Quotes of All Topics . Occasions . Authors
I don't hate humanity and I'm not interested in people who do. Although, it's funny, actually, some of my favorite writers really do. Like Martin Amis. My dirty secret. 'London Fields' is one of my favorite books ever. And it's indefensible! But he's so funny... I forgive him everything.
I'm not interested in writing overtly autobiographical songs. I would rather explore interesting stories. I like the idea of the songs being evocative and distinctive, so I have in my mind the atmosphere that a film could evoke. I like to think of them existing in their own little world.
In France, they call the people who come to the theatre 'les spectateurs'; in Britain and Ireland, they are the audience, the people who listen. This does not mean the French are not interested in language. On the contrary. It actually says more about the undeveloped visual sense over here.
I want 'Vogue' to be pacy, sharp, and sexy - I'm not interested in the super-rich or infinitely leisured. I want our readers to be energetic executive women, with money of their own and a wide range of interests. There is a new kind of woman out there. She's interested in business and money.
I'm very proud of being a woman, and as a woman, I don't even like the word 'feminism' because when I hear that word, I associate it with women trying to pretend to be men, and I'm not interested in trying to pretend to be a man. I don't want to embrace manhood; I want to embrace my womanhood.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
I don't want to make a comfortable film. I'm not interested in that. I'm not interested in answering people's questions; I'm interested in posing questions. I'm interested in sparking a conversation between two people about what something means. That's enough for me, as a writer and as a director.
I think someone like Khandi Alexander, who's now on 'Treme,' is one of the most extraordinary actresses I've seen in years. But she's dependent on someone brilliant like David Simon to realize that and to give her a forum. Tyler Perry's not interested in that kind of nuance because it doesn't sell.
At the end of the day, I'm still an African-American woman in a male-dominated industry, so sometimes you have to deal with people not taking your ideas seriously. But I look at it as, I'd rather have adversities in something that I love than doing something that I hate or where I am not interested.
The time that I took between 'Cocktail' and 'Happy Bhaag Jayegi,' a lot of people told me, 'out of sight is out of mind,' and I was like 'Okay, maybe.' And it did happen. Because I wasn't around, people just assumed I was doing other things and was not interested in films which I thought was unfair.
I don't eschew autobiographical writing, but I'm not interested in mine to be so straightforward. The things that tend to move me the most are often those that I have to figure out its meaning for myself. The human being's ability to make a metaphor to describe a human experience is just really cool.
I don't know if I'm selfless - I still want to make a great record. I want to make a hit record. I want to tour; that's not completely selfless. But the truth is I'm not interested in people coming to my show for me as much as I am for them coming to my show for themselves. That's always been how I am.
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
I keep trying to bring a more professional approach to New Zealand cricket. It's an uphill battle. I stay in the game because I find it intriguing and interesting. I'm not interested in coaching international sides. I don't mind short-term coaching. I don't want to get involved in the politics of teams.
My idol is Emile Zola. He was a man of the left, so people expected of him a kind of 'Les Miserables,' in which the underdogs are always noble people. But he went out, and found a lot of ambitious, drunk, slothful and mean people out there. Zola simply could not - and was not interested in - telling a lie.
Basically if you study entrepreneurs, there is a misnomer: People think that entrepreneurs take risk, and they get rewarded because they take risk. In reality entrepreneurs do everything they can to minimize risk. They are not interested in taking risk. They want free lunches and they go after free lunches.
I'm not obsessed with the idea of doing what you're supposed to be doing when you're a rapper. Walking around with cash that you haven't even provisioned for tax. Spending all of your time in the designer store to create some weird impression. I'm not interested, bro. I just like making music, and that's it.
I'm not interested in going to casting after casting, trying to get into that game. So there is a part of me that knows that I will do more characters, even if I have to produce those projects myself to get those projects out there. If the right characters come along, I would love to. I would jump at the chance.
For me, I skate as masculine as I can. I'm not a big strong guy. I'm not interested in fighting or throwing punches or balling my hands in fists all day. I'm not interested in guns, I'm not interested in football or stereotypically masculine things, so I'm going to skate in a fashion that is manly for Johnny Weir.
Doctors and scientists, being part of that two-sex culture, have done everything they can to try to force people who are in-between into one of the two clear types. Intersex people themselves have also generally wanted to fit into one of the two clear categories; most are not interested in being in a 'third' type.
I prefer to surprise myself as I'm writing. I'm not interested in it if I already know where it's going. So I have only the most general sense of what I'm doing when I start a story. I sometimes have a destination in mind, but how the story is going to go from Point A to Point Z is something I make up as I go along.
When Democrats kind of cavalierly attack the religious right or go after Pat Robertson or Jerry Falwell, our candidates have sent the signal to a lot of religious people, 'Well, I guess they are not interested in me.' And I think this includes a lot of people who would fit very naturally within the Democratic Party.
Targeted ads, I think, are useful because I don't want to see all the crap. I'm not interested in buying a Mercedes Benz, but I am interested in buying a new MacBook Air. So if organizations like Facebook can actually make the ads more relevant to me, if they know what I am interested in, I have no problem with that.
I'm really not interested in acting as a facade, I'm interested in it as an emotional expression and as a transcendent experience for an individual. I find that a lot of people, a lot of young actors, haven't gotten to the point where they're comfortable being stripped down. They're still interested in ornate jackets.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
There is a kind of desperate need for somebody to tell everyone what to do, which I find really peculiar in America. And then when you tell them, they're not interested, because it's also a country where everybody's opinion is their opinion, and they really don't give a damn what you think. So it's a very odd experience.
I want to work on projects that I feel passionate about and do things that are fun and challenging. I would love to do a live musical. I'm not interested in doing the same thing over and over or the fame and exposure that comes with it. When people keep doing that, they just end up doing the same dumb stuff again and again.
In 1968, 'Liberty Magazine' had an article about George Wallace in which he stated he would suggest me as a possible vice-presidential candidate, along with other choices such as 'Happy' Chandler and General Curtis LeMay. However, I am not interested in any political office in the United States or anywhere, now or back in 1968.
I'm not interested in doing 'Star Wars.' It's an amazing movie, but that's not my gift. I tell the stories that I tell that relate to the people who love what I do. That is the place and the path that I know I am supposed to be on. The minute I try and go do something else, it will be amazing to watch how quickly that don't work.
I would not say I was not interested in studies - it just wasn't there in me to pursue academics. I would open a page in the textbook and start thinking about everything under the sun except what was there in the book. I was more into extra-curricular activities and sports like NCC, rifle shooting, aero-modelling, bike racing, etc.
At WhatsApp, our engineers spend all their time fixing bugs, adding new features and ironing out all the little intricacies in our task of bringing rich, affordable, reliable messaging to every phone in the world. That's our product, and that's our passion. Your data isn't even in the picture. We are simply not interested in any of it.
As a cartoonist, I am not interested in defending the dominant, the powerful, the well-resourced and the well-armed because such groups are usually not in need of advocacy, moral support or sympathetic understanding; they have already organised sufficient publicity for themselves and prosecute their points of view with great efficiency.
I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.
I think a playful critique is good for all of us, and that's basically how I see satire functioning. But I'm not interested in a kind of contemptuous satirical vision; I try always, even when I'm knowingly being satirical, to also be humane, but I mean, let's face it: there's plenty in American life to make fun of, and we all participate in it.