Quotes of All Topics . Occasions . Authors
I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.
As a child, I lived in Germany at the Ramstein air force base, where my dad sang at a nightclub in Kaiserslautern. My parents couldn't afford a babysitter, so when I was, like, ten or 11, I would go with them to the bar until two in the morning.
He comes to London and gets a job in a nightclub, a gay club, where he's known as Straight Dave by the bar staff - and no one believes he's as straight as he claims to be. He meets the daughter of the club manager, and he has an affair with her.
When I was 13, I started working in a nightclub with Ray Charles. That's the greatest school in the world, the school of the streets. Ray taught me how to read in Braille. He was only two years older than me, but it was like he was 100 years older.
I remember I was in a San Francisco nightclub, and I started talking to some girl, and it was like, 'Hey, what's going on, what's your name?' You know, 'Where are you from?' I go, 'I'm from Iran.' And literally, she just looked at me and walked away.
As soon as I understood what was going on in San Francisco, which was in 1965 and '66, I immediately left Chicago where I was working in a nightclub that was being shaken down by the mafia and the police for payments. I mean, it was a real thug world.
What is 'cool,' anyway? Maybe it's Warne Marsh, almost totally obscure and penniless, coming in late to a fourth-rate Hollywood nightclub, playing like an angel with a couple of sidemen, but never speaking to or even acknowledging another human being.
There are people doing yoga in New York, dancing around; that's the power of India. You go to a nightclub somewhere in Spain and there's Amitabh Bachchan on the screen there, dancing around. That's the power of India. That's the power of Indian people.
I am fine with 'Puppy Love.' I hated it for a while. But I still sing it. I have a country version, a sexy version and a cheesy nightclub version. I am trying to infuse it with maturity. I will never escape that song. I will always be Mr. 'Puppy Love.'
There's a difference between being a drag queen on TV where the masses can tune in and watch, and then at a nightclub where you have to be a certain age to get in. There's a different decorum. We're all trying to push boundaries, but also trying to stay in our lane.
I went to a lot of theatre. My parents were very involved with the performing arts. I went to nightclub shows when I was a little girl. We went to Florida and we would go to the Cocoanut Grove down there. We'd go see Lena Horne, Jimmy Durante, Sophie Tucker and Judy Garland.
I still sing, but completely for my own pleasure. I play a nightclub singer in 'Sparkle,' but I'd like to pursue it a bit more. I sang at a friend's 60th at Claridge's the other month; I did 'Baby It's Cold Outside' with the actor Hilton McRae, and 'Somewhere Over the Rainbow.'
George Carlin is kind of my template now because George Carlin before was straight laced regular comic and he had short hair, a tie, suit, nightclub guy. Then he said screw it, let his hair grow, just started telling what he thought was the truth. So that's what I'm trying to do.
Certain Arabs love Dubai because it's not at all like where they live. Certain others hate it for the same reason. When you hear an Osama bin Laden sympathizer rant about the decadence and hypocrisy of the Arab ruling class, you can be certain he's picturing a nightclub in Dubai.
I lived in Cuba - I was there for one year in the 1950s. We built the famous nightclub, which is still there, Tropicana, and a restaurant, Montecatini, that I opened is still there. I was there when the U.S. ambassador said everyone must leave because Castro was arriving the next morning.
It's just as important to work on the little muscle groups as well as the big muscle groups. People, when they train, go to gyms. I call them 'nightclub bodies' - ginormous up top, and legs are little sticks. You see a lot of people, and they forget you can't leave the little muscles behind.
There's no better feeling in the world than when I walk in a pub, or a nightclub or a bar or a supermarket, anywhere, and you see people out the corner of your eye and they're going, 'Hey, there's Ricky Hatton. Isn't he a good lad, coming for a pint with us in here?' It makes you feel proud.
I was writing fiction in my 20s but in a pretty undisciplined way - late at night, maybe, after I'd peeled myself from the walls of a nightclub and crawled home along the gutters. But I slowly became more serious and more devout in my work, and I fell seriously in love with the short story form.
My grandmother on my father's side, a nightclub singer, was a Jewish refugee from Prussia who ended up in Jerusalem, where she met my grandfather - a British army officer. I remember as a child having bowls of chicken soup made by her. There were lots of interesting components, like feet and necks.
A friend got attacked outside a nightclub just for being deaf. I stuck up for him but ended up getting in a bit of a trouble myself. I played with a tag at Stocksbridge. I had a little curfew. Luckily, it didn't stop me playing football. Being put on a tag, I could have lost playing football again.
I once walked out of a nightclub with my team-mates to see our star midfielder reclining across the bonnet of a Ferrari, arms folded, waiting for girls to come out so he could wink at them and then progress it from there. I have no idea how long he'd been waiting. I do know it wasn't even his Ferrari.
Part of what made 'The Bling Ring' such a fun, freeing experience was that we got to wear these really over-the-top clothes we'd never pick in real life - like for the nightclub scenes, we'd have on these really short, really tight dresses. But you know what - I actually learned how to walk in heels on that set!
I want the little lassies who are thinking of going to a nightclub in Cardiff to stop to see what that guy's screaming for, or Grandma to put her knitting down to see why that guy's chatting about Alexander the Great. I'm after pulling in, whether it's in Manila, Beijing or whatever, the biggest possible audience.
In 1988, I earned something like £700,000. Yeah! I was earning 10 grand an hour opening shopping centres. Yeah! The most I earned in one day was 65 grand. I opened the Alton Towers fun ride in the morning, did a commercial in the afternoon and an appearance at a nightclub in the evening. Sixty-five grand in one day!
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'
I have a picture of all of us going to a club with my friends from 'Soul Train.' All the girls just going out to a nightclub, and we're all dressed like we were dressed on 'Soul Train.' It was the most surreal experience for me because I walk into the club with them, and people started screaming. 'Oh my God! It's the 'Soul Train' dancers.'
Social media is itself as temporary as any social gathering, nightclub or party. It's the people that matter, not the venue. So when the trend leaders of one social niche or another decide the place everyone is socializing has lost its luster or, more important, its exclusivity, they move on to the next one, taking their followers with them.
Sketching in general - anywhere, not just in Gitmo, but in life, in the world - is a profoundly disruptive act. Because you're creating something when you're kind of expected to consume or sit passively. I've always sketched things as a way to get into them, whether it was a fancy nightclub or, you know, to have kids think I was cool, whatever.