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Oh yeah, it's great see music and to play music in small places. And it's really fun for me to play here because, you know, I played two feet from people all night. And after all those years, it's great to be able to talk to folks.

Republicans: steely, rational, paternalistic, respectful of authority, easy to herd, the party of No. Democrats: sugary, emotional, idealistic, yearning for novelty, hard to marshal, the party of Oh Yeah, Baby, Make Mama Feel Good.

For me, it's my work - I have a job, and that job happens to be with insanely talented actors. At this stage, it's normal to me. But when I meet new people, I realise, 'Oh, yeah, it's actually really strange. I have a very unique hobby.'

Oh, yeah. I grew up in Southern California in the 1960's. It was very different. I was an only child as opposed to having siblings. My brothers all lived with my step-mom. I am very close to them, but we were not raised in the same house.

Oh yeah - I watched Knife in the Water, saw the shot, and repeated it. But even if I hadn't seen that film, inevitably the camera would've ended up on top of that mast, I mean if you think of it there are only so many dynamic shots on a boat.

It's very easy in the studio to get overzealous with your vocal takes, thinking, 'Oh yeah, I can do it over and over. I can sing at the top of my range for this whole song.' But when you're doing it every night on the road, it's pretty intense.

I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'

Oh yeah, I mean, it wasn't a very good guitar, most good guitars have got thrust rods in the necks that you can adjust or that'll keep them in shape, you know keep them straight. This one just, well it turned into a bow and arrow after a couple of months.

Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.

I never really watched much stand-up growing up. I just was not really that into it. But I can say I honestly fell in love with it the second I touched the microphone. It was like this weird thing where it's like, 'Oh, yeah, this is what I'm supposed to do.'

There's the cool factor, right? You see your face on a sign or your name on something, like, 'Ahh! Here I am!' And then there's a huge responsibility and the scary part of it, which is like, 'Now what happens?' And then you realize, 'Oh, yeah, this is my job.'

Let's just cut a live record with three microphones in four days and talk about lizards and aliens. If I had taken that idea to even an independent label, I don't see a label out there that would've said, 'Oh yeah, that sounds great. We know how to market this.'

You get a bad review with a novel, and it hurts. But I imagine if you get a bad review with a memoir, it hurts more because you can always say, 'Well, they didn't like my characters,' but when you're the character, it's like, 'Oh, yeah, they actually didn't like me.'

It helps to write as the character that I am trying to be, and try to journal every day as them. Once I've already recorded thoughts as this person, it's easier to just flip back through and be like, 'Oh, yeah, this is what she's thinking; this is what she's feeling.'

To be a great poker player, you're going to have to learn this fact: Everything that's said at a poker table is worth listening to. It's all information that you can use to make better decisions, whether people are talking about baseball, politics, or, oh yeah, poker.

People say this all the time and everyone, like, nods their head and is like, 'Oh yeah, totally,' but no one ever does it, including myself. I can do better at it, is just drinking a lot of water, like a gallon and a half, two gallons a day, like, straight water all day.

Someone said to me at a party once, 'Oh, yeah, you're a comedian? Then how come you're not funny now?' And I just wanted to say, 'Well, I'm just going to take this conversation we're having and then repeat that to strangers, and then that's the joke. You're the joke later.'

Oh, yeah, I see the world differently now. Actually, when I first had the baby, I was breast-feeding him for two years straight. So we were together for two years of his life, every single day, all hours of the day. So I was two people, and I eventually morphed back into one.

I want to do stories that are about the bits of cultural furniture that are sitting there that we're like, 'Oh yeah, that's been there for years! What could possibly be weird about it?' And then we're going to lift that piece of furniture and look at all the bugs scurry away.

I remember for my 18th birthday, I was going to get a tattoo, and I made the mistake of thinking I was a man and telling my father, and he was like, 'Oh yeah? You better tattoo a new address on your arm, because you're not living here!' And that was the end of that discussion.

I always like it when I eat myself out of breath. That's a good boost to my day. You know, I'm eating, and I go, 'Oooohhh.' It's better a few moments later when you get to think about it, when you're like, 'Why did I just stop to take a deep breath? Oh yeah, my body also needs air.'

If you mentioned Hanna-Barbera to people, they said, 'Oh yeah, Flintstone, Yogi, Scooby-Doo, Jetsons,' and that was pretty much it. We have characters with very high recognition factors and great films, but no organized plans for really making the most of them and increasing their value.

You write these songs which are really dear to you about your family or friends, loved ones, and then you get this call, and they say, 'It's perfect for two vampires making out in the back of a car.' It's some random TV show, and so I say, 'Oh, yeah, perfect - that's what I meant it for.'

The definition of success is that the company doesn't miss a beat. Do I love what I do? Oh yeah - I love it more than ever. You've got to have that energy level 24/7. But you've also got to make sure the transition is smooth. Being realistic, most high-tech companies haven't done that well.

They think that, if we were just smart enough, we'd be able to understand their policies. And I so want to tell 'em, and I do tell 'em, Oh, we're plenty smart, oh yeah - we know what's goin' on. And we don't like what's goin' on. And we're not gonna let them tell us to sit down and shut up.

So yeah, a good director will be able to listen and hear everything, but have a confident vision of his own that he can say, 'oh yeah - that's a great point.' And you never know; often you can help far more than you think you can, because there's so much more that he's juggling than an actor.

When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'

I have to believe that most people know that 'Can't Take My Eyes Off Of You' is my song. But the reaction we get from the audience at 'Jersey Boys' is that they didn't remember how many hits we had. A lot of 'Oh yeah, I forgot they did that song.' We had 20 Top 10 hits in the U.S... people forget.

Sometimes you just work, you work, you work, and you have no life, no boyfriend, you have no more friends, no more nothing, you just make movies, and you're tired, and you don't know why. Then everybody says, 'Oh you are so lucky, you are working!' And you're like, 'Oh yeah, oh yeah, it's so great!'

What really broke it down was I had my son while I was locked up, so that really affected me. I can't really have this, knowing my father was locked up when I was small. So that really out of everything - through the fame, the money, everything - that really put the toll on me: 'Oh yeah, I gotta change.'

People in Hollywood go home to their wives and children who look like they do. If you're in that position, your natural thought pattern is sometimes to think, 'Superman, oh yeah he's white.' You can't get mad at somebody for doing that. It's the world they live in and for some, they only live in that bubble.

I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.

There is something about the South that accepts the supernatural. If you don't accept it and you're having a conversation with someone who does, it's just one of those polite things where you don't question their belief in ghosts. You just go, 'Oh, yeah, okay.' It's amazing to be able to have conversations like that.

Many movie stars or American Idol contestants sort of fall into theater... and say, 'Oh, yeah, I would love to do theater.' And then they get here and say, 'Oh, wait a minute, this actually is a craft!' It's not just show up one day and do it. It's show up eight times a week, twice on Wednesdays and twice on Saturdays.

Oh yeah, I'm literally walking through my house now looking down and there are maybe, like, 15 pairs on the floor. For real. Real talk. It's just simplicity. They're something I wear every day. Before I got a deal with them, I was wearing some type of Vans all the time. I would just order them by the box, like, 10 at a time.

When you're drawing something, you kind of run a movie in your head. You might close your eyes or stare into the distance and kind of see a movie unfolding and, you know, grab a certain moment or think, 'Oh, yeah, that's when we need just the point that he appears around the corner but just as she's getting into the car,' you know?

I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'

I love women, but I feel like you can't trust some of them. Some of them are liars, you know? Like I was in the park and I met this girl, she was cute and she had a dog. And I went up to her, we started talking. She told me her dog's name. Then I said, 'Does he bite?' She said, 'No.' And I said, 'Oh yeah? Then how does he eat?' Liar.

For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'

The coolest thing, and I have it at home, is a huge Hulk Hogan, normal-sized pinball machine. When people come over they play it for hours. When you hit the bumpers and the bells ring it goes, 'Oh yeah!' The whole time you're playing this machine it's yelling and screaming at you, 'What you gonna do, brother?!' I think that's the coolest.

I like solitude. I'm very good at being disconnected. I do a lot of disappearing. People who know me go, 'Oh yeah, Mailman, she's gone into her cave again.' I'm like that, a bit of a hibernating bear. Like that crocodile that just sits there in the water and doesn't do much. I was always a bit of a dreamer as a kid, so that hasn't changed.

'Cause it's jail, everyone thinks they're bad. So this one guy was like, 'What're you gonna do, 'Lean and Bop' for us?' I was cocky, I was like 'Oh yeah? It costs five racks to see me lean and bop, It costs five racks to see me lean and bop.' But deep down inside it was hurting. It's moments like that make me hate - I feel like I sold out.

'After 17' is a song I wrote when my first daughter went to college, so that's kind of where I'm at in that part of my life. If you listen to that song and knew anything about me, you'd say, 'Oh yeah, he wrote that about his daughter,' but I try not to write them that they are so specific that they wouldn't apply to anybody that has a child.

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