of seconds, and then she's practicing specifically on the thing she needs to work on instead of repeating the same mistakes. Having that feedback is essential for beginners.

Something happens in school sometimes where you're like, 'Oh, I'm not an expert, and I have to defer to people who are.' And it happens not just in school: it happens in religion, too. Defer to the experts. A printing press is a big deal - they got the Bible, and all of a sudden they could read it for themselves.

I fell in love with hip-hop a little bit late; I grew up on Another Bad Creation and Kris Kross. But my mom got me a TV in my room, and I remember seeing Biggie's 'Give Me One More Chance,' and I was like, 'Oh, this is how a house party looks!' I really, really fell in love with it when Tupac created 'Dear Mama.'

Pure libertarianism believes that people will be generous and help each other. Well, they won't. I wish it were so, and I live that way. I help panhandlers, but other people are, 'Oh look at that - why doesn't he get a job?' While I believe in all that freedom, I also believe that no one should suffer needlessly.

I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.

Yeah, well I think anyone who likes fast cars will love the Tesla. And it has fantastic handling by the way. I mean this car will crush a Porsche on the track, just crush it. So if you like fast cars, you'll love this car. And then oh, by the way, it happens to be electric and it's twice the efficiency of a Prius.

I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.

I can't speak for everybody. But I will say that for me, when I've been depressed - and I get depressed. I have irrational bouts of anxiety. I have random FedEx deliveries of despondency. Just like, 'I didn't order this. Oh, well, keep the PJs on, cancel everything you're doing today. It's time to take a sad shower.'

I was 17 when my body started changing, and I worried about what I did wrong. I went through a period where I didn't eat at all. I also had someone who was encouraging me to take diet pills. I pushed myself to the extreme because I woke up one day and had hips - and a butt - and thought, 'Oh my gosh, I'm getting fat!'

Many movie stars or American Idol contestants sort of fall into theater... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays.

When I pull into a city and I rent a car and it's Nashville, or it's London, or I'm driving in the taxi to the hotel, and on comes one of my songs, it's like, 'Oh my God, they're still playing these songs on the radio.' And you still feel tearful and very grateful that somebody still likes these songs that you made up.

When people think what is the most simple sort of human, it's a white man, and anything else that is added to that complicates it for people. It comes with all kinds of meanings and connotations. If they have a different skin color, that comes with a connotation. If they're a woman, 'Oh well, what do I feel about that?'

I had two starts, really. The first was going to the Italia Conti stage school, aged 15. I'd gone to sing, but one day I found myself doing an improvisation and thought, 'Oh God, I quite like this acting thing.' The second start was meeting Mike Leigh when I was 22. He showed me I could play people that weren't like me.

The only thing that I've really noticed in my own experience is just people kind of saying that a woman, when they react to something exciting, 'Oh, that's a masculine way of reacting.' And to me, that's absurd. It's like, that's how humans - they get excited, and you yell, and you jump, and you flex. That's what you do.

One day I was at the park with my family, all my cousins and stuff, in Frankston... We were all just singing a song and my aunty was like 'oh guys, she can actually hold a note.' I think that's the earliest memory of someone actually pointing me out as someone that has an ability to sing. I was probably like 7 years old.

People work so hard, and I want to keep that energy up, and you can spread that if you're the actor. But I'm also not able to turn it on and off like a faucet. A lot of what I'm called upon to play is violent or angry. When I'm messing around with the crew and making jokes, I remember, 'Oh, this is the guy I normally am.'

Whereas a lot of Buddhism concerns itself with stages of enlightenment, various precepts and moral codes, and even power structures and hierarchies, Zen is just like, 'Shut up, sit down, and observe your thoughts - oh, and by the way, what you perceive as you' doesn't actually exist.' I loved the minimalist approach of it.

I've got a golf scholarship for school, so they understand if I'm away. A couple of years ago they called to see why I wasn't at school, and now they're like, 'oh, she's at golf.' Sometimes I'm in class and sometimes the teachers don't realize I'm there. She goes, 'oh, Lydia's absent.' And I'm like 'no, actually, I'm here.'

There's a tremendous difference between alone and lonely. You could be lonely in a group of people. I like being alone. I like eating by myself. I go home at night and just watch a movie or hang out with my dog. I have to exert myself and really say, oh God, I've got to see my friends 'cause I'm too content being by myself.

Sometimes you feel like people go, 'Oh, he just does funny dances,' or 'That's cute.' It drives me a little crazy when someone does a dance number where all they do is kick to their head for five minutes, and everyone's like, 'That choreography is amazing.' It takes a lot to choreograph a number that also gets laughs in it.

I was honoured when they asked me to appear at the president's birthday rally in Madison Square Garden. There was like a hush over the whole place when I came on to sing 'Happy Birthday,' like if I had been wearing a slip, I would have thought it was showing or something. I thought, 'Oh, my gosh, what if no sound comes out!'

After I released 'Jesus, Take the Wheel,' people started saying, Oh, it's kind of risky. You're coming out with a religious song. And I was thinking, Really? I grew up in Oklahoma; I always had a close relationship with God. I never thought it was risky in the least. If anything, I thought it was the safest thing I could do.

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