Walking down the street in any town or city in the world and having people look at you and start talking to you, convinced that they know you as well or better than they do members of their own family, that's just an odd phenomenon. But I mean, I wouldn't say it was a bad thing. It's an interesting thing.

I've done a lot of odd jobs, including waitressing, which most actors have done. I was a busboy - girl - when I was younger and sold things at little fairs when I was younger. I mostly related the role to being a waitress and having to deal with customers. There are good people and some not-so-good people.

I couldn't really tell if it was a different childhood because I was used to it, it was kind of normal to me. The only time I remember it felt a bit odd was when I went to other people's houses and they were calling people 'dad.' I wouldn't get that. But my uncle, who also lived with me, was a father figure.

Now I can broadcast to an audience of several million people on the 'Today' programme. I can talk about the day's news. But on radio, believe it or not, we have notes and scripts. And while we might ad lib the odd wryly amusing asides, they come at the frequency of a suburban bus. About one every 90 minutes.

Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.

I do think deception... There's something kind of odd about tricking people for a living, but ultimately, it's a remarkably honest profession, when you think about it. If you violate that code, and you say you're not using camera tricks, and then you do, I actually think that's a kind of serious moral issue.

I really like even numbers, and I like heavily divisible numbers. Twelve is my lucky number - I just love how divisible it is. I don't like odd numbers, and I really don't like primes. When I turned 37, I put on a strong face, but I was not looking forward to 37. But 37 turned out to be a pretty amazing year.

At the age of 16, I ran from my house, did odd jobs till l landed work on television and then in film industry. My first job was at an STD booth in Delhi. Then I came to Mumbai, where I distributed DVDs, and that is when I got my first TV show offer, 'Left Right Left.' I have never planned things in my career.

I did every odd job you could possibly imagine: Holding a sign in the rain for 14 hours straight, sweeping up cigarette butts, pouring coffee, running around - anything I could to be on a film set. I wanted to be in the business. So I'd say, 'You need that job done? Fine,' and I became indispensable to people.

Fame is really strange. One day you're not famous, and then the next day you are, and the odd thing is that you know intellectually that nothing in the world is different. What mattered to you yesterday are the same things that matter today, and the rules all still apply - yet everyone looks at you differently.

Doubting what you see is a very odd experience. And doubting what you remember is a little less odd than doubting what you see. But it's also a pretty odd experience, because some memories come with a very compelling sense of truth about them, and that happens to be the case even for memories that are not true.

It's so odd because I don't even know if I'm cut out for it, but being a movie star guy, I sort of end up gravitating toward the Coen brothers. That's one of the reasons my wife and I moved to L.A.: that however much of a pipe dream that would be, I moved to L.A. because I'd love to work with the Coen brothers.

I worked at Ruby Foos early on as a host. I was only there for a little bit, but I had several odd jobs to pay the bills before that. And being in New York for the first year, I got here in 2003, and it was a very exciting but very scary time not knowing how you would make ends meet and me trying to meet people.

Your problem is how you are going to spend this one odd and precious life you have been issued. Whether you're going to spend it trying to look good and creating the illusion that you have power over people and circumstances, or whether you are going to taste it, enjoy it and find out the truth about who you are.

At first blush, it seems odd that loser lit books are rejected initially, then go on to be fiercely loved by legions of readers. This apparent contradiction might be due to the fact that if they didn't screw up their lives, most losers would be the kind of power-elite, Type A go-getters whom readers love to hate.

I don't consider myself to be incredibly confident, or really lacking in confidence. When you're on Jonathan Ross' or Graham Norton's show, inevitably there's something to sell. And there's a live audience; you're sat between Cameron Diaz and Tinie Tempah - I don't really see it as 'me.' It would be odd if it was.

I moved to Queens, New York, when I was seven and a half. I went to middle school in a foreign country, but I had so many different kinds of Americans push me along and encourage me. I was very odd. I didn't talk very well. We were poor, and we didn't have any connections, but people showed up and pushed me along.

I'm excited about going back to 'Today,' but, at odd moments, I'll grit my teeth in anxiety. I feel like a student before the start of school. I've got my new shoes and my book bag, but I'm not sure I'll remember how to do trigonometry. During my maternity leave, I haven't used many words of more than one syllable.

I don't think the mainstream media understands people of color are multidimensional. For some reason, there's an idea that only white people are relatable. I don't think it's necessarily racist. But it's odd, because the people who watch the most television are black women, so we should be represented in more ways.

But one of the satisfying things about performing a play is you know for that piece of time exactly what you're going to be doing. Your life has a physical pattern. There's something about the odd, repetitious nature of it that I find hugely relaxing. All the problems of life are taken care of for that bit of time.

I missed the Wilco phenom while busy obsessing over rock en Espanol. So imagine my surprise when I found myself at O'Hare getting on a plane with my Chi-town homeboy, Jeff Tweedy. I loved the guy right away and loved his family. How odd to know somebody before you listen to them. I don't know if that's bad or good.

Poetry, as odd as it is, and as hard to figure out as it is, many times, it's almost something that we're used to. It's kind of like a dream language that we had centuries ago, so that when we speak poetically or write a poem about what's going on, a real difficult issue that's facing our communities, people listen.

Victorian racehorse owners frequently named their horses after murderers. That was so astonishing. Can you imagine the equivalent today, with a horse named, say, Boston Strangler, running in the Kentucky Derby? This was a new discovery. The Victorians didn't think it was odd, so no one ever mentioned it particularly.

I remembered what it was like: the weirdness, being the odd man out, trying to make my way around campus, and trying to figure out who my friends would be, who to steer clear of. I wrote it all down in a fanciful way - the feelings of alienation, the feelings of uncertainty, of being away from home for the first time.

I'm just glad that I'm the musical equivalent of a character actress, because blues singers can keep singing and having an audience at 35, and someone like Madonna's gonna have to find something else to do, 'cos I don't care how pointy those bras are that she wears, they're still gonna look a little odd when she's 55!

Years ago, when my attempts at a writing career came to a complete stand-still, I applied to the Los Angeles Police Department. This might seem odd for a liberal woman who once went to UC Santa Cruz, but I've always had a powerful fascination with crime and serious interest in finding different ways to contend with it.

The message films that try to be message films always fail. Likewise with documentaries. The documentaries that work best are the ones that eschew a simple message for an odd angle. I found that one of the most spectacular films about the Middle East was 'Waltz With Bashir,' or 'The Gatekeepers,' or '5 Broken Cameras.'

I feel so lucky to have lived the life that I did and to be surrounded by the people I love. I've got eight kids, and they're always laughing all the time. It's like music to my ears. I think that my frame of mind these days is probably happier than I've ever been, which is kind of odd, coming close to the finish line.

It's an odd experience reading interviews with yourself. Interesting, though. Of course, you know that the journalist will have edited, rephrased or even rewritten what you actually said, but you can't help feeling that there's a special kind of truth in the way someone else paints you, however subjective they might be.

There is a kind of desperate need for somebody to tell everyone what to do, which I find really peculiar in America. And then when you tell them, they're not interested, because it's also a country where everybody's opinion is their opinion, and they really don't give a damn what you think. So it's a very odd experience.

At the end of any of my project I miss the material. I pick subjects I love and then get very engaged with them, so stopping that engagement often feels odd and arbitrary, but there's a moment when I don't want to change anything else and when the shape and length feels right. At that point, continuing would be destructive.

It is odd what notions men seem to have of the scantiness of a woman's resources. They do not find it anything out of nature that they should be able to exist by themselves; but a woman must always be borne about on somebody's shoulders, and dandled or chirped to, or it is supposed she will fall into the blackest melancholy!

Acting's an odd profession for a young person; it's so extreme. You work, and the conditions are tough and the process is so immersive, and then it stops, and then there's nothing. So you have to find ways of making you feel productive when you're not actually producing anything. For a young person, that's really challenging.

Writing with a partner is, in some ways, an easy but odd process. Two people come into a room and look to each other for motivation. One might not be in the right mood at any given moment. And somehow, you begin; somehow, out of your exchange of thoughts, something engages both of you, and the process of collaboration begins.

If it's all instruction, you get annoyed with it and bored, and you stop reading. If it's all entertainment, you read it quite quickly, your heart going pitty-pat, pitty-pat. But when you finish, that's it. You're not going to think about it much afterward, apart from the odd nightmare. You're not going to read that book again.

When I was a teenager, in the '80s, it was 'Dynasty.' It was 'Beverly Hills, 90210.' And those were fantasies. Those weren't reflective of my experience. And I think we all want that; we all want to see ourselves, our story told, something to relate to, to help us and know that we're not freaks, that our experiences aren't odd.

My days in hostel were tough. I was ragged by my seniors. We were asked to wash their dirty clothes, do their odd jobs, etc. When it came to eating, we would be often given burnt rotis and milk that had awful odour. But, never once did I call home. I knew if I had to become a tough cricketer, I would have to handle the pressure.

I suppose 'My Hollywood' is only as politically meaningful as it is deeply inside the least powerful of its characters. I wanted it to reveal scenes of subtle exploitation, odd instances of accidental power and challenges to decency specific to its time, but also impulses of generosity that transcend our particular era's messes.

Fred Silverman, the head of ABC, he offered me a lot of comedy series but I told him I'd already been the best comedy series around, "The Odd Couple," and so when he saw that I did Quincy he called my agent and said, Jack turns me down? All my good series and he ends up playing an undertaker." And this was the HEAD of ABC series.

For me, I've always found people who stand up and spritz themselves all over their clothes very odd. I'm a big bath addict, and I get up in the morning, and I have a big bath. But when I get out, and I'm still hot but fresh out of the bath, that's when I apply scent. I just have it on my bare skin; I never apply it to my clothes.

In the 2000 presidential election, Al Gore got more votes than George W. Bush, but still lost the election. The Supreme Court's ruling in Florida gave Bush that pivotal state, and doomed Gore to lose the Electoral College. That odd scenario - where the candidate with the most votes loses - has happened three times in U.S. history.

Once you explore life outside of work, it becomes addictive. The less you work, the less you want to work. At first, the odd afternoon off seems like a fantastic luxury. Before long, you are opting for a four-day week. Then a four-day week becomes an intolerable demand on your time, so you find a way of moving to a three-day week.

I started out mopping floors, waiting tables, and tending bar at my dad's tavern. I put myself through school working odd jobs and night shifts. I poured my heart and soul into a small business. And when I saw how out-of-touch Washington had become with the core values of this great nation, I put my name forward and ran for office.

Who I was back then, when I started on 'One Tree Hill,' is so different from who I am now. Coming off Laguna, being 19 years old, and thrown into this odd, ridiculous spotlight, wasn't for me. There have always been haters, and people don't want to give you a chance or the benefit of the doubt, but this show gave me an opportunity.

I have an odd theory on happiness, and it bothers people. My general theory is that happiness is a reward for an animal doing what it should be doing. So if a horse runs, it feels happy. Or if you are too thin, you can't be happy, because evolution wants you to be tense and anxious, trying to wake up in the morning looking for food.

True stories are always good because they're so odd, and so unlikely. It's always good to have a world that people don't know about - a world that hasn't yet been done. It's like treading on fresh snow. You're the first one there. It always feels good to be dealing with a period of history or a world that no one else has dealt with.

Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.

When I decided to crop what was left of my hair, I thought, 'It's all over. I'm never going to work again: it's basket weaving me for me from now on.' But what actually happens is your casting changes: you suddenly start to get a lot of villains and coppers and soldiers and even the odd sensitive vicar - you become institutionalised.

I come from a large family, with 16 cousins. My cousins studied well and moved to the U.S. When we all gathered together for special occasions, they would be well groomed and confident. I was the odd, useless one out. All I wanted was to be able to earn without my dad's help and be self-sufficient enough to own a house and a vehicle.

For notes related to books I'm writing, I've wondered whether I should organize my notes better, but I do find that the action or scrolling through them and seeing odd juxtapositions of ideas helps to stimulate my own ideas and creativity. I worry that if I kept the notes in a highly-structured way, I might lose some of these benefits.

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