Quotes of All Topics . Occasions . Authors
To me, writing and composing are much more like painting, about colors and brushes; I don't use a computer when I write, and I don't use a piano. I'm at a desk writing, and it's very broad strokes and notes as colors on a palette.
I'm fascinated by the notion of a perpetual sound: a sound that won't dissipate over time. Essentially, the opposite of a piano, because the notes never fade. I suppose, in literary terms, it would be like a metaphor for eternity.
'Where The Wild Things Are,' I think I could have written on my own. When I brought Dave Eggers on, I already had 60 pages of notes. I technically could have, but I don't think I was ready to. I needed him to be there and help me.
In the 1930s, all the novelists had seemed to be people who came blazing up into stardom from out of total obscurity. That seemed to be the nature of the beast. The biographical notes on the dustjackets of the novels were terrific.
I liken movies to playing a piano: Sometimes you're playing the chords and different notes with unresolved cadences and playing all major chords that are all over the place, and you're enjoying yourself with a great, simple melody.
For my fragrance, I knew I wanted something sweet but with a different side to it. I have a lot of vanilla notes and bakery shop scents, but then I also have muskier notes that make it a bit edgier. It's fun but also sophisticated.
My real name is Chord Overstreet. I actually got my name because my dad is in the music business as a songwriter. I was the third one in my family born, and there are three notes in a chord, so that's how they came up with my name.
When I first got married to my husband, he had boxes full of photos of my two stepsons, ages 5 and 8 at the time, and I put them together in some little albums and wrote notes about how happy I was that they were a part of my life.
But at the same time, never having final cut before, I really learned an interesting thing for any studio executive who is reading this: that if a director has final cut, it's actually easier and more interesting to listen to notes.
I was always playing the Hammond Organ back to front even during the days of the Nice, going back to 1968. Really what I was doing there, was choosing notes at random and trying to make some sense of them, improvising back to front.
I have a lyric journal that I write in a lot. When I'm going to play, I just sit down and have my books with me and my notes and tapes and whatever I need to refer to. I just play and try different things. It's a kind of discipline.
I must tell you I take terrible risks. Because my playing is very clear, when I make a mistake you hear it. If you want me to play only the notes without any specific dynamics, I will never make one mistake. Never be afraid to dare.
When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
Storms of every sort, torrents, earthquakes, cataclysms, 'convulsions of nature,' etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.
I love jotting down ideas for my blog, so I doodle or take notes on all kinds of stuff that inspires me: the people I meet, boutiques I visit, a florist that just gave me a great idea for an interior-design project, things like that.
Music is an important thing of energy. And there are a lot of wonderful aspects that come with it and vibrations, the physical vibrations, the movement of notes through an instrument and creating a wave that resonates into our spirit.
When I drive, I check out everything I see, and just taking in all those observations helps me think. So I draw and write a lot as I drive, and I know that's dangerous, but I manage to do it off to the side, with my notes on the seat.
When I am reading for research and making notes, I use a cleverly designed curved lap-desk, and I sit up dutifully, mindful of ergonomics and suchlike concepts. When reading for pleasure, I take advantage of the 'recline' in recliner.
Eric Clapton was such a great player. He sounds like he's Freddie King or someone like that. He plays the roots of blues and Delta blues. He really affected me with the way that he plays, because he never really plays that many notes.
I have always liked coming home and sharing what has happened that day with my loved ones. I like comparing notes. I know other people do, too. I think there is a human instinct to tell stories, no matter who you are or where you live.
When goods are exchanged between countries, they must be paid for by commodities or gold. They cannot be paid for by the notes, certificates, and checks of the purchaser's country, since these are of value only in the country of issue.
I remember Pavarotti telling me, 'Oh, Neil, after seventy, the voice is going to go.' But I've been lucky. You almost have to learn how to sing all over again. You use your diaphragm more. You have to choose the notes and pace yourself.
When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.
My earliest memory as a kid was when I was about six, my dad used to take me and our Labrador Glen for a walk. We used to take a wind up camera and go searching for crop circles. We'd make little notes and I'd take photos of the circles.
From reading over the notes for each session it was apparent that there had been improvement by more or less regular steps from almost complete terror at sight of the rabbit to a completely positive response with no signs of disturbance.
One person might be able to learn by reading, another will have a good audio memory, and another will make notes in different colored pens. I have a more multi sensory memory - I remember what I was doing when I learnt it and where I was.
I've lost a few notes on the top. But I've gained a little insight about what makes people comfortable when they're listening or watching a performance of mine. It usually has to do with singing something that isn't vocally too strenuous.
I had a very misguided notion of what 'network notes' were. I thought they were well-meant suggestions, perhaps urgently meant, but just suggestions nonetheless. And actually, they're demands. You have to do them, or you will not be paid.
Beethoven said that it's better to hit the wrong note confidently, than hit the right note unconfidently. Never be afraid to be wrong or to embarrass yourself; we are all students in this life, and there is always something more to learn.
I started studying music at the age of five and a half. My older sister was taking piano lessons. When her teacher left our apartment, I would get up on the piano bench and start picking out the notes that were part of my sister's lessons.
I myself have appeared on countless panels alongside people with whom I've disagreed, at times even vehemently - and yet, the thought of closing out those segments by grabbing their notes and ripping them up has never even crossed my mind.
Sometimes I work purely 8-12 shifts, banging stuff into the computer. Other times, my office is like a scene from a detective movie, with Post-it Notes, plans, photographs all stuck on the walls and arrows going everywhere, and it's 4 A.M.
David and I got cut out the editing process on that. We were able to affect it more than not. We sent in our notes, we were able to see cuts. We weren't allowed to see dailies and we weren't allowed to sit in the editing room and just work.
My favorite guitar now is my Martin HD-7 because it's got everything. It's got the jingle-jangle thing from the twelve string, it's got the flexibility of the six string, and the bass notes where you can do bass runs and that sort of thing.
Every reporter inhales skepticism. You interview people, and they lie. You face public figures, diligently making notes or taping what is said, and they perform their interviews to fit a calculated script. The truth, alas, is always elusive.
I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.
'Pootie Tang' may be raw and slovenly - hey, it often is raw and slovenly - but it succeeds as a laugh getter because of the spot-on satirical notes. You might say that the movie walks it like it talks it; I'm not sure what Pootie would say.
I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.
I don't think I'm a singer that likes to flex my vocals. I'll do some runs and a bunch of high notes, but that's it. I really pride myself and I really work on just trying to sing. Like emotions. Just using my voice, not doing anything extra.
When I became more involved in music, I had to give up some of my writing in the literary sense. However, on occasion, I would write something for my own pleasure or I would write notes and introductory remarks in the songbooks I put together.
Technology has spoiled me and I'm so dependent on it that I do not even remember my mother's mobile number! And I used my phone not just for the calls but all my selfies and notes and reminders and as a GPS locator as I'm a frequent traveller.
My writing process is chaos. I usually start with an overarching theme. Then I establish several story threads, but I don't outline. I just start writing and keep notes for what may come. It's an organic process that's usually pretty flexible.
I don't see anyone for the first hour and a half that I'm awake. I don't like to talk, and I don't like to hear any sounds. People know not to bother me! I use that time to read, and make lists and notes of things I have to do later in the day.
I'm trying to get my head in the game, think about the questions I wanted to ask, breast milk is flying everywhere - over my notes - and I - how do you 'lean in' at that moment? What is the equivalent of that for Wolf Blitzer or Joe Scarborough?
Music is the language of the angels. You can hear just one or two chords, one or two notes of a song, and bam - you're right back there, you're right back in that moment, you're back in that day, you're back at that prom, you're back in the car.
On a personal level, I send out about 20 thank-you notes a day to staffers, on all levels. And every six weeks I have lunch with a group of a dozen or so employees, to get their perspective on the business, to address problems and to get feedback.
Because cheating is easier when we can justify our behavior, people often cheat in small amounts: We can come up with an excuse for stealing Post-It notes, but it is much more difficult to come up with an excuse for taking $10,000 from petty cash.
It doesn't matter where we are. We can be marching down the streets of New Orleans, or we can be onstage in front of 15,000 people. As long as I know that I'm about to put my horn to my mouth and play some notes, that's what I most look forward to.
I've tried to start my kids on 'Doctor Who,' but they're just not there yet. Someone had given me these TARDIS stick-em notes, so I gave them to Tucker, and he finally put them all over his locker. I'm like, 'You're the coolest fifth grader, ever!'
What I look for in a voice is for it to be unique. I don't really care if a singer sings well. Really, it's about emotion, or being able to sing the lyrics and actually mean it. A lot of singers sing good notes but forget about what words they use.