Quotes of All Topics . Occasions . Authors
The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
I'm influenced a lot by Nina Simone, Stevie Wonder, even Paul Weller - Billie Holiday as well: People who wrote and sang songs that were reflective of their times. I quite like that. I quite admire that.
I grew up a huge Roy Orbison fan. He had such a crazy range. And I grew up listening to old jazz, Billie Holiday, Nina Simone. I remember trying to imitate female jazz singers because I had a higher range.
I think Nina Simone has had an amazing journey. She was spicy and she had attitude and she didn't care, she wanted her money in a paper bag and don't mess with me and I've been doing some research on that so.
When your hair is rising, that's when you know it's a good song - that's happened to me with some artists and some songs, John Lennon songs or when Nina Simone sings. It's great to make those moments yourself.
Nina Simone had such an androgynous voice; the first time I listened to her I thought it was a man, and I'm sure a lot of people listening to me think I'm a woman. Her voice is kinda like the poster child for me.
I've always wanted to do a solo record, and in 1999, I went over to Japan and did a project called NiNa, where I co-wrote with Yuki from Judy and Mary. It just sort of unleashed this realization in me that I could write.
My big influences are Joni Mitchell, and a lot of classical and Indian music, as well as Nina Simone and the personal blues and jazz of Billie Holiday. Other influences for me include Bjork, Nick Drake, and Sufjan Stevens.
I have a trainer, a really nice woman named Nina Greenberg, and she got me a training plan, and we go running in the canyons in Malibu. It's just beautiful up there, absolutely gorgeous. You see bobcats up there sometimes.
I think that androgyny is so amazing. Men's shows I can look at and say, 'I would wear that.' But there's things I see at Nina Ricci, and I'm like, 'They need to make that in men's,' or 'I want those pants.' Everything is inspiring.
I think Taj and Nina were better friends, because they get along, they have a lot of fun and they laugh. But it seems that Nina and Jack really hit it off. Nina really fell in love with Jack. there's a lot of chemistry between them!
I loved her music and the fact that she was a classically trained pianist and that her voice was so unique, but what made Nina Simone my hero is that I had never seen anyone in the public eye who looked anything like me at all, ever.
As we all know, the evil of slavery and the sting of the whip have given us many things including the voice of Nina Simone, the prose of James Baldwin, the Air Jordan sneaker, the blues, jazz, moonwalking, and more recently gangsta rap.
I was watching the Nina Simone documentary alone in my room, and I said out loud to myself, 'Why do we not know that this woman is beauty? She is beauty! Why did no one tell me this growing up? Why was her name not next to 'beauty' in the dictionary?'
I'm one of the only actresses in Los Angeles who has never waited tables - yet - and I'm so terrible at holding trays. When we shot the 'Vampire Diaries' pilot, I totally spilled water all down Nina Dobrev, and she had to get her hair and make-up redone.
I've always been attracted to music, and women like Aretha Franklin, Beyonce, Nina Simone, Ella Fitzgerald and Tina Turner showed the path, in a way. They're all tough women but not afraid to be vulnerable. They made me feel someone like me could do that.
I played Nina in 'The Seagull,' and I remember thinking it's incredible to see all the actresses in the past that've played her. It's quite strengthening. You feel a part of the family of actresses going through and giving something of themselves to the role.
I always liked Nat King Cole. I always wanted to go my own way, but I always favoured other singers like Dinah Washington, Sarah Vaughn, Ella Fitzgerald - I loved Ella Fitzgerald. There are so many of them. Nina Simone was one of my favourites - Johnny Mathis.
People like Dick Gregory, Paul Robeson, Harry Belafonte and Nina Simone show me what the definition of an artist is - it isn't just to make art but to speak truth to what's happening, speak beauty into the world, speak love into the world and also... get involved.
I think it's the strength of her music, using art to make a statement. I think it really is. It was not a cheap gift. The gift was an expensive gift for Nina [Simone]. Diamonds are expensive. Her music was expensive. She paid for it, but I think it's her greatest gift.
People like Howlin' Wolf, Bob Dylan, The Rolling Stones, John Lee Hooker, Nina Simone, Captain Beefheart - all of these artists were what I grew up listening to every day of my life. And there's a very healthy music scene in the west country of England, where I grew up.
In the late '90s, we kind of took a sabbatical, and I got an invitation to play with a Japanese band and formed a supergroup called NiNa. It was Yuki from Judy and Mary and Masahide Sakuma from The Plastics, a Japanese equivalent of the B-52s. It went to No. 1 in Japan.
If Rihanna stripped it all down morally rather than with her clothes, perhaps we'd get closer to Nina Simone. She's talented, but all we want is to sing the truth. If Britney Spears was to sing closer to her heart, she might have been the new Bobby Gentry or Dolly Parton.
The male singers who had the same range I did, when I was growing up, didn't do much for me. But put on Nina Simone, Carmen McRae or Nancy Wilson, and I'd be in seventh heaven. Female vocalists just did more with their voices, and that's why I paid more attention to them.
I'm like a middle-aged person; when my friends go on about modern bands, I don't know what they are talking about. I'm into rock n' roll, like Jimi Hendrix. Not so much because of my parents, who used to play a lot of Nina Simone and older blues, but my brother and sister.
I was taken to my first fashion show - Nina Ricci haute couture - in Paris by the White Russian princess, down on her luck, whom I was boarding with in Paris in 1963. I was captivated by the glamour of the gilded salon, the elegant clothes, and the audience of grand ladies.
I say that I do soul, R&B music. I have so many influences, from Billie Holiday, Nina Simone to Stevie Wonder and Prince and even Al Green and Bjork. And a lot of hip hop music has influenced me a lot - you know - De La Soul and Digital Underground and A Tribe Called Quest.
When I got with Nina Greenberg, I had been running for a few months already without a trainer. But then she gave me a program and guided me through my runs, showing me how to take care of myself and letting me know I should ice my legs and stretch - stuff I hadn't been doing.
Girls are taught to sing high and pretty, like Antony, not low and from the guts like Nina Simone. But we're slowly trying to change that. There are so many things we're not told growing up, and it's our true feminist responsibility to take the truth to the people who need to hear it.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
As I became an adult, I listened to a lot of jazz, to the ladies of jazz, Ella Fitzgerald and Carmen McRae and Nina Simone. I loved that they each covered the same songs and interpreted them totally differently. I thought that was so cool. They could each paint their own picture of that moment.
I think comparisons are very on the surface. If I sing, like, 'Park Bench People,' and there's kind of a social undertone, people will say I sound like Gil Scott-Heron. But for me, the more insightful comparison would be a Roberta Flack or Nina Simone - people who really mix different genres of music.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
My grandmother, Nina Eaton, founded United Cerebral Palsy. At the time that my father was born with it, there were no resources for people with the condition. So my grandmother and grandfather, who lived in Brooklyn, tried to reach out for some type of resource or support, and people just told them to institutionalize my father.
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.
