Nice Quotes - Page 111

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It felt really nice to not have anybody talking about numbers, and no one is talking about ratings. From my experience, it felt like there was one person running the ship and it felt like there was space for Jenji to be at the helm. That's not what I've experienced in television before. It felt more akin to an interesting movie, where there were producers who were really excited by the work and wanted to make space for the director's vision to be sort of shared with an audience. It felt more cohesive.

I've got the Rosebud lip balm. I was gonna say my phone but that's not a beauty product. I try to bring my mascara everywhere because I'm a blonde and you know blondes have really light eyelashes, you always wanna put more and more on til they look like spiders, that's just what I do. And that's about it. Those are the two things that I keep. Sometimes if I have a big enough purse I'll bring my perfume or something. Right now I really like Beaute, it's by Johan B. and it's really nice, so I like that.

Occasionally, very occasionally, say at four o’clock in the afternoon on a wet Sunday, she feels panic-stricken and almost breathless with loneliness. Once or twice she has been known to pick up the phone to check that it isn’t broken. Sometimes she thinks how nice it would be to be woken by a call in the night: ‘get in a taxi now’ or ‘I need to see you, we need to talk’. But at the best of times she feels like a character in a Muriel Spark novel – independent, bookish, sharp-minded, secretly romantic.

I love writing in longhand. Writing in longhand, I think, is a marvelous thing to do for a writer these days. If you have a notebook and a nice pen you can go off somewhere, you can write that's solar powered. You can drop it or get it wet and pretty much all of your work will continue to be there. If you suddenly decide to look up a word or check a reference you will not look up four hours later, blinking, finding yourself somehow in the middle of an Ebay auction you never had any plans to be part of.

...and suddenly it hits you: Human skin is actually made up of billions of tiny units of protoplasm, called "cells"! And what is even more interesting, the ones on the outside are all dying! This is a fact. Your skin is like an aggressive modern corporation, where the older veteran cells, who have finally worked their way to the top and obtained offices with nice views,are constantly being shoved out the window head first, without so much as a pension plan,by younger hotshot cells moving up from below.

Everything has to be intrinsic plot-wise in the same way, to use the Linda Williams analogy but to move it on a bit, as musicals - in old musicals, like in an old Cole Porter musical, you get the action, then they do a song, which reflects a moment - everything stops while that is being sung - and then you restart. These days in most musicals, the plot keeps moving through the song. I think it would be nice if someone constructed some pornography where the sex continues to propel you through the story.

I go through the text making sure I haven't used any big words. If I find any fancy adjectives have crept in, I replace them with small words like 'nice' and 'big'. I've liked these words ever since I was told not to use them in English class at school. After that, I check that the sentences are short so as people won't get confused and I shorten all the chapters so they won't get bored. I can't read anything complicated these days, my attention span is too short. Everyone else probably feels the same.

I think modeling is interesting, it's obviously nice to take on a character and go through the process. I'm very lucky that I've been able to do that but I think the challenges that come with the responsibility of art directing something is something that appeals to me. I've done it before in collaboration with other people but it's the first time someone's literally handed it over and been like, "What do you want?" It was really fun to kind of dream up a concept and then execute it with all my friends.

Someone told me something recently about Sarah Palin, someone I trusted in the book business. They said, "I worked with Palin. She did an event at my bookstore, and she was really, really nice, and even more beautiful in person." I didn't want to hear that. I wanted to hear that she was awful and hideous-looking. But I thought, I have to listen to that. I have to hear that. I don't want to be the one who is going to deny anything complimentary said about somebody just because I disagree with that person.

She dumped me for the worst reason of all. For absolutely no reason at all...I mean, if she fell in love with someone else, or I did something wrong, or I let her down in some unforgivable way...That, I'd understand, right? But instead, she said...it wasn't anything. Not a single thing. It was just me. I was nice. I was kind. We just...she didn't see the connection anymore. I think she thought I was boring. And the cruelest part is, when someone says something mean about you, you know when they're right.

I didn't know I was depressed until years later. Actually, I went to the Minirth-Meier Clinic for ADD. I got tested for ADD. So, that's nice. It's nice to know you got ADD. So, that puts you on medication. Did that for years. Then got tested for clinical depression. So, finally when they tell you this, you go, 'ahhh, this is great.' So, now this explains events in your life and how you handle them. But our society frowns on it and they don't want their heroes to have these issues, but unfortunately I do.

I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.

I don't recall a show I've ever been on that had the same director do two episodes in a row, but in England, they do it all the time. In England, they'll just have one director for eight episodes. That was the British system that Jane Tranter and Julie Gardner wanted to bring to the States. I think there was a nice merger of the two systems. They might have gone with one director, but John had obligations on The Village, and he had to leave and come back, so it seemed like a natural place to break it up.

As for me, you wonder why I am a socialist. I'll tell you. It is because socialism is inevitable; because the present rotten and irrational system cannot endure; because the day is past for your man on horseback. The slaves won't stand for it. They are too many, and willy-nilly they'll drag down the would-be equestrian before he gets astride. You can't get away from them, and you'll have to swallow the whole slave-morality. It's not a nice mess, I'll allow. But it's been a-brewing and swallow it you must.

People used to think I was so strange because my toiletry bag used to contain so many grooming items and cosmetics and stuff. But I think it's more acceptable these day for guys to take care of themselves. I think it's becoming more commonplace, not just for sportsmen, but for all guys to take care of themselves. Taking care of yourself is a nice thing to do. It's not seen as just a girl thing anymore. You see a lot more guys at the gym taking care of themselves, and I think it's going to continue to grow.

Polaroid material has the most beautiful quality - the colors on one side, but then the magic moment in witnessing the image to appear. The time stands still and the act of watching the image develop can be shared with the people around you. In the fast world of today it's nice to slow down for a moment. At the same time Polaroid slows time, it also captures a moment which becomes the past so instantly that the decay of time is even more apparent - it gives the image a certain sentimentality or melancholy.

Foreign news is considered an expletive. Thoughtfully written analysis is out, 'live pops' are in. 'Action Jackson' is the cry. Hire lookers, not writers. Do powder puff, not probing interviews. Stay away from controversial subjects. Kiss ass, move with the mass, and for heaven and rating's sake, don't make anybody mad- - certainly not anybody you're covering, and especially not the mayor, the governor, the senator, the president or the vice-president or anybody in a position of power. Make nice, not news.

Good Lord, I don't know what 'rights' a man has! And I don't know the solution of boredom. If I did, I'd be the one philosopher that had the cure for living. But I do know that about ten times as many people find their lives dull, and unnecessarily dull, as ever admit it; and I do believe that if we busted out and admitted it sometimes, instead of being nice and patient and loyal for sixty years, and then nice and patient and dead for the rest of eternity, why, maybe, possibly, we might make life more fun.

In Hitchcock's movies you can see the storyboards and that's cool. It's nice to see a filmmaker be that prepared. Most filmmakers today have their heads up their ass, they're not nearly that prepared. He obviously had a right to say this is what I want and this is how we're doing it, because he was ready. Some filmmakers show up on the set and they don't know what they're doing. So then everyone has ideas and that makes a bad situation too. Be a director who's completely in control and yet no one knows it.

One time we stayed at a B&B, and there were a couple of hippies who had this nice little area and they let us sleep in their beds that they had in the back.Then the woman suggested we go out and lie on some cushions and look up at the stars and look for UFOs and she said, "You know, I do this all the time," and I was like, "Okay..." So there we are, lying there next to this amazing loch, and we're looking up in the stars and I don't really know what I was expecting, but to see some sort of metallic object.

Inside the snow globe on my father's desk, there was a penguin wearing a red-and-white-striped scarf. When I was little my father would pull me into his lap and reach for the snow globe. He would turn it over, letting all the snow collect on the top, then quickly invert it. The two of us watched the snow fall gently around the penguin. The penguin was alone in there, I thought, and I worried for him. When I told my father this, he said, "Don't worry, Susie; he has a nice life. He's trapped in a perfect world.

Of course the Man was wild too. He was dreadfully wild. He didn't even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail down, across the opening of the Cave; and she said, 'Wipe your feet, dear, when you come in, and now we'll keep house.

It's been nice, actually, to keep in touch with a lot of the people and families that I've written about. Like with the kids I was just writing about from Guatemala, who survived being kidnapped and fleeing violence, it was nice to just sit down in their living room and play bingo with them, go to dinner with the family. And sometimes not thinking about it in such a mechanistic "I am now coming to report and get what I need" way, but just spending time, helps you see a more natural version of who they are too.

It's nice that I can go on the road and there are more people to buy tickets. There are also more people to piss off who might not buy a ticket if I say the wrong thing. But I have to remember that if I stifle what my gut tells me to say in the name of "What if that person doesn't buy a ticket someday?" that's just not how I came up or how I thought. I have to consciously remind myself that even though things are going better now, I still have to be who I've always been. I can't get gun shy or scared about that.

It hurts to see that everything on television is based on pillaring people. Nobody's sort of given the opportunity to be nice anymore. I think that is somewhat reflective of tragically the society that we live in today where we want to know people off their pedestal or we want to hurt, we want to harm instead of boosting and following by example. It's always about the crud of society, the black sheep of society that producers seem to think the public wants rather than my old theory of the cream rising to the top.

Often, everywhere we look, we seem to find obstacles and facades and smokescreens, so it was really nice to find things in the world that actually spoke to me. And I felt like Eastern thought really spoke to me. Because it isn't trying to cover up the pain in life; it's trying to deal with it and overcome it in an intelligent way. I think the reason I love Eastern thought so much, and mysticism in general - but especially Buddhism - is because it seems to me an attempt to look life squarely in the face, as it is.

I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.

It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.

In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.

Your face will freeze like that, you know, Kat," Raffin said helpfully to Katsa. "Maybe I should rearrange your face, Raff," said Katsa. "I should like smaller ears," Raffin offered. "Prince Raffin has nice, handsome ears," Helda said, not looking up from her knitting. "As will his children. Your children will have no ears at all, My Lady," she said sternly to Katsa. Katsa stared back at her, flabbergasted. "I believe it's more that her ears won't have children," began Raffin, "which, you'll agree, sounds much less—

Now a writer can make himself a nice career while he is alive by espousing a political cause, working for it, making a profession of believing in it, and if it wins he will be very well placed. All politics is a matter of working hard without reward, or with a living wage for a time, in the hope of booty later. A man can be a Fascist or a Communist and if his outfit gets in he can get to be an ambassador or have a million copies of his books printed by the Government or any of the other rewards the boys dream about.

I talked to one accountant, a very nice fellow who I would have been glad to have his family marry into mine. He said, "What these other accounting firms have done is very unethical. The [tax avoidance scheme] works best if it's not found out [by the IRS], so we only give it to our best clients, not the rest, so it's unlikely to be discovered. So my firm is better than the others." [Laughter] I'm not kidding. And he was a perfectly nice man. People just follow the crowd...Their mind just drifts off in a ghastly way.

I live in East Hollywood which is sort of the end of the grit, butting up against Silverlake and Los Feliz which are the refined gentrified hipster zones, which I tend to appreciate when I need to get coffee, but I like living in the grit. I like feeling separate from that elitist civilization in some way, even though I don't really "belong" in the grit either. But I do spend more than half my time now in the desert which is really nice - to be off the grid, remembering that the world is bigger than the city streets.

Consider the cost when Christians ignore Jesus commands to sell their possessions and give to the poor and instead choose to spend their resources on better comforts, larger homes, nicer cars, and more stuff. Consider the cost when these Christians gather in churches and choose to spend millions of dollars on nice buildings to drive up to, cushioned chairs to sit in, and endless programs to enjoy for themselves. Consider the cost for the starving multitudes who sit outside the gate of contemporary Christian affluence.

I suppose it's nice that I've made films that some people have heard of and respect. That's great. And it's certainly helpful in some regards, but they're really tough economic prospects. They always have been, and that's not necessarily getting any better. And not just the films, but it's also been a rough 10 years for that independent film market. And so I have stumbled onto this point in the timeline where the kind of stuff that I'm trying to do is not... it was a lot easier to know what to do with it 20 years ago.

The fame thing is interesting because I never wanted to be famous, and I never dreamt I would be famous....You know I didn't think they'd rake through my bins, I didn't expect to be photographed on the beach through long lens. I never dreamt it would impact my daughter's life negatively, which at times it has. It would be churlish to say there's nothing good about being famous; to have a total stranger walk up to you as you're walking around Safeways, and say a number of nice things that they might say about your work.

There are so many things that can provide us with peace. Next time you take a shower or a bath, I suggest you hold your big toes in mindfulness. We pay attention to everything except our toes. When we hold our toes in mindfulness and smile at them, we will find that our bodies have been very kind to us. We know that any cell in our toes can turn cancerous, but our toes have been behaving very well, avoiding that kind of problem. Yet, we have not been nice to them at all. These kinds of practices can bring us happiness.

When they came to harvest my corpse (open your mouth, close your eyes) cut my body from the rope, surprise, surprise: I was still alive. Tough luck, folks, I know the law: you can't execute me twice for the same thing. How nice. I fell to the clover, breathed it in, and bared my teeth at them in a filthy grin. You can imagine how that went over. Now I only need to look out at them through my sky-blue eyes. They see their own ill will staring then in the forehead and turn tail Before, I was not a witch. But now I am one.

In the weeks prior to the war to liberate Afghanistan, a good friend of mine would ask me almost every day, “Why aren't we killing people yet?” And I never had a good answer for him. Because one of the most important and vital things the United States could do after 9/11 was to kill people. Call it a “forceful response,” “decisive action” ' whatever. Those are all nice euphemisms for killing people. And the world is a better place because America saw the necessity of putting steel beneath the velvet of those euphemisms.

Ringo, the last to become a Beatle, came into the group not because I wanted him, but because the boys did. To be completely honest, I was not at all keen to have him. I thought his drumming rather loud, his appearance unimpressive, and I could not see why he was important to the Beatles. But again I trusted their instincts and I am grateful now. He has become an excellent Beatle and a devoted friend. Ringo is warm and wry-witted, a good drummer, and I like him enormously. He is a very uncomplicated, very nice young man.

And don't pay attention to Christina. Your face doesn't look that bad." He smiles a little. "I mean, it looks good. It always looks good. i mean--you look brave. Dauntless." His eyes skirt mine, and he scratches the back of his head. The silence grows between us. It was a nice thing to say, but he acts like it means more than just words. I hope I am wrong. I could not be attracted to Al-- I could not be attracted to anyone that fragile. I smile as much as my bruised cheek will allow, hoping that will diffuse the tension.

I don't think I've ever signed onto anything as quickly as I did The Hollars, because I come from a really loving, well-connected family, where we see each other all the time. And when I was done with this script, I was like, "Oh my god, that's my family!" This is obviously a very dysfunctional family, but there was something about it that was sort of universal. And I think that in this day and age in today's world - there's a lot of drama out there. It's nice to tell stories about things as simple and powerful as family.

Take the [1980] Jimmy Carter-Ronald Reagan debate. Carter kept trying to imply that somehow Ronald Reagan was going to push the button, or was irresponsible with nuclear war. You might have been able to make the case that Carter was responsible. But it's very tough when you see a person with Reagan's nice-guy persona up there to believe this guy somehow wants nuclear war, that he somehow wants to antagonize the Russians into an attack. It's just not credible; it doesn't cut with what all your other senses are telling you.

People come up to me in supermarkets and demand humour. And the less amusing I am, the more they piss themselves. So I say, "I'm doing my shopping, mate, OK?" and the guy will be on the floor in hysterics. Quite odd. Eventually I do have to say something funny so I usually go for something pathetic like, "It's a nice place to shop but I wouldn't like to live here!" and they roar again. Wet themselves. I'm lucky though that I am not massively famous, I can get the Tube without much bother. Must be awful being the Beckhams.

Supernatural hasn't spent a lot of time on relationship stories, and this is a really nice mechanism to do that without imposing that on the forward momentum of these other stories that we're telling. In the writers' room we tend to say, "We're never going to be able to give a hell or Purgatory as good as people's imaginations," so the instinct is normally not to go there. But, we went the other way this year and said, "We are going to go there," because there's a really, really strong character thing going on down there.

Picking roles, my way of choosing them is vastly different now than it was a long time ago, but I can only be that way now because of what I've learned from the past. So I'm choosing now not to choose any work, because when you've had such a nice ride, unexpected rides and fulfilling rides, you really don't want to take a step backwards. It's really made me satisfied in a way that I wasn't looking for, but I was blessed with it and now I feel really full, in a good way, where I don't need to rush out and go find something.

I wouldn't say our relationship is always smooth sailing. In a fun sort of way, this publicizing of some feud has brought us closer together. I think it had to do with shooting an episode last season at a school. The students swarmed around him, and I'm walking along and feeling like yesterday's lunch. I was saying that was hard to deal with sometimes and he said, "Stephanie, you can go for it! All you have to do is play sexy." It was a nice chat, but the tabloids took it and made it out that I was jealous. I'm not jealous.

To us, your power comes from one simple thing: you’re a woman, and we men will do anything humanly possible to impress you so that, ultimately, we can be with you. You’re the driving force behind why we wake up every day. Men go out and get jobs and hustle to make money because of women. We drive fancy cars because of women. We dress nice, put on cologne, get haircuts and try to look all shiny and new for you. We do all of this because the more our game is stepped up, the more of you we get. You’re the ultimate prize to us.

White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'

I came in rather late in the casting process of Reaper. I believe they had all the other roles cast. They were having trouble finding the devil. They had seen almost 100 actors for the role. I got the script and I liked it - it was clever and witty and very, very funny, and a nice, fresh take on an old story. I went in and did a scene for the producers, the kitchen scene from the pilot where I'm cooking a chicken-fried steak. At the end of it, they all had a smile on their face, and they realized they had found their devil.

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