Are not lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it.

I had been DJing a dance night in Brooklyn and witnessed the response people had to "The Devil's Dancers" - Oppenheimer's one hit song. All these young people were dancing to this amazing song, completely unaware of whether it was current or not. It was from 1982, but sounded very current. It made sense that a physical record should exist for this song again. It seemed the obvious choice to represent what Minimal Wave was going to be.

Jace perched on the windowsill and looked down at him. "You really don't get this bodyguard thing, do you?" "I didn't even think you liked me all that much," said Simon. "Is this one of those keep-your-friends-close-and-your-enemies-closer things?" "I thought it was keep your friends close so you have someone to drive the car when you sneak over to your enemy's house a night and throw up in his mailbox." "I'm pretty sure that's not it

He was having more fun than a barrelful of monkeys.* *Several years earlier Spider had actually been tremendously disappointed by a barrelful of monkeys. It had done nothing he had considered particularly entertaining, apart from emit interesting noises, and eventually, once the noises had stopped and the monkeys were no longer doing anything at all—except possibly on an organic level—had needed to be disposed of in the dead of night.

I think there are very few invisible musical instrument players out there who can claim the chops and sheer perseverance of Björn Türoque, the world's perennial second-place air guitar champion. Whoever this Dan Crane might be, he's captured the mad, seductive spirit of the arbitrary skill contest perfectly, and rocks it hard into the hot Finnish night. There is no number of umlauts that do this Jekyll and Hyde of air-rocking justice.

I think the New York theater audience is very savvy. Sometimes you get newbies who think they're going to be watching Smash onstage, and sometimes you have people who have been coming to theater for years. It's the combination of those people in an audience that makes for a pretty amazing night - their ability to give each other permission to react and enjoy, in a way that maybe they wouldn't if they weren't sitting next to each other.

Women have been oppressed for so long in any industry, it just takes time for a shift to happen to create more equality in any field, but I feel like it's slowly happening now. It's just things don't change over night. It's the same for racism, homophobia, xenophobia etc. If you think back even just 15 years and see how different people's mentalities were then, think how much more progress and equality we cab reach in another 15 years.

With two sons born eighteen months apart, I operated mainly on automatic pilot through the ceaseless activity of their early childhood. I remember opening the refrigerator late one night and finding a roll of aluminum foil next to a pair of small red tennies. Certain that I was responsible for the refrigerated shoes, I quickly closed the door and ran upstairs to make sure I had put the babies in their cribs instead of the linen closet.

Guys, gals, now hear this: No one wants to take away your hunting rifles. No one wants to take away your shotguns. No one wants to take away your revolvers, and no one wants to take away your automatic pistols, as long as said pistols hold no more than ten rounds. If you can't kill a home invader (or your wife, up in the middle of the night to get a snack from the fridge) with ten shots, you need to go back to the local shooting range.

By day, Venice is a city of museums and churches, packed with great art. Linger over lunch, trying to crack a crustacean with weird legs and antennae. At night, when the hordes of day-trippers have gone, another Venice appears. Dance across a floodlit square. Glide in a gondola through quiet canals while music echoes across the water. Pretend it's Carnevale time, don a mask - or just a fresh shirt - and become someone else for a night.

The rosy hearth, the lamplight's narrow beam, The meditation that is rather dream, With looks that lose themselves in cherished looks; The hour of steaming tea and banished books; The sweetness of the evening at an end, The dear fatigue, and right to rest attained, And worshipped expectation of the night,— Oh, all these things, in unrelenting flight, My dream pursues through all the vain delays, Impatient of the weeks, mad at the days!

You must picture me alone in that room in Magdalen, night after night, feeling, whenever my mind lifted even for a second from my work, the steady, unrelenting approach of Him whom I so earnestly desired not to meet. That which I greatly feared had at last come upon me. In the Trinity Term of 1929 I gave in, and admitted that God was God, and knelt and prayed: perhaps, that night, the most dejected and reluctant convert in all England.

Yeah, okay. You're right. I was having dinner with Zombie Carl the other night. You know, steak, rare, and a bottle of vintage type A. He told me all his secrets, but too bad for you I promised him I wouldn't tell. In exchange I asked him to gather his best undead buddies and stalk me through my friend's yard. And oh, yeah, it was totally fine if they wanted to use me as an all-night-dinner buffet, because having organs is SO last year.

I threw up again that night, half-afraid that my eyeballs would explode. But it was, by far, more important that I get rid of dinner. Of course, by then, throwing up was the only way I knew how to deal with fear. That paradox would begin to run my life: to know that what you are doing is hurting you, maybe killing you, and to be afraid of that fact--but to cling to the idea that this will save you, it will, in the end, make things okay.

There's a whole slew of wonderful speculation of flying in a fanciful way. Gulliver is one of the central examples; Swift has the hum of Arabian Nights in his ear with Gulliver's Travels. The difference is in scale - Gulliver as a kind of Sinbad kind of figure, the way he is picked up and carried. Just to finish up with Scheherazade, I do think that The Arabian Nights could be considered as a great book on women's position in the world.

I hope through The L Word to become an honorary member of the gay tribe. I cherish the thought that some young girl or woman somewhere may one night turn on the television and for the first time ever see her life represented - not as an isolated incident but as a multiplicity. Her overwhelming fear may have been that she might never find her tribe, she might never find love and now she knows that they are both out there waiting for her.

This gown, is it cut from shadow?" the general asked. "I can barely feel it between my fingers." Not for want of trying, thought Madrigal. "Perhaps it is a reflection of the night sky," he suggested, "skimmed from a pond?" She supposed that he was being poetic. erotic, even. In return, as unerotically as possible- more like complaining of a stain that wouldn't come out-she said, "Yes, my lord. I went for a dip, and the reflection clung.

Two of the last four executive editors at the New York Times were Johannesburg bureau chiefs at some point, Bill Keller and Joe Lelyveld. This is a very prestigious post and I was like I don't know 28 years old, which at the Times is very young, I had the temerity to put my hand up for that job. I don't think I slept a single night of those six weeks that I spent in Johannesburg. It was an unbelievable experience, and I think I did okay.

I enjoy having breakfast in bed. I like waking up to the smell of bacon, sue me. And since I don't have a butler, I have to do it myself. So, most nights before I go to bed, I will lay six strips of bacon out on my George Foreman grill. Then I go to sleep. When I wake up, I plug in the grill. I go back to sleep again. Then I wake up to the smell of crackling bacon. It is delicious, it's good for me, it's the perfect way to start the day.

Memoir is trustworthy and its truth assured when it seeks the relation of self to time, the piecing of the shards of personal experience into the starscape of history's night. The materials of memoir are humble, fugitive, a cottage knitting industry seeking narrative truth across the crevasse of time as autobiography folds itself into the vast, fluid essay that is history. A single voice singing its aria in a corner of the crowded world.

We say, then, to anyone who is under trial, give Him time to steep the soul in His eternal truth. Go into the open air, look up into the depths of the sky, or out upon the wideness of the sea, or on the strength of the hills that is His also; or, if bound in the body, go forth in the spirit; spirit is not bound. Give Him time and, as surely as dawn follows night, there will break upon the heart a sense of certainty that cannot be shaken.

Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light.

I survived this torture which left me paralyzed for years. That's what that night was all about, mutilation, more than violence through sex. I really do feel as though I was psychologically mutilated that night and now I'm trying to put the pieces back together again. Through love, not hatred. And through my music. My strength has been to open again, to life, and my victory is the fact that, despite it all, I kept alive my vulnerability.

Men are four; He who knows and knows not that he knows. He is asleep; wake him. He who knows not and knows not that he knows not. He is a fool; shun him. He who knows not and knows that he knows not. He is a child; teach him. He who knows and knows that he knows. He is a king; follow him. The heights by great men reached and kept Were not attained by sudden flight, But they, while their companions slept, Were toiling upward in the night.

There is indeed a level of improvisation where we can distort and shuffle the music patterns, samples, and loops in each phase of the show within fixed cue points, but at the same time there is a constant result that we are trying to achieve each night while performing and operating our system - quite similar in spirit to a broadway show for example: If you go see a musical two nights in a row, the performances are different yet similar.

During the first few minutes in lift-off, the astronauts were strictly controlled and were powerfully buffeted by the forces of nature struggling to keep them on earth. This is somewhat comparable to the pull of the flesh when our alarm goes off early in the morning. Unless we put "mind over mattress" and carry out the resolves made the night before, we will experience our first defeat that day. Not sufficient to finish. Mission aborted.

Do you remember when we stood together on Blackfriars Bridge?” he asked softly, and his eyes were like that night had been, all black and silver. “Of course I remember.” “It was the moment I first knew I loved you,” Jem said. “I will make you a promise. Every year, Tessa, on one day, I will meet you on that bridge. I will come from the Silent City and I will meet you, and we will be together, if only for an hour. But you must tell no one.

Plainly it isn't an exact science, despite it being a complex interaction of micro-decisions and corresponding thought; perhaps it doesn't always work and we pass by some potential soulmates like the proverbial ships in the night, never quite connecting. Then again, perhaps the system is tenacious and continues to run like a computer program on infinite loop, so that if at first you don't meet, you are drawn back together for another try.

Each night the sun sank right in our eyes along the sea, making an undulating glittering pathway, a golden track charted on the surface of the ocean which our ship followed unswervingly until the sun dipped below the edge of the horizon, and the pathway ran ahead of us faster than we could steam and slipped over the edge of the skyline - as if the sun had been a golden ball and had wound up its thread of gold too quickly for us to follow.

One of the great compliments paid the Savior was that he taught as one having authority. The missionary who knows scripture and can quote it speaks with the voice of authority...May I suggest that in our family night gatherings we make it a project to memorize one scripture a week pertinent to this work. At the conclusion of a year our children will have on their lips a fund of scripture which will remain with them throughout their lives.

Munroe stared at the sky. Cursed her weakness, her inability to block out what it would mean to knowingly deliver the innocent into the same hell that had birthed her to life. In this moment of decision she condemned to death the one she would risk anything to save. To the night, Munroe whispered good-bye. Opened the floodgates to Gehenna-that place of the wicked, that place of the dead-and here in this deserted spot, she buried her soul.

My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast. To paint is to destroy what preceded. I never try to make a painting, but a chunk of life. It is a scream; it is a night; it is like a child; it is a tiger behind bars.

Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.

We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind. They wander here and there, slowly, dim lights flickering in the marshes at night, looking for us. But they're not nearly fast enough, not for us, we're way ahead of them, they'll never catch up. That's why we can go so fast: our souls don't weigh us down.

All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.

During the night, while Bull and Lucy slept, Edward, with ever-open eyes, stared up at the constellations. He said their names, and then he said the names of the people who loved him. He started with Abilene, and then went on to Nellie and Lawrence and from there to Bull and Lucy, and then he ended again with Abilene: Abilene, Nellie, Lawrence, Bull, Lucy, Abilene. See? Edward told Pellegrina. I am not like the princess. I know about love.

I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.

PRACTICE OF THE Art of Peace is an act of faith, a belief in the ultimate power of nonviolence. It is faith in the power of purification and faith in the power of life itself. It is not a type of rigid discipline or empty asceticism. It is a path that follows natural principles, principles, that must be applied to daily living. The Art of Peace should be practiced from the time you rise to greet the morning to the time you retire at night.

The wide wonder of Broadway is disconsolate in the daytime; but gaudily glorious at night, with a milling crowd filling sidewalk and roadway, silent, going up, going down, between upstanding banks of brilliant lights, each building braided and embossed with glowing, many-coloured bulbs of man-rayed luminance. A glowing valley of the shadow of life. The strolling crowd went slowly by through the kinematically divine thoroughfare of New York.

Recently the country has seen too much of our legislators, seeing them as a gaggle of check-kiting, judge-smearing deadbeats who don't pay their restaurant bills but raise their pay in the middle of the night. Many Americans-this columnist included-hitherto said tax increases are justified by the budget deficit now say: Give that mob more money? Never. Not a nickel of new taxes until term limits change the political culture on Capital Hill.

In those sticky summer nights in South London our windows stay open and our tiny apartment becomes our secret garden. The magic of the secret garden is that it exists in our imagination. There are no limits, no borderlines. The secret garden leads to the marigolds of Mogadishu and the magnolias of Kingston and when the heat turns us sticky and sweet and unwilling to be claimed by defeat we own the night. We own our bodies. We own our lives.

For one, [ Freddie Roach] is wasting his time because I don't even read those reports. So that's the first thing. Secondly, I hear about them from other people around me and it doesn't make a difference to me. It seems kind of odd for him to be coming out so much and saying so many different things and every day it's a new thing. But like I said, I don't read them and I don't care about them and it doesn't make a difference come fight night.

When you put yourself out there as an expert and the people you are trying to attract are people who want to do the very show you are doing, guys standing around, sitting around arguing with each other over sports, if you make a mistake that lights up like a flare in the middle of the night. You've just got to correct that or else they're going to say, 'Well, why do these dopes have that show? I can go out there and be just as good as them.'

I have been trying to think of the earth as a kind of organism, but it is no go. I cannot think of it this way. It is too big, too complex, with too many working parts lacking visible connections. The other night, driving through a hilly, wooded part of southern New England, I wondered about this. If not like an organism, what is it like, what is it most like? Then, satisfactorily for that moment, it came to me: it is most like a single cell

To harden the earth the rocks took charge: instantly they grew wings: the rocks that soared: the survivors flew up the lightning bolt, screamed in the night, a watermark, a violet sword, a meteor. The succulent sky had not only clouds, not only space smelling of oxygen, but an earthly stone flashing here and there changed into a dove, changed into a bell, into immensity, into a piercing wind: into a phosphorescent arrow, into salt of the sky.

On the third day the friends of Christ coming at daybreak to the place found the grave empty and the stone rolled away. In varying ways they realized the new wonder; but even they hardly realized that the world had died in the night. What they were looking at was the first day of a new creation, with a new heaven and a new earth; and in a semblance of the gardener God walked again in the garden, in the cool not of the evening but of the dawn.

I write my books to challenge my own feelings and theories. Perhaps most surprising was what I learned about rice farming. It was really interesting to think of how different Asian and Western cultures are as a result of the kinds of agricultural practices that our ancestors used for thousands of years. The life of a Chinese peasant in the Middle Ages was so dramatically different from the life of a European peasant - night and day different.

The generations before you failed. They didn’t stay up all night. They got distracted and lost sight of the fact that life is a miracle every moment of your existence. Nature beckons you to be on her side. You couldn’t ask for a better boss. The most unrealistic person in the world is the cynic, not the dreamer. Hope only makes sense when it doesn’t make sense to be hopeful. This is your century. Take it and run as if your life depends on it.

There is something about safari life that makes you forget all your sorrows and feel as if you had drunk half a bottle of champagne - bubbling over with heartfelt gratitude for being alive. One only feels really free when one can go in whatever direction one pleases over the plains, to get to the river at sundown and pitch one's camp, with the knowledge that one can fall asleep beneath other trees, with another view before one, the next night.

A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.

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