When I first met my wife, I really just settled down quite a bit and I started living a much cleaner lifestyle. I was able to concentrate on things that I neglected in the past a little more and I was spending a lot more time at home than I normally would.

My idea about the role of artists is to get people to look at things in a way that's different than the way they normally would if they are being told how to think, what to do. I think when people receive information through art, they are more open-minded.

On the night before a triathlon, I normally eat something simple like a pizza. You know where you stand with pizza. It's not going to upset you or give you food poisoning, and it contains carbohydrates and a bit of salt, which is perfect before a triathlon.

I like to weed out the people who aren't going to enjoy me straight off the bat. If you look at all my specials, I do start more extreme and then, as I get into it, sort of at the three-quarter mark, I normally have a bit of pathos. Is pathos the right word?

I hate how old people get in my way when I'm swimming. You're trying to get into the zone and normally, if there's someone faster than you, you get out of the way, but old people don't; they're like, you can go round me. I give a little tut when I pass them.

It's about me doing me, about me being organic. I can't wear things and put on a front and say I like something when I don't. I won't wear something I wouldn't normally wear just for people to like it or for people to look at me like this or that in fashion.

That's what counts for you as a player if you are on a high salary and you are earning, let's say, enough money, which you normally can't spend in your lifetime. It's something you should really think about - where you play, what level you play, the audience.

There's some downsides to being famous, which are not even worth mentioning. But to combat the bad sides of being famous, you really should take advantage of the good sides. The good sides are, you can use that fame to get projects you might not normally get.

Gravity Falls' normally follows very particular rules: we start out in reality close to the world as we know it, usually one magical element presents itself, and then it's essentially vanished or hidden back to where it came from by the end of the 20 minutes.

In top-down processing, which is normally what we do in psychotherapy, we talk about our problems, our symptoms, or our relationships. And then the therapist often tries to get the client to feel what they're feeling when they talk about those kinds of things.

Normally you hear about Southeast London, and you hear about all the stuff that goes on down there, all the negative things, and the tabloids kind of stay away from all the positive things that happen that I see every day, which kind of outshines the negative.

One very important side of my playing lies in rhythm; I have a very percussive style. It's one I've developed with Dream Theater over the years, and requires the guitar to be very locked into the rhythm of the drums... way more than what would normally entail.

Marriage happens; it can't be planned. When it has to happen, it will happen. Normally, what we always believe is that however prepared you are, if it's not meant to happen, it won't. And however much we have not planned, it will still happen if it's destined.

I just lead my life as naturally, as normally as I possibly can. But I can't help it if controversy is hounding me day in and day out. I'm quite amazed sometimes by the way they go about it. I grow a beard and it lands up in the editorial in The Times of India.

The culture is about moving to a place where tobacco and smoking isn't part of normal life: people don't encounter it normally, they don't see it in their big supermarkets, they don't see people smoking in public places, they don't see tobacco vending machines.

Rather than doing the kind of fact-checking that normally goes with a story, you ran with certain stories for not wanting to get beat. There's a pressure that exists in your profession. I would be surprised in any honest exchange that you say that doesn't exist.

Normally sports day is once a year for kids, where you have fun, and everybody is jostling. For us, making movies is like having sports day everyday: competing with each other, doing your best. It's like that except we don't get awards every day in our sports day.

When I read 'The Water Diviner,' I was having the same kind of visceral reaction that I would normally have acting in something. I believed that I was the only person that could tell this story the way it needed to be told. That's the real arrogance of a director!

The TV business is uglier than most things. It is normally perceived as some kind of cruel and shallow money trench through the heart of the journalism industry, a long plastic hallway where thieves and pimps run free and good men die like dogs, for no good reason.

The good Lord didn't see fit to put oil and gas only where there are democratically elected regimes friendly to the United States. Occasionally we have to operate in places where, all considered, one would not normally choose to go. But we go where the business is.

I don't start a song with an idea of what ingredients are going to go into a song. It's not like a recipe. I will normally either talk from personal experience or I'll make a character and then try to allow that character to behave the way he or she naturally would.

An interesting thing happened in 1989, right as I was graduating: the stock market crashed and really changed the landscape of the art world in New York. It made the kind of work I was doing interesting to galleries that wouldn't have normally been interested in it.

Devon holds a special place in my heart. As a child, I normally went on holiday to Bantham and have lots of happy memories from my time there. I used to catch sand eels in the early morning and go fishing for bass throughout the day. I remember a gull taking my bait.

When I was much younger, I realized that when I was handling something very large, and I was on my own doing that, that my breathing rate would increase, and that would affect my ability to think as well as I normally would. So when that starts happening, I slow down.

Any rehearsal process - I find, anyway - does have quite an effect on me, and I very much live in that world for the whole period of time that I'm involved with the production. But normally, afterwards with a little bit of space, I can come right back out of it again.

One of the reasons why when Elvis dies or the Son of Sam is captured ABC News' ratings go up is because people who don't normally watch news are watching then. The question is, do you want to attract people who don't watch network news or fight over the people who do?

In most legislatures, punctilious attention to correct usage is considered elitist. The word 'government,' for example, is normally pronounced 'gummint'; bureaucracy is 'bureaucacy'; fiscal comes out 'physical,' and one moves not to suspend the rules, but to 'suppend.'

I believe in method acting. Whenever I'm working on a character, I start behaving like him. I start doing these things which the character would normally do. Maybe that's the way I function as an actor, and I believe in it. And that's how I try and portray a character.

The little town I was brought up in, I'd go to the film society to these very extreme sorts of films that you wouldn't normally see in the movie houses. But I never dreamed that I would get into the position to be shooting movies equivalent to the ones I loved as a kid.

I would say that normally it is the creative minorities that determine the future, and in this sense, the Catholic Church must understand itself as a creative minority that has a heritage of values that are not things of the past, but a very living and relevant reality.

I've been successful, but I haven't had any unwanted attention. To be honest, I've never invited or courted attention. I think if you act normal, then people will treat you normally. If you go around with a big entourage all the time, you're not staying true to yourself.

What people don't normally know about us is the hustle is very real, and it's sorely driven a lot by how we consider ourselves. We don't pay a whole lot of attention to any type of judgment that we might get from outside people. I think that comes from growing up onstage.

I used to try and make up visually for what I couldn't play as a musician. I used to get into very incredible visual things where, in order just to make one chord more lethal, I'd make it a really lethal looking thing, whereas really it's just going to be picked normally.

I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom.

I wanted to really just understand... how could a whole generation of children who were just children at the time - boys riding their bikes, flying kites, and doing all kinds of things they normally do - how could they suddenly be taught a completely different curriculum?

In the process of writing '13,' friends were asking if I was OK because I was saying things about religion or about intervening in other countries militarily that I wouldn't normally spout over dinner. In the moment of writing the play, I genuinely changed what I thought.

I even get tired performing standup, which is normally a low-impact exercise in futility but looks hard the way I do it. That's why I take a lot of breaks, often stopping in the middle of a joke to catch my breath, or blame the crowd for not laughing before the punchline.

Ghosts of Marriages Past can haunt many aspects of a new relationship - your expectations of what a man should do, how you behave in conflict, your ideas of how commitment should look - they can even make your new man look untrustworthy when he's really behaving normally.

I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.

As an actor I worked for seven years with a community theater company based in London. We used improvisation techniques to take stories to young people who wouldn't normally have access to them - in prisons, hospitals, young offender's units, youth clubs and housing estates.

I think that Oprah's on a mission to improve the lives of the average American in various ways. And one of them is to bring literature to people who would normally not be quite as demanding in their reading tastes, to show them writing that can be more than just entertainment.

The stuff that I do and enjoy is normally quite similar to a lot of the stuff that psychics and spiritualists would enjoy themselves. I just have a different approach to wanting to find out how things really work, or a sense of, I guess, responsibility about honesty and so on.

People who might normally have to travel hours to a distant city to see a cardiologist can now do so virtually, through Cisco technology, at their local hospital or health clinic. Clinicians use technology to share patient reports and diagnostic images and collaborate on cases.

In many respects I have gone out of my way to avoid the usual approach adopted in crime novels. I have used some techniques that are normally outlawed - the presentation of Mikael Blomkvist, for instance, is based exclusively on the personal case study made by Lisbeth Salander.

When you're sick, you're not thinking 24 hours a day about your suffering, about dying. You want to talk and laugh and think about other things. In the midst of trying to live your life normally, the fear and dread, the realization that it might all end, rises up inside of you.

An antenna collects radiation from a desired direction incident upon an area, called its collecting area, and focuses it on a receiver. An antenna is normally designed to maximize its response in the direction in which it is pointed and minimize its response in other directions.

Normally, some people think about 50 as a big moment in life. I kind of think 30 because in your baseball career, 30 was considered on top kind of looking at the end of your career. So I remember thinking about 30 in different ways, but 50 just seems like another step right now.

The Bushes were certainly part of Texas in their mind, but they didn't have the kind of political flavor that you normally find in Texas politicians. It's just Texas is such a unique place to itself that politically, at least so far, they haven't found anybody to play nationally.

When I started to write music that was completely divorced from any sort of idea of commercial success, the real me started to come out. Normally, a musician in a session for a pop record would have to discard a lot of ideas because they won't fit, because they're not commercial.

Every bad joke, every endorsement deal, all of the things that a typical host would normally get creamed for, people don't mind, because they know I don't cheat when it comes to the work I actually try. I'm a lab rat. I'm a perpetual apprentice. The joke is on me if there is one.

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