In English, I never did the reading when it was assigned. If a paper was due on Friday, my attitude was, read half the book on Tuesday, the second half on Wednesday, and write the paper Thursday night. Sometimes, I'd just read the Cliff's Notes and skip the book altogether.

In 1962, I wrote a series about 42nd Street called 'Welcome to Lostville.' One result was that the young Bob Dylan read it and invited me to his first concert at Town Hall; the result was a kind of friendship that years later led to my liner notes for 'Blood on the Tracks.'

When you are making a record and if you spend too much time over it, you have to record it a tone lower or cut the tones lower because you can't reach some of the notes, I find this. But when you go on stage, you have to put the key up and it really changes the whole thing.

I always carry a sketchbook around with me, and I sketch whenever I can... I might be in a financial review and be sketching because I find that I actually listen better when I sketch. Truth be told, there are probably more sketches in my books than there are written notes.

I remember travelling up and down the road, and I kept journals during my whole career, and I was always making notes about things I wanted to say, words I wanted to create, actions I wanted to do, things I wanted to do to make the character more imaginative and fantastical.

I can almost see the music. It comes in the form of colors - colors jump out at me, and that translates into notes. They come fully formed: the orchestration parts, not just the melodies. Even though they're not always the right ones to use, the initial idea comes like that.

I am always making sketches of how information should look or mapping out a marketing campaign. When I present my notes, people start responding to them. Desktop publishing makes everything look slick. When you present sketches, it helps start the dialogue and collaboration.

It's a magical thing, the guitar. It allows you to be the whole band in one, to play rhythm and melody, sing over the top. And as an instrument for solos, you can bend notes, draw emotional content out of tiny movements, vibratos and tonal things which even a piano can't do.

If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.

Generally, my notes and outlines comprise more words than my novels. I suppose that's one reason I'm a comparatively slow writer, something that has always bothered me given the fact that other authors can turn out a book every six months while I usually take about two years.

I love classical music, but I hated classical guitar. But I like flamenco, because there was something else there going on. It wasn't just the notes being thrown at you. And there were certain kinds of jazz that I really liked and other kinds that just went right over my head.

I love finding out how authors work, because it can either go full Carrie in 'Homeland,' with loads of Post-it Notes and string on the wall and they know everything that's happening in the plot - or they let the characters tell them where they want to go and what happens next.

I don't have a drawer full of ideas. I kind of look around and take notes and wonder what could actually be a whole movie. And each time, I think I'm going to do it more commercial this time; I'm going to get a big budget and make it. But I always come up with some small idea.

The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.

Before I left for the bubble, a couple days prior I started taking notes on everything I was doing, how my workouts were and stuff like that. I just did it throughout the bubble. It does help me for sure. It keeps me locked in, just always reminding myself of what I need to do.

The film 'The Diving Bell and the Butterfly,' based the book of the same name, has a line that enlightens and comforts me. The protagonist, who has lost all ability to move except one eye, discusses his role as a father. He notes, 'Even a fraction of a father is still a father.'

Unlike a high-wire walker, I don't think any musician strikes the wires of a piano or draws a bow across a violin's strings primarily for the kick of an adrenalin fix. There is danger on stage, but dropped notes are not broken bones; a memory lapse is not a tumble to the ground.

I have ideas every day, and if I'm not carrying a pad of paper, I'm typing it into the notes thing on my iPhone, and it's just ridiculous - idle hands are the devil's plaything, and I can't be the devil's plaything. I got to be the devil; I got to be the guy making it all happen.

I take a lot of notes. Maybe it's a product of me taking so many notes, but I have a pretty good memory for episodes, and some of the other actors will ask me questions about things, so I have this sense of responsibility that I have to be the one to remember some of the details.

For inspiration, we still demand the rhetorical high notes. Clinton has hit them before, in her speech in Beijing as first lady when she said, 'Women's rights are human rights,' and in her 2008 concession speech, when she talked about the '18 million cracks' in the glass ceiling.

Pretty much, the writer's in charge in theater. Of course you're in charge with the director, but no one can change your words. People can give you notes, but you don't have to take them. In Hollywood you take them and you cash your check and that's your job. It's very different.

I have this nook at Milk Bar that's my office, and my desk was just full of every box of Kellogg's cereal, and at different times during the day, I would open up a box, eat a bowl of cereal, and I live in a world of Post-it notes, so I would leave tasting notes on all the cereal.

In comics, there are depths that don't reveal themselves immediately, and the stuff that you might consider anal about 'Watching the Watchmen' - like the notes where I plot the rotation of a perfume bottle through the air - might not be particularly obvious to anyone who reads it.

Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.

I actually feel I'm in a much better place than I've ever been because I'm thankful people still love the songs that I've written, and they seem to like me. And they come to the shows in droves, and they get all excited, and I can still hit all the notes, and I don't look terrible.

I live in this apartment building, and everybody who lives there thinks of me as a housewife. People drop their babies off with me. Or I get notes: 'I'm going to be gone for three days. The keys are under the mat; take care of the cats.' Because they all think I'm home all the time.

I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.

I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.

When you hear a great two-track of a performance in Carnegie Hall, let's say, it sounds like you're right there at that moment. It's true to reality. And the closer it gets, once it gets too technical, it becomes very tinny to hear notes. It doesn't sound right. It has to be natural.

I avoid listening to too many people's comments about my script. I have learned to take in what is of use. It's too frustrating looking at somebody's notes who didn't get what you were doing. If somebody says, 'This stinks, and here are all the reasons,' that's not going to help you.

Be serious. You've got to do the job you were hired to do well, but there's always more you can do. When I was an assistant, I would say to myself, 'You may not be an executive, but act like one.' I would volunteer for any creative assignment - read scripts, do 'coverage,' write notes.

I think a lot of people, in general, have whatever mechanisms they have in order to go through the day. For me, I do just literally have post-it notes and other little messages to strengthen me on hard days, or just on regular days, to remind me - to remind ourselves - of our dopeness.

If President Obama were to enroll in an American government class, the professor would mark him absent on most days. In the first 100 days of his second term, the president has failed to show up to class, take notes and complete the daunting task of rising to the challenges facing him.

When The Who first started, we were playing blues, and I dug the blues and I knew what I was supposed to be playing, but I couldn't play it. I couldn't get it out. I knew what I had to play; it was in my head. I could hear the notes in my head, but I couldn't get them out on the guitar.

After my husband died, I could not write much - I could not concentrate. I was too exhausted most of the time even to contemplate writing. But I did take notes - not for fiction, but for a journal, or diary, of this terrible time. I did not think that I would ever survive this interlude.

When an attacker fails with one person, they often go to another person. The key is to report the attack to other departments. Workers should know to act like they are going along with what the hacker wants and take copious notes so the company will know what the hacker is trying to find.

I dedicate some of my power to Mike Tyson. I watched a lot of film on Mike Tyson. Then we started taking notes on Muhammad Ali. We took notes on Sugar Ray Leonard. What was that fighter known for? Why was he so difficult to beat in his time, in his era and, you know, why was he at the top?

The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.

If, in the schools, the classical language would no longer be taught, whom could we entrust with the writing of memorials, documents, letters and notes in the public service? How could we possibly assign important offices and heavy responsibilities to someone who cannot even write fluently?

Men whose sense of taste is destroyed by sickness, sometimes think honey sour. A diseased eye does not see many things which do exist, and notes many things which do not exist. The same thing frequently takes place with regard to the force of words, when the critic is inferior to the writer.

We've forgotten how to remember, and just as importantly, we've forgotten how to pay attention. So, instead of using your smartphone to jot down crucial notes, or Googling an elusive fact, use every opportunity to practice your memory skills. Memory is a muscle, to be exercised and improved.

I picked up the guitar very late, in a very pagan way - I didn't know how to play, but I knew I had to. I drew and I had a diary, but it wasn't enough; I needed to express more. As soon as I learned two notes, I started to tell a story, which is why, I guess, my music resembles blues or folk.

The blues scale was the first thing I learned. It's just a pentatonic scale with a flat seventh and a few notes that sound cool when you bend them. And because people have amalgamated the blues into this rock-blues scale, if you're using it, you better sound like a real authentic blues player.

I grew up writing thank-you notes. Real, honest-to-goodness, pen-and-ink, stamped and posted letters. More than simple habit, it's about what the commitment to expressing your thoughts and feelings in writing says about the character of the writer. About the joy such notes bring to the reader.

The Indian economy has declined because of the peculiar Indian 'invention' of that perfidious financial derivative called Participatory Notes, or PNs, otherwise known as the crony/crooked facilitator for black-money-based portfolio investment. No other country would think of such a derivative.

I used to be a calligrapher for weddings and events - that was my side job while I was auditioning. I think handwritten notes are a lost art form. When I booked my first pilot, my dad wrote me a letter that I still have. The idea of someone taking the time to put pen to paper is really special.

For a while, I was working on transcribing rap lyrics and then converting them into rhythmic patterns on the piano. And so in my mind, when I was taking a solo, I would be saying the lyrics and trying to play actual notes to their rhythms. Now, the influence just comes in and out in my playing.

When you unbox a My Little Pony or a Strawberry Shortcake doll, you were hit with a sweet, impossibly perfect fragrance of fresh, machine-made plastic oftentimes infused with floral and fruity notes to bring the toy to life. That third dimension of sensory experience made the toy so real to me.

Most of us live for the critic, and he lives on us. He doesn't sacrifice himself. He gets so much a line for writing a criticism. If the birds should read the newspapers, they would all take to changing their notes. The parrots would exchange with the nightingales, and what a farce it would be!

When I practise scales I will play four notes on one string. If I'm playing a C major scale, starting on F, I'll play the F, G, A, and B on one string and the C will be on the A string, etc, etc. Because I found not only was it good for my hands but it was really good for interconnecting things.

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