Quotes of All Topics . Occasions . Authors
Oftentimes, the best negotiations result in a deal that benefits both parties. There are times when you simply want to go for the jugular, but often, you want the other person to feel pleased with the outcome, even if you are the clear victor.
I give my e-mail out all the time - my team doesn't love that! People e-mail me or tweet at me or LinkedIn me. I've learned that oftentimes people just need five minutes. People just need to touch somebody real and have a connection for a moment.
Oftentimes, you read these pilot scripts that come through for American work, and they don't sing to you. I've got to be honest, not many of them ignite the flame or give you that burning feeling of, 'Oh, God, I really want to be a part of this.'
I've started several small businesses myself and know that it is tough out there for the little guy in the global economy. I came to the conclusion that, oftentimes, the best thing the government can do for small business is to stay out of the way.
It's oftentimes the case that relief workers, people who've been involved in development projects and foreign assistance, have a real understanding of foreign cultures that the military desperately needs if we're going to be able to work effectively.
In music you have people exposing this very vulnerable part of themselves, and you also have the lifestyle is so fast that oftentimes people search for whatever the easiest way to feel relaxed in the midst of all of it, or the easiest way to have energy.
Post-production is kind of the death of hope. The money has been spent. The grand ideas are either there or they're not there. So music oftentimes has to compensate if there are issues, or it has to stay out of the way if the movie is working really well.
Love isn't any one good thing; it's a very, very strange mishmash of emotions. Your love for somebody is, oftentimes, informed by the terrible things you might believe about yourself, and comparatively, the person you see them as is everything that you're not.
Unfortunately, oftentimes people hire and give opportunities to people that look like them. They don't realize how much their own internal lives or privilege gets in the way of looking for people outside of the traditional spaces where they always find people.
Beetle is the embodiment of everybody's resistance to authority, all the rules and regulations which you've got to follow. He deals with it in his own way. And in a way, it's sort of what I did when I was in the Army. I just oftentimes did what I wanted to do.
As an actor, when you are called upon to do a job, you are oftentimes convinced you can't do it. You say to yourself 'I don't have the talent for this; they are going to figure out I'm a fraud.' And then you watch how the others do it, and fake your confidence.
I tend to write three to four hours a day, depending - oftentimes very late at night. When I write on Twitter, I do other things: I'm working, grading, or reading, and I'm procrastinating, and I'll pop on Twitter and be like, 'Hey, what's up? Yogurt's delicious.'
Teenage girls in television and film, in my experience, oftentimes are portrayed as either the sweet, innocent virgin or the super-sexy, experienced, town bicycle. There never seems to be an in-between. I think most girls are somewhere in between those two tropes.
I oftentimes say that I design my collections off my phone. I'm in a group chat with my team in Milan. I copy and paste. I draw. I look at trends. I don't really have an assistant. It's a modern way of working. I don't know if it's sustainable, but it's how I do it.
Oftentimes, when constituencies or sectors of opinion are distinct, when they are confronted with a situation where they're going to have to make a serious compromise, they react very negatively publicly, but they also recognize when they step back that this is right.
If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
In our economic structure, the people who work the hardest oftentimes make the least. I know migrant farm workers who do back-breaking labor every day, or Uber drivers and Lyft drivers who drive 10 to 12 hours a day in traffic. You can't be lazy doing that kind of work.
So many entrepreneurs approach me and say, 'I want to start the next big thing,' and I say, 'Well, what are you solving?' And oftentimes they say, 'Oh, I'm not sure. I want to start something big.' You can never start something big without solving something small, right?
What fame does is there is an illusion of familiarity that is cast into the world. So it's about negotiating with that illusion because, oftentimes, you encounter people who have encountered you, but you haven't encountered them. It's a little weird to find your footing.
Spike Lee gave me the greatest reaction to the fact that I was this athlete-meets-artist, because I think he saw that I was different. I learned that oftentimes, Spike directs in a sense that he might just stare at you and look at you in a telepathic way of communicating.
I've worked my entire career to try to broaden the perception of the WWE. A lot of folks think because we're so entertaining and oftentimes have such wild and well-defined characters that it's all we are. It has kind of been my life's work to tell the public that's not true.
Oftentimes, secrecy involves creating spaces that are outside of the law but are outside the normal channels of oversight. And I think it's pretty easy to see that if you create spaces that are essentially outside the law, then you're creating spaces where anything can happen.
You know, even with the 'Awkward Black Girl' episodes, they come out once a month. That's great for me, it's comfortable, it gives each time to digest, time for new people to get on to it and caught up, but oftentimes I have people who are almost demanding a higher output from me.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
I am writing to make sure that kids don't lose very important traits like curiosity that can drive social change because oftentimes I think parents emphasise more on doing well in school, which is important, but perhaps that sometimes comes at the cost of a child's natural curiosity.
We're not playing your typical guitar tuning, so there is no normal chords for us to get our footing with. We're pretty much making it up as we go as far as the sounds we're creating. Oftentimes, the song will be inspired by just a certain kind of block of sound that somebody creates.
I love the ambiguous kind of endings. I think, oftentimes, that's what life really is - there's no concrete path for you to take. It's always kind of a jumble of variables. Behind this door could be a beautiful woman, and behind the same door could be a tiger, you know? You don't know.
Don't let a lack of big company names on your resume get you down, but also, don't let it feed a Silicon Valley ego. Oftentimes, the best candidates come from startups or smaller companies. It shows they are open to risk and can keep up with the long hours and occasional harsh demands.
Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
People love to talk about the things that are important to them, but oftentimes as a journalist, if you're entering a world that's pretty esoteric and difficult to penetrate and has many barriers to outsiders, then the people inside that world just don't have the same language as you do.
Everybody is the way they are because of certain events that have happened in their life. Oftentimes you'll meet somebody who seems a certain way, and then you realize, 'Oh, that guy's actually the sweetest man I know. But I wouldn't have known that from the outset because that's hidden.'
Oftentimes people say to me, 'Oh I didn't know you could do so much with locs until I saw your videos or I saw photos of you at events.' So whenever I hear that people have been really inspired to experiment with their hair or their look because of me, it's very flattering and really cool.
Roald Dahl pioneered a new kind of literature for youngsters, one that dispensed with cant and solemnity, favoring anarchy and joy over duty and humbuggery while acknowledging that oftentimes no good deed goes unpunished. But ultimately, it was his sheer joie de vivre that carried the day.
I know that in my family there are histories of violence that are internal family things and that are oftentimes dealt with internally. By internally, I mean inside the family group, but also partly inside ourselves. You know, self-hatred and hostility and rage and this cycle that won't break.
The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'
When you unbox a My Little Pony or a Strawberry Shortcake doll, you were hit with a sweet, impossibly perfect fragrance of fresh, machine-made plastic oftentimes infused with floral and fruity notes to bring the toy to life. That third dimension of sensory experience made the toy so real to me.
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.
If you look at my movies, they're pretty densely packed, such that they not only hold up to a second viewing, they're oftentimes better the second time you watch them. So I've always thought about crafting stories that could hold up to multiple viewings, and so VR obviously fits right into that.
I find that I'm extremely unattracted to anything that's humorless. There is writing that is entirely serious, and it doesn't ring true to me, because I think, oftentimes, life is very, very funny. Even the worst, most humiliating, savage disappointments in retrospect have elements of bleak humor.
I think it's important to realize that law enforcement does do a very good job oftentimes of trying to ensure the safety and security of their people. But oftentimes, where they fail is communities of color and in lower socioeconomic status communities where they discriminate against these people.
Oftentimes, a history book in school will talk about the Underground Railroad as if it's one sentence. But thousands of people decided to run, and they single-handedly changed the trajectory of our nation. By running to the North, they put a face to slavery, which recruited a lot of abolitionists.
When you're a child, and you're growing up, and you're mimicking a certain character, or you're trying to live and breathe a certain character on set for eight years that are also your formative years, you oftentimes take a lot of who you're playing into your real life and kind of become that thing.
Some of the traits that make you a great entrepreneur also work against you. Examining data of high-scoring people, we find that oftentimes the world frustrates them: They're super-smart, they're super-capable, and the work quality of their peers is vastly inferior to what they can achieve on their own.
Women oftentimes are the ones making those economic decisions, sitting around the kitchen table and trying to figure out how to pay for rising gas prices or food prices or the health insurance costs. And I think that they see where they expect their leaders in Congress to also make those tough decisions.
I always do a lot of work around characters to make them real people because, oftentimes, they really are a sliver of a person. Even with truly wonderful writers, women characters are there to emote, and they're often incredibly chaste or worthy. Or they're a 'different type of woman', which is the worst.
Oftentimes, even myself as I've come through my entire career from high school all the way up here, everything has been football, football, football. And then you realize that life is much bigger than this game, especially when you start thinking about life after football and what you want to leave behind.
Oftentimes, WWE lives in its own bubble because it is forever moving. Oftentimes, a motion picture will live in its own bubble because they have a certain amount of time to get everything done. It's just, when you connect the two and get everything straightened out, truly, it may take a little elbow grease.
Oftentimes, when we think of 3D, we think of things coming out of the screen, but actually, you've got this zero, this negative space, what they call the negative space, which is the scene, what's being filmed in the positive space of the audience. As you can have things come out, you can have all of this depth.
I think that what we do out on the field is oftentimes a little bit better than what men do. I don't think that we flop around as much. I think we're tough. I mean, I've got battle wounds on my legs from the turf and sliding. And we're gritty. And we're feisty. And I think that I would never back down from a guy.