Quotes of All Topics . Occasions . Authors
Problems, however, are rarely solved on the spur of the moment. They must be organized and dissected, then key issues isolated and defined. A period of gestation then sets in, during which these issues are mulled over. You put them in your mind and consciously or unconsciously work at them at odd hours of the day or night - even at work. It is somewhat analogous to trying to place a name on the face of someone you've met before. Often the solution to a problem comes to you in much the same way you eventually recall the name.
Marriage I think For women Is the best of opiates. It kills the thoughts That think about the thoughts, It is the best of opiates. So said Maria. But too long in solitude she'd dwelt, And too long her thoughts had felt Their strength. So when the man drew near, Out popped her thoughts and covered him with fear. Poor Maria! Better that she had kept her thoughts on a chain, For now she's alone again and all in pain; She sighs for the man that went and the thoughts that stay To trouble her dreams by night and her dreams by day.
Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.
Conversations are efforts toward good relations. They are an elementary form of reciprocity. They are the exercise of our love for each other. They are the enemies of our loneliness, our doubt, our anxiety, our tendencies to abdicate. To continue to be in good conversation over our enormous and terrifying problems is to be calling out to each other in the night. If we attend with imagination and devotion to our conversations, we will find what we need; and someone among us will act—it does not matter whom—and we will survive.
Giving back has to do with the way I was brought up and the fact that I've traveled widely and seen terrible situations in the world. To sleep well at night, those of us who are in a position to help must address these situations. I'd get far greater satisfaction out of, say, walking into a hospital I'd built in South Africa than I would by sitting on a beach. I'm fortunate enough to be in a position to make a difference, and I don't want to waste that. I suspect I was also lucky to have parents who drove me from a young age.
you once said to would like to sit beside me while I write. Listen in that case I could not write at all. For writing means revealing one self to excess; that utmost of self-revelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind...That is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough.
How about this miracle... God says if you plant the seed I will make the tree. Wow, you can't have a better arrangement than that. First, it gives God the tough end of the deal. What if you had to make a tree? That would keep you up late at night trying to figure out how to make a tree. God says, "No, leave the miracle part to me. I've got the seed, the soil, the sunshine, the rain and the seasons. I'm God and all this miracles stuff is easy for me. I have reserved something very special for you and that is to plant the seed.
One of the most terrible things about the English education System in Ireland is its ruthlessness...it is cold and mechanical, like the ruthlessness of an immensely powerful engine. A machine vast, complicated... It grinds night and day; it obeys immutable and predetermined laws; it is as devoid of understanding, of sympathy, of imagination, as is any other piece of machinery that performs an appointed task. Into it is fed all raw human material in Ireland; it seizes upon it inexorably and rends and compresses and remoulds...
It began with one act of madness, and it ended with another. John Brown heard history's clock strike in the night and tried to hurry dawn along with gunfire; now John Wilkes Booth heard the clock strike, and he tried with gunfire to restore the darkness. Each man stood outside the human community, directed by voices the sane do not hear, and each kept history from going logically... The line from Harper's Ferry to Ford's Theater is a red thread binding the immense disorder of the Civil War into an irrational sort of coherence.
When we fly planes over countries, dropping bombs on the evil ones, I think we're doing something very similar to what's being done when the infidels are getting their comeuppance with planes going into buildings. So it's gotten to the point where if we are not healthy psychologically as a human society, we will not have a planet to live on. And that's what keeps me up at night, when I see so little focus on the behavioral side of these problems, and the idea that just politics, or just physical science, is going to solve this.
Life is made of moments and choices. Not all of them matter, or have any lasting impact Then there's a different kind of moment. One when things are irrevocably changed by a choice we make. A moment we will play endlessly in our minds on lonely nights and empty days So we explain it to ourselves, justify it enough to sleep. And then we bury it deep, so deep we can almost pretend it never happened. But as much as we wish it were different, the truth is, our worlds are sometimes balanced on choices we make and the secrets we keep.
I done me best when I was let. Thinking always if I go all goes. A hundred cares, a tithe of troubles and is there one who understands me? One in a thousand of years of the nights? All me life I have been lived among them but now they are becoming lothed to me. And I am lothing their little warm tricks. And lothing their mean cosy turns. And all the greedy gushes out through their small souls. And all the lazy leaks down over their brash bodies. How small it's all! And me letting on to meself always. And lilting on all the time.
I can only gaze with wonder and awe at the depths of and heights of our psychic nature. Its non-spatial universe conceals an untold abundance of images which have accumulated over millions of years of living development and become fixed in the organism....Beside this picture I would like to place the spectacle of the starry heavens at night, for the only equivalent of the universe within is the universe without; and just as I reach this world through the medium of the body, so I reach that world through the medium of the psyche.
And in between the two, in between the sky and the sea, were all the winds. And there were all the nights and all the moons. To be a castaway is to be a point perpetually at the centre of a circle. However much things may appear to change-the sea may shift from whisper to rage, the sky might go from fresh blue to blinding white to darkest black-the geometry never changes. Your gaze is always a radius. The circumference is ever great. In fact, the circles multiply. To be a castaway is to be caught in a harrowing ballet of circles.
There's a theory that snoring at night in sleep is a subconscious defence reflex-a warning sound that frightened potential predators away from the mouth of the cave when our lower-paleolithic ancestors huddled in vulnerable sleep. That group of nomads, cameleers, sheep and goat herders, farmers, and guerilla fighters lent credibility to the idea, for they snored so thunderously and with such persistent ferocity through the long, cold night that they would've frightened a pride of ravenous lions into scattering like startled mice.
One of my great experiences in life was to be interviewed on a late-night talk show by a guy named Tom Snyder. He was interviewing me on a book I had written on the New Testament of the Bible called Rescuing the Bible from Fundamentalism, and we talked about the dating of the books of the New Testament, and I said, "Well, the consensus is that the gospels were written some forty to seventy years after the crucifixion." And he stopped me and said, "Wait a minute, Bishop, that means they couldn't have been written by eyewitnesses."
J.P. Morgan once had a friend who was so worried about his stock holdings that he could not sleep at night. The friend asked, 'What should I do about my stocks?' Morgan replied, 'Sell down to your sleeping point' Every investor must decide the trade-off he or she is willing to make between eating well and sleeping well. High investment rewards can only be achieved at the cost of substantial risk-taking. So what is your sleeping point? Finding the answer to this question is one of the most important investment steps you must take.
He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him.
No road offers more mystery than that first one you mount from the town you were born to, the first time you mount it of your own volition, on a trip funded by your own coffee tin of wrinkled up dollars - bills you've saved and scrounged for, worked the all-night switchboard for, missed the Rolling Stones for, sold fragrant pot with smashed flowers going brown inside twist-tie plastic baggies for. In fact, to disembark from your origins, you've done everything you can think to scrounge money save selling your spanking young pussy.
All sorts of things can keep one awake. But as you get older - this is what the stroke thing really brought home to me - this thing that I never paid attention to: my brain. I've always been conscious that, of course, after a night of getting stoned, my head would feel foggy; if I got drunk the night before I'd be hungover. But that was the extent of my concern about my brain. And then with the stroke thing, it made me realize, "God! That's my main source of income." So it relates actually to your other question about growing old.
Do you go see her?" "No," I said, refusing to acknowledge that I'd just seen Lissa last night. "That's not my life anymore." "Right. Your life is all about dangerous vigilante missions." "You wouldn't understand anything that isn't drinking, smoking, or womanizing." He shook his head. "You're the only one I want, Rose." "Well, you can keep feeling that way, but you're going to have to keep waiting." "Much longer?" He asked me. "I don't know." Hope blossomed on Adrian's face. "That's the most optimistic thing you've told me so far.
Adrenaline kicks you in when you’re starving. That’s what nobody understands. Except for being hungry and cold, most of the time I feel like I can do anything. It gives me superhuman powers of smell and hearing. I can see what people are thinking, stay two steps ahead of them. I do enough homework to stay off the radar. Every night I climb thousands of steps into the sky to make me so exhausted that when I fall into bed, I don’t notice Cassie. Then suddenly it’s morning and I leap on the hamster wheel and it starts all over again.
An ordinary mirror is silvered at the back but the window of the night train has darkness behind the glass. My face and the faces of other travellers were now mirrored on this darkness in a succession of stillnesses. Consider this, said the darkness: any motion at any speed is a succession of stillnesses; any section through an action will show just such a plane of stillness as this dark window in which your seeking face is mirrored. And in each plane of stillness is the moment of clarity that makes you responsible for what you do.
At the bottom of the social heap is the black man in the big-city ghetto. He lives night and day with the rats and the cockroaches and drowns himself with alcohol and anesthetizes himself with dope, to try and forget where and what he is. That Negro has given up all hope. He's the hardest one for us to reach, because he's the deepest in the mud. But when you get him, you've got the best kind of Muslim. I look upon myself as a prime example of this category - as graphic an example as you could find of the salvation of the black man.
We are assailed by the temptation of the love of money. If you wish to acquire riches ? they are the bait of the fishers hook ? by greed, by trafficking, by violence, by ruse or by excessive manual work that deprives you of leisure for the service of God ? in a word by any other means ? if you have desired to pile up gold or silver, remember what the Gospel says, 'Fool! They will snatch your soul away during the night! Who will get your hoard' (cf. Lk. 12:20)? Again, 'He piles up money without knowing to whom it will go' (Ps. 39:6).
...I couldn't but surmise that the devil, looking at the cruel wars that Christianity has occasioned, the persecutions, the tortures Christian has inflicted on Christian, the unkindness, the hypocracy, the intolerance, must consider the balance sheet with complacency. And when he remembers that it has laid upon mankind the bitter burden of the sense of sin that has darkened the beauty of the starry night and cast a baleful shadow on the passing plesures of a world to be enjoyed, he must chuckle as he murmurs: give the devil his due.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
The darkness of racial injustice will be dispelled only by the light of forgiving love. For more that three centuries American Negroes have been frustrated by day and bewilderment by night by unbearable injustice, and burdened with the ugly weight of discrimination. Forced to live with these shameful conditions, we are tempted to become bitter and retaliate with a corresponding hate. But if this happens, the new order we seek will be little more than a duplicate of the old order. We must in strength and humility meet hate with love.
It was the world of Southern, rural, black growing up, of folks sitting on porches day and night, of folks calling your mama, 'cause you walked by and didn't speak, and of the switch waiting when you got home so that you could be taught some manners. It was a world of single black older women schoolteachers, dedicated, tough; they had taught your mama, her sisters, and her friends. They knew your people in ways that you never would and shared their insight, keeping us in touch with generations. It was a world where we had a history.
Being a homicide detective ca be the loneliest job in the world. The friends of the victim are upset and in despair, but sooner or later - after weeks or months - they go back to their everyday lives. For the closest family it takes longer, but for the most part, to some degree, they too get over the grieving and despair. Life has to go on; it does go on. But the unsolved murders keep gnawing away and in the end there's only one person left who thinks night and day about the victim: it's the office who is left with the investigation.
I feel that non-violence is really the only way that we can follow because violence is just so self-defeating. A riot ends up creating many more problems for the negro community than it solved. We can through violence burn down a building, but you can't establish justice. You can murder a murderer, but you can't murder murder through violence. You can murder a hater, but you can't murder hate. And what we're trying to get rid of is hate, injustice, and all of these other things that continue the long night of man's inhumanity to man.
Rise early. Fix a time-table to which you must try to keep. One seldom regrets having made an early start, but one always regrets having set off too late; first for reasons of safety-the adage 'it is later than you think is very true in the mountains-but also because of the strange beauty of the moment: the day comes to replace the night, the peaks gradually lighten, it is the hour of mystery but also of hope. Setting off by lantern-light, witnessing the birth of a new day as one climbs to meet the sun, this is a wonderful experience
The earth's warmth under me, as I stretch out at night, is astonishing. It is like the warmth of another body that has absorbed the sun all day and now gives out again its store of heat. It is softer, darker than I could ever have believed, and when I take a handful of it and smell its extraordinary odors, I know suddenly what it is I am composed of, as if the energy that is in this fistful of black soil had suddenly opened, between my body and it, as between it and the green stalks, some corridor along which our common being flowed.
Now, almost one hundred years later, it is difficult to fully appreciate how much our picture of the universe has changed in the span of a single human lifetime. As far as the scientific community in 1917 was concerned, the universe was static and eternal, and consisted of a one single galaxy, our Milky Way, surrounded by vast, infinite, dark, and empty space. This is, after all, what you would guess by looking up at the night sky with your eyes, or with a small telescope, and at the time there was little reason to suspect otherwise.
The rishis of old attained the Knowledge of Brahman. One cannot have this so long as there is the slightest trace of worldliness. How hard the rishis laboured ! Early in the morning they would go away from the hermitage, and would spend the whole day in solitude, meditating on Brahman. At night they would return to the hermitage and eat a little fruit or roots. They kept their mind aloof from the objects of sight, hearing, touch, and other things of a worldly nature. Only thus did they realize Brahman as their own inner conciousness.
We are foolish to expect to serve God without opposition: the more zealous we are, the more sure are we to be assailed... Glory be to God, we know the end of the war. The great dragon shall be cast out and for ever destroyed, while Jesus and they who are with him shall receive the crown. Let us sharpen our swords to-night, and pray the Holy Spirit to nerve our arms for the conflict. Never battle so important, never crown so glorious. Every man to his post, ye warriors of the cross, and may the Lord tread Satan under your feet shortly!
After a sleepless night the body gets weaker, It becomes dear and not yours - and nobody's. Just like a seraph you smile to people And arrows moan in the slow arteries. After a sleepless night the arms get weaker And deeply equal to you are the friend and foe. Smells like Florence in the frost, and in each Sudden sound is the whole rainbow. Tenderly light the lips, and the shadow's golden Near the sunken eyes. Here the night has sparked This brilliant likeness - and from the dark night Only just one thing - the eyes - are growing dark.
My personal beliefs were shaped more by experience and by watching the news when I was young: images of angelic-looking college students in Mississippi crying like the world was ending because black people were being allowed on their campus; the slow mounting horror of Vietnam on the evening news every night; sitting with my parents in front of the TV and being appalled at the way the Chicago police were treating the protesters during the '68 Democratic convention. Being eyed with suspicion because of my age and the way I wore my hair.
It's such hard work doing a musical. I did my first musical last year, performing in The Producers, and it was a big part to suddenly be doing Leo Bloom in that. It's such hard work. It's a proper slog. It became like clocking in. And it's a big factory - you go in, everyone's got their little plot, people are taking in and out of it if they have days off or holidays, and it's just a jigsaw that all works. It always amazes me that this product would happen every night and it was just all these elements coming together in a big machine.
Early in my career I discovered that there was something really special about photographing at night that places your mind on the surface of the planet. You’re no longer just a human being walking around in the regular world. You’re a human animal striding around on the surface of the planet that’s out in the middle of the galaxy. We as a culture, we’re forgetting that we are actually natural organisms and that we have this very deep connection and contact with nature. You can’t divorce civilization from nature. We totally depend on it.
And talking about dark! You think dark is just one color, but it ain't. There're five or six kinds of black. Some silky, some woolly. Some just empty. Some like fingers. And it don't stay still, it moves and changes from one kind of black to another. Saying something is pitch black is like saying something is green. What kind of green? Green like my bottles? Green like a grasshopper? Green like a cucumber, lettuce, or green like the sky is just before it breaks loose to storm? Well, night black is the same way. May as well be a rainbow.
To die, is to be banish'd from myself; And Silvia is myself: banish'd from her, Is self from self: a deadly banishment! What light is light, if Silvia be not seen? What joy is joy, if Silvia be not by? Unless it be to think that she is by, And feed upon the shadow of perfection. Except I be by Silvia in the night, There is no music in the nightingale; Unless I look on Silvia in the day, There is no day for me to look upon; She is my essence, and I leave to be, If I be not by her fair influence Foster'd, illumin'd, cherish'd, kept alive.
In short, all good things are wild and free. There is something in a strain of music, whether produced by an instrument or by thehuman voice,--take the sound of a bugle in a summer night, for instance,--which by its wildness, to speak without satire, reminds me of the cries emitted by wild beasts in their native forests. It is so much of their wildness as I can understand. Give me for my friends and neighbors wild men, not tame ones. The wildness of the savage is but a faint symbol of the awful ferity with which good men and lovers meet.
Quietly Sophronia added, "And the soot on my dress, sir?" "I didn't see anything." Professor Braithwope smiled down at her, showing a small hint of fang. Sophronia grinned back. "I'm glad we understand each other, sir." The vampire looked out into the night. "This is the right finishing school for you, isn't it, whot?" "Yes sir, I think it might very well be." "A piece of advice, Miss Temminnick?" "Sir?" "It is a great skill to have friends in low places. They, too, have things to teach you." "Now, sir, I thought you didn't see any soot.
On that very night, the night of the greatest suffering that has ever taken place in the world or that ever will take place, the Savior said, "Peace I leave with you, my peace I give unto you... Let not your heart be troubled, neither let it be afraid." (John 14:27) I submit to you, that may be one of the Savior's commandments that is, even in the hearts of otherwise faithful Latter-day Saints, almost universally disobeyed; and yet I wonder whether our resistance to this invitation could be any more grievous to the Lord's merciful heart.
How strange it is. We have these deep terrible lingering fears about ourselves and the people we love. Yet we walk around, talk to people, eat and drink. We manage to function. The feelings are deep and real. Shouldn't they paralyze us? How is it we can survive them, at least for a little while? We drive a car, we teach a class. How is it no one sees how deeply afraid we were, last night, this morning? Is it something we all hide from each other, by mutual consent? Or do we share the same secret without knowing it? Wear the same disguise?
As all nocturnal creatures, I have a tendency to wander about during the night, embracing and relishing in its mysteriousness, unexplained sounds, and thick aura of darkness. As a pianist I was drawn to compositions with the titles of Nocturne and Notturno - from Maria Szymanowska's Nocturne in B-flat to John Field and Frederic Chopin's Nocturnes. The night offers a myriad array of emotions from solace to absolute horror. I tried to infuse some of these terrifying thoughts, as well as solace that only night can bring into Night Soundings.
All these, however, were mere terrors of the night, phantoms of the mind that walk in darkness; and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely pre-ambulations, yet daylight put an end to all these evils; and he would have passed a pleasent life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was - a woman.
I used to live at the Cecil Hotel, which was next door to Minton's [Playhouse]. We used to jam just about every night when we were off. Lester [Young], Don Byas and myself - we would meet there all the time and like, exchange ideas. It wasn't a battle, or anything. We were all friends. Most of the guys around then knew where I lived. If someone came in Minton's and started to play - well, they'd give me a ring, or come up and call me down. Either I'd take my horn down, or I'd go down and listen. Those were good days. Had a lot of fun then.
Creativity is seeing what everyone else sees, but then thinking a new thought that has never been thought before and expressing it somehow. It could be with art, a sculpture, music or even in science. The difference, however, between scientific creativity and any other kind of creativity, is that no matter how long you wait, no one else will ever compose "Beethoven's Ninth Symphony" except for Beethoven. No matter what you do, no one else will paint Van Gogh's "Starry Night." Only Van Gogh could do that because it came from his creativity.
