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Actually, I don't even like parties. I would much prefer a room with four friends who sit around and have dinner. I detest nightclubs. And I don't like places where the noise is so loud you can't talk to people.
I think the most surprising thing about the Olympics would be the amount of interaction and partying that goes on behind the scenes. They have nightclubs at the Olympic Village. It's like college all over again.
I love the mix of people who hang out at nightclubs now. Their individuality is an inspiration to me. The music they listen to, the clothes they wear and the way they wear them defines a street style that I love.
I don't know why I am liked. I think it's probably because I've just been normal, not been flash or tried to hurt anybody. I'm not one for going out and going to nightclubs. I'd rather stay in and watch a good movie.
I always did healthy things. I didn't sit around in nightclubs. Sure, I had my fair share of fun, but no one could ever accuse me of being a dilettante and doing nothing. I was always on this unbelievable quest to go and do.
A cultural thing that is funny to me is that every time I go out in D.C. after a show, all the nightclubs and restaurants are owned by Iranians and Afghans. It's funny to me how we lost our countries but we gained the nightlife.
Today's terrorists are pursuing a distinct route. They are increasingly attacking civilians in symbolic targets, such as those of economic importance, or venues of bustling life like public transportation or entertainment, like nightclubs.
My father, Larry McKelvey, he was the man in Moncks Corner. He ran illegal nightclubs where everyone went, ran around in red leather pants, claimed he partied with Rick James. If you needed anything in Moncks Corner, you saw Larry McKelvey.
My parents were extreme left so everything was against the system. I was walking barefoot in the streets of Paris when I was eight. When I started to DJ they hated it, because for them, nightclubs, and all of this life, was terrible and fake.
I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.
'Jack & Diane' was originally about race. I was playing nightclubs, and I was seeing new American couples, mixed-race couples. I thought it was cool. The song was my effort to make a song about that, but of course the record-company guy didn't like it.
We played nightclubs for seven years solid before we got a record deal, and then 'Cowboys From Hell' and 'Vulgar Display Of Power,' we toured non-stop four years for those records, and we developed the most brutal, loyal fan base on the face of the earth.
It's great being a producer! Why am I wasting my career writing and directing? Those are actual jobs in which you work. Being a producer, it's kind of like you just go to the set, yell at a couple of people, and then stay up all night dancing in nightclubs.
All the awards in the world, you can get into all the nightclubs, they'll send you the nicest clothes. Nothing better than walking into your dad's restaurant and seeing a smile on his face and knowing that your mom and dad and your sister are real proud of you.
Nightclubs are the equivalent of a Catholic Church in a poor country. You hear a lot of stuff about churches filled with gold while the people are starving. But what elitists don't get is that for poor people, the church is their own mansion. Nightclubs fill the same function.
When I was younger I would often go to nightclubs and sit in the best-lit corner to look at what people chose to wear, or I'd go out and around the city - to places where people express their sense of what they think looks good. So, I get a sense of that, and then I try to interpret it.
When I became religious, it was full-force for me. And, through the lifestyle of being out on the road with non-Jewish musicians, in non-Jewish nightclubs and going all over the world - getting out of the shtetl - opened me up to having experiences that other religious men might not have to think or worry about.
I think I was very lucky that I didn't get well-known until my early thirties. If it had happened when I was younger, you might have seen me falling out of nightclubs. I think I conducted myself as a much better human being because I was already married when all that came along (I got married five months after I got the role as Will).
I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.