Quotes of All Topics . Occasions . Authors
Writing and creating, those things come to me on their own. I feel like... you sort of summon them and it's like allowing the universe to enter your heart in an entirely different way to what it normally does. It's like inviting that energy of the universe to enter into your craft in a way where it has a meaning.
Normally, most writers don't say, 'I'm going into a mild hypnotic trance.' Typically, they don't know how they do it. Most people, when they have a good experience writing, they're well placed in that state, which is also sometimes called a 'flow state.' If you don't have trouble, you don't have to think about it.
I went to film school so I have a writing and directing background, and I think a lot of the material I'm interested in writing and getting out there is stories about anti-heroes and people you should just not ordinarily root for - trying to figure out a way of appealing to people they wouldn't normally appeal to.
Thanks to 'It,' you're going to see the studios take a lot more chances on a very specific vision. An R-rated horror film about children being eaten by a monster that lives in a sewer is not normally something that a studio would throw their weight behind. But we've seen the success of it, which props everyone up.
You have to see if the batsman is coming out, if he is staying back, what his grip is like, to gauge his intentions. A common trend I have observed is, a lot of batsmen change their grips when they are looking to hit: normally they either go high or slide their hand to the bottom of the handle to get maximum power.
Now, when you get a viral infection, what normally happens is it takes days or weeks for your body to fight back at full strength, and that might be too late. When you're pre-immunized, what happens is you have forces in your body pre-trained to recognize and defeat specific foes. So that's really how vaccines work.
I work out most days, normally first thing, and then I just see where the day takes me. I recipe test most days, do lots of social media and emails, but nothing else is constant. Some days, I film YouTube videos; other days, I have lots of meetings, work on blog posts, brainstorm ideas, and work on upcoming projects.
What makes a three-man booth challenging is everybody's gotta give up a little something. Right? Because normally you'd have one guy being the analyst, and he's got the ability to go at his own pace and do everything and break down everything, but when you've got two people, somebody's gotta give up a little something.
Making loans and fighting poverty are normally two of the least glamorous pursuits around, but put the two together and you have an economic innovation that has become not just popular but downright chic. The innovation - microfinance - involves making small loans to poor entrepreneurs, usually in developing countries.
I'm more of the girl who's always in the friend zone, and I try to help if my other friend wants to get with someone. I can be a bit cheeky and say stuff that embarrasses my friends, but I'm normally the girl who guys like to be friends with, so I become friendly with the guy and then go, 'Oh, this is my other friend.'
When great powers fade, as they inevitably must, it's normally for one of two reasons. Some powers exhaust themselves through overreach abroad, underinvestment at home, or a mixture of the two. This was the case for the Soviet Union. Other powers lose their privileged position with the emergence of new, stronger powers.
I use a portable pocket ultrasound device instead of a stethoscope to listen to the heart, and I share it with the patient in real time. 'Look at your valve, look at your heart-muscle strength.' So they're looking at it with me. Normally a patient is tested by an ultrasonographer who is not allowed to tell them anything.
For a long time everyone had a stereotype of ballet that it was easy and that we were just prancing around. But thanks to the Internet, and being able to share live performances and broadcast them to the world so that everyone can experience the ballet, I think it's inspiring people we wouldn't normally be able to reach.
People work so hard, and I want to keep that energy up, and you can spread that if you're the actor. But I'm also not able to turn it on and off like a faucet. A lot of what I'm called upon to play is violent or angry. When I'm messing around with the crew and making jokes, I remember, 'Oh, this is the guy I normally am.'
I'm putting everything on the line in being able to express myself in a different way than rappers normally do. They might say, 'It's rap' or 'It's R&B,' but I'm stepping outside the box and making music for me and making music for the fans to understand me. I'm going the extra distance to be able to come across different.
Since becoming a pop star, I've experimented a lot more. I've gotten more creative with what I wear. My stylist is a bit more adventurous than I would normally be, but it's really worked, and the colours really work together. I think everyone should be a bit more confident: if it's a summer's day, wear some bright colours.
Normally, the thin-skinned have an endless array of excuses for why their workaday interactions are so much harder to bear for them than for the rest of us. In the eyes of the self-suffering, they are being victimised, used and always abused, when they're actually experiencing exactly the same body blows as the rest of us.
A v-neck T-shirt is the manliest of all upper-body garments. The defining feature of the style is a plummeting neckline that we normally associate with women's fashion, but when worn by a guy, it basically says, 'Here is a pie slice of chest hair that forms an arrow to my gut.' The deeper the 'V,' the more masculine the shirt.
The thing that really struck me was how many firms that we think of as strictly civilian had ties to the Pentagon. Companies like Apple, Starbucks, Oakley the sunglasses manufacturer. Even Google, and a lot of big corporations like PepsiCo, Colgate-Palmolive, and Nestle, that you don't normally think of as defense contractors.
Two words guided the making of 'Babel' for me: 'dignity' and 'compassion.' These things are normally forgotten in the making of a lot of films. Normally there is not dignity because the poor and dispossessed in a place like Morocco are portrayed as mere victims, or the Japanese are portrayed as cartoon figures with no humanity.
When you're on set all day, and you don't look people in the eye, it's really relaxing. Normally when you talk to someone, a lot of the conversation is in the body language and in the eye contact and stuff. And if you don't do that, if you just listen to the words, it's quite relaxing, because there's just one thing to focus on.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
Scientists normally like to do experiments. You know, they like to mix this with that and see what happens. They like to take this thing and poke it and see how it reacts. In astronomy, we can't do that. The stars, the planets, the galaxies, are so far away that we just look at them, and we have to learn things by looking at them.
Science has a culture that is inherently cautious and that is normally not a bad thing. You could even say conservative, because of the peer review process and because the scientific method prizes uncertainty and penalises anyone who goes out on any sort of a limb that is not held in place by abundant and well-documented evidence.
I think the ethos for Gov. Romney is to use a whole variety of policies, of which tax policy is one, to try to raise the rate of growth. We've had a recovery from the financial crisis that would be well below what one might normally expect for a recovery from such a deep recession. And to counteract that we need better tax policy.
In animation, no one gets to see your face, so you can really mess up with your voice like I did 'ParaNorman;' I was a bully in that, which was so much fun to do. In 'How to Train Your Dragon,' I'm a little Viking character. So, it's kind of exciting to play these roles that you normally wouldn't get to play in a live-action movie.
'Robin's Test' is more contemporary than what I normally do. It's about couples going on a camping holiday for a 50th birthday. Two couples go, and then this other couple were going to come, but they've broken up, and so the man from that couple turns up, but with a new girlfriend that nobody likes - and I'm playing that character.
Many friends of mine told me that normally only guys like a kung fu movie and the girls would be turned off - they want to see a love story. But Ip Man is a family man, so the women see this and go: 'I want my husband to be like this man. He'll be a scholar, he'll be fighting, he'll care for the family.' So we had a bigger audience.
In L.A., a lot of comics live here, but we don't get to spend that much time together because we've got to drive 45 minutes home, or do another set. So in San Francisco we can hang out, go for dinner - the community aspect of it is really lovely, as well as seeing people's shows that you don't normally get to see a longer version of.
If I had to name one thing that probably causes more conflict within the band, it's probably the fact that I'm the girl, and it takes much longer with hair and makeup and wardrobe. But they've gotten used to it. It's one of those things I think they realize that when they say she'll be ready in 10 minutes, it normally means 15 or 20.
If I didn't have a gig, I used to ring up all the comedy clubs across the country and go, 'If anyone drops out, I can be there.' Normally, someone would ring you up the day of. It's just perseverance, being scrappy, being a hustler. The first few years, a lot of it was under-the-table work, so that was good. I think I can say that now.
Grunge was so self-consciously lowbrow and nonaspirational that it seemed, at first, impervious to the hype and glamour normally applied swiftly to any emerging trend. But sure enough, grunge anthems found their way onto the soundtracks of television commercials, and Dodge Neons were hawked by kids in flannel shirts saying, 'Whatever.'
What naturally you want to do if you were a prominent person in the public light and you are disgraced, you want to make a comeback, and normally that begins with somebody saying, 'I want to do something to help people. I want to do something to help the lepers in the Third World. I want to do something to help abandoned wives in India.'
Normally, things are viewed in these little segmented boxes. There's classical, and then there's jazz; romantic, and then there's baroque. I find that very dissatisfying. I was trying to find the thread that connects one type of music - one type of musician - to another, and to follow that thread in some kind of natural, evolutionary way.
One of the sports I do - my wife thinks I'm nuts - is open-water spear fishing, what we call blue-water hunting. We get in a boat, and we go offshore, normally about 30 miles. So when you jump off the boat, there are no reefs, and the bottom is no longer fifty or a hundred feet: it's thousands of feet. It's sort of like being in outer space.
Philately is normally a boys' hobby but for some reason it was in vogue at my junior school. Between the ages of eight and ten I collected avidly. I'd pore over my Stanley Gibbons book, obsessively checking my collection's value. I always hoped I'd stumble across a really valuable one, a Penny Black or an Inverted Jenny, but it wasn't to be.
Obviously, as you get a little older, you are not going to be quite as quick or quite as strong, and so I might be regarded by some as the underdog... There is actually a statue of Big Ben and I in Perth, Ont., and I was on a Canadian stamp once, and normally you have to be dead to do either of those things, and, well, here I am, still going.