We get notes sent to us backstage from college students that say, 'My parents used to play your albums all the time! I grew up with you, and I love the new stuff.'

The most amazing thing about Karl Lagerfeld is that no matter what you ask him, you will always get an interesting answer. We even exchanged notes about ponytails.

I didn't have to wait six years to get my show on the air, worry that someone else had a similar idea, or wait around for notes that took my voice out of the show.

Occasionally, when I run into a great bass backstage at a festival I'll play a few notes on the low E string, just to feel the instrument vibrate against my belly.

I do research, I read books. I write down everything that I intend to say and this may take several hours. Then when I am out there preaching, I do not carry notes.

There are rhythmic ideas which sometimes only work up to a point. In writing there are moments when it just comes off the page, it's not just a collection of notes.

We find that no matter what country we're in, if we hit the right economic notes and appeal to the mass market, we're able to build the business very, very rapidly.

When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.

So much of performing is a mind game. You're memorizing thousands of notes, and if you start thinking about it in the wrong way, everything can blow up in your face.

Accordingly, when the supply of gold runs short, the security behind the notes is diminished, the loaning of notes is restricted or suspended, and the panic follows.

Using a typewriter, at times, feels more like playing piano than jotting down notes, a percussive exercise in expressing thought that is both tortuous and rewarding.

My dad is in the music business in Nashville. I was the third child born in my family, and there are three notes in a chord, so that's how they came up with my name.

We are all capable of so much more than the narrow confines of our regular behavior and our personality. So it's interesting to play different notes on your keyboard.

I played in the high school band. I was the one baritone saxophone out of 80 other people. No one could tell whether I was hittin' the right notes or the wrong notes.

I keep my stand-up comedy notes in a pile on my desk. I don't organize my act. I keep myself in a state of confusion. It stresses me out, but I prefer creative chaos.

I think jamming is the way we begin to communicate. In the old days, people actually wrote notes on paper and sent them to each other. I guess that's how they jammed.

Many use Rs 500 and Rs 1,000 notes for daily transactions like going to theatres, malls, and trading purpose. People like these are unnecessarily put to inconvenience.

I wrote 'Black Deutschland' very quickly one summer, probably because I had a lot of it in pieces and fragments sitting around over the years as false starts or notes.

I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.

If what you do for a living is play drums or bass, then that defines you. You don't want to be some guy missing notes here and there; you want to really speak with it.

ICICI Bank was the first bank to recalibrate its ATMs for 2000 and then also for 500 rupee notes, and now we have some ATMs which give out 2000, 500, 100 - all of them.

I'm happy we're about to start inviting people into the thing we've been working on!! It's called Pinwheel, and it's a way to find and leave notes all around the world.

I knew I really made it when my dad saw me in London and after the performance he had no notes to me and just said 'You are doing your own thing and I am proud of you.'

Though music transcends language, culture and time, and though notes are the same, Indian music is unique because it is evolved, sophisticated and melodies are defined.

Big companies are like marching bands. Even if half the band is playing random notes, it still sounds kind of like music. The concealment of failure is built into them.

Every new revelation about the Obama Administration comes with the familiar musical notes of the Rod Serling TV classic ringing in my head: 'Do-dee-do-do, do-dee-do-do.'

I could stop and say, Well that was a D minor, G seven, but I really don't want to know that. I just want to know that there's a combination of notes that makes a sound.

In my stunted career as a scholar, I'd read promissory notes, papal bulls and guidelines for Inquisitorial interrogation. Dante, too. Boccaccio... But after 1400? Nihil.

There's something mathematically satisfying about music: notes fit together and harmony and all that. And mathematics has to do with abstractions and making connections.

When I play the first few notes of a song and people start screaming, I think: 'That's why I did this. That's why I wrote this song. That's a good job.' And it is a job.

Whenever I heard the song of a bird and the answering call of its mate, I could visualize the notes in scale, all built up within my consciousness as a natural symphony.

Sensations are the great things, after all. Should you ever be drowned or hung, be sure and make a note of your sensations; they will be worth to you ten guineas a sheet.

Children who open their lunchboxes and find mothers' handwritten notes telling them how amazingly bright they are tend to falter when they encounter academic difficulties.

Photography is usually viewed as a solitary activity, but the truth of the matter is that people love to shoot together, compare notes, and just have fun with photography.

Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors - it's how you combine them that sets you apart.

No one has any respect for someone who can play a million notes per minute but can't put together a decent tune that someone can sing to or feel some sort of emotion from.

Music is a continual learning process. One finds new insights all the time. For me, it began at a very early age; from the beginning, there was something besides the notes.

If I could dwell where Israfel hath dwelt and he where I he might not sing so wildly well a mortal melody while a bolder note then this might swell from my lyre in the sky.

Silk Road to Ruin has all the analysis and it's structured very well. I rely on my notes more and I use direct quotes. But there's nothing like writing about it right away.

I don't think I could have ever had a career as a pianist because I never ever wanted to play the notes the way they were written, I was too sloppy to learn them quite right.

I am an old-school guitar player. I'm not an '80s-'90s sort of shredder who plays a million notes a minute. I am way more '60s-'70s kind of style, and I write very '60s-'70s.

I don't want to be on a soapbox, but I feel like a lot of documentary filmmakers are part of the ancient tradition of writing down notes, of saying, 'Hey people, hey people!'

As you get older, some top notes drop off and bottom notes appear, which I quite like. You listen to Leonard Cohen or Johnny Cash, and you see the advantage of the lower end.

I talk to amateurs, up-and-coming guys, fighters older than me, and we compare notes to teach each other how to leave this game on top from a legacy and financial standpoint.

Every fundamental law has exceptions. But you still need the law or else all you have is observations that don't make sense. And that's not science. That's just taking notes.

A lot of young drummers have a tendency to really overplay. Sometimes simple is better, and the notes that aren't played between the spaces are bigger than the notes that are.

No two notes are ever the same volume. With the guitar, you really have to model in your mind this wider thing; you're trying to create the illusion of a bigger dynamic range.

Since I was a kid, I always wanted to figure out how to make a bass line that was a pendulum - like, gravity would control it, and then you could make it play different notes.

I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.

The thing that's tricky is sometimes the best voices - just because someone hits the big notes and sounds amazing - it doesn't necessarily mean they make the greatest artists.

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