Quotes of All Topics . Occasions . Authors
I'm a New Yorker, and working in New York was divine for me. I loved working there and going to work there, which I've been able to do three or four times in my career, and I just love it. It's my favorite.
I'm a New Yorker. I was there during 9/11 and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life.
At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
Most of my work - including everything from my own comics to the covers I've drawn for 'The New Yorker' - is the result of taking some personal experience or observation and then fictionalizing it to a degree.
Reading 'The New Yorker' - I start on the last page and go backwards, reading all the cartoons. Then I read 'Shouts and Murmurs.' Then I read the reviews. Then I read the articles that immediately appeal to me.
Eventually, my highbrow parents, who so hated the Eisenhower suburban culture of the 1950s that the only magazines they subscribed to were 'The Atlantic' and 'The New Yorker,' broke down and got 'Life' magazine.
Five years before 'Kitchen Confidential' - and before then, the 'New Yorker' essay that led to the book - Bourdain published 'A Bone in the Throat,' a crime novel set in the restaurant world he lived and breathed.
Having recorded his first album, 'Tapestry,' in 1969, in Berkeley, California, during the student riots, McLean, a native New Yorker, became a kind of weather vane for what he called the 'generation lost in space.'
I'm a New Yorker now, and believe me, there's no comparison between the Big Apple and Kalamazoo, no similarity at all. New York City's hectic, always in fast-forward, and Kalamazoo's more laid-back, smaller, slower.
If you're born and raised a New Yorker, you're probably pretty to-the-point, and you don't care so much about hurting people's feelings as you do about saying what's on your mind, because you assume they'll get over it.
Woody Allen's movies are so much a part of me. I grew up watching them over and over and would read all his comic pieces for the New Yorker. In some ways, his influence is so much there that I can't even locate it any more.
Every New Yorker has the right to clean air, safe drinking water, and healthy communities to raise their children - and you can rest assured that I will aggressively protect that right, not just on Earth Day, but every day.
If I'm performing in the United States, I'm able to speak Spanglish, and the crowd comprehends. If I'm in the Dominican Republic or Puerto Rico, then I'm completely Spanish. I feel like a New Yorker that represents all Latinos.
Why on earth is the 'New Yorker' publishing puff pieces about pretty girls who go to parties? Does the 'New Yorker' ever run photos of cute boys just because they're cute and they come from money and they go to lots of parties?
I lived in New York my whole life. Like every New Yorker, I have stories about spending summers on the Jersey shore, riding the roller coaster in Seaside that is now famous for that sickening photo of it being washed out to sea.
Any New Yorker who even thinks of voting for Ted Cruz should have their head examined, Really, here's a guy who refused to sign onto the 9/11 health care act for the cops and firemen. Here's a guy who talks about New York values.
The debate about the war seems pretty robust and free. Many publications, from the New Yorker to the Nation, feel perfectly comfortable printing anti-American articles and that's fine. That's what the First Amendment is all about.
I think one of the best jobs in the universe must be being the editor of 'The New Yorker', but there are a number of magazines that I'd be excited to be the editor of. They would be 'Wired', 'The New Yorker' and probably, 'Vogue'.
I like L.A., I really do, but I'm really a New Yorker. In New York, there's a feeling that you're not praised or treated too preciously. No one ever feels too important because someone on the subway will reassure you that you're not.
When you get into statistical analysis, you don't really expect to achieve fame. Or to become an Internet meme. Or be parodied by 'The Onion' - or be the subject of a cartoon in 'The New Yorker.' I guess I'm kind of an outlier there.
The 'New Yorker' asked me to shoot a story on climate change in 2005, and I wound up going to Iceland to shoot a glacier. The real story wasn't the beautiful white top. It ended up being at the terminus of the glacier where it's dying.
I see a New York where there is no barrier to the God-given potential of every New Yorker. I see a New York where everyone who wants a good job can find one. I see a New York where the people can believe in a grounded government again.
I always have issues with trust. I'm a New Yorker... Really, I think trust is something that comes from the gut. And I think you have to - it's probably the worst advice to give people - but I think you gotta trust people from your gut.
I have no credentials. I have no money. I literally come from a poor place. I was a servant. I dropped out of college. The next thing you know I'm writing for the 'New Yorker,' I have this sort of life, and it must seem annoying to people.
I have published in 'The New Yorker,' 'Holiday,' 'Life,' 'Mademoiselle,' 'American Heritage,' 'Horizon,' 'The Ladies Home Journal,' 'The Kenyon Review,' 'The Sewanee Review,' 'Poetry,' 'Botteghe Oscure,' the 'Atlantic Monthly,' 'Harper's.'
As a New Yorker, or wherever I am, I just want to know I can get our of the house in five minutes if I have to and not have to spend a bunch of time obsessing in the mirror, trying on a million different options. Now, I just know what works.
I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people.
If you're on a contract at 'The New Yorker,' the contract specifies the number of words you will publish in the magazine per year. I get paid by the word, like most writers. That's one reason why the Scientology article was 25,000 words long!
I stay up on current events. I read 'The New Yorker' and 'The Economist.' I go to community meetings to see what concerns the people in my neighborhood. I studied literature in college, so I also continue to read poetry, literature, and novels.
I travel so much when I work, I've really been happy to do 'Nice Work' because I feel like a true New Yorker again. I have my little regimen during the day, and I can take advantage of the museums and the things that I love. And people watching!
As a New Yorker you can't help but be proud of the fact that so much music and culture started here. Punk rock, jazz, hip-hop and house music started here, George Gershwin debuted 'Rhapsody in Blue' here; the Velvet Underground are from New York.
Andy was not a hippie or rebel but more like a mischievous child. He was never out to destroy everything. He became a New Yorker, and New Yorkers know, like the media, what's going on around them is a fashion thing that will change to something else.
It was actually an Israeli cartoonist, Nurit Karlin, who made me think that I could draw for 'The New Yorker.' I saw her work published in the magazine in the early 1970s - she was the only woman working as a cartoonist at 'The New Yorker' at the time.
'All In' is like the Giants motto, so I kind of took that, and I kind of used New York as the backdrop - how diehard New Yorkers are for their team. Me being a New Yorker, I just had to show my love for the city as well as my love for the New York Giants.
I am more of a New Yorker than ever and just actually, sometimes I fantasize about living somewhere else, where it's maybe not quite so crowded or stressful, blah, blah, blah and after September 11th, I guess I could just not imagine living anywhere else.
In 1927, if you were stuck with idle time, reading is what you did. It's no accident that the 'Book-of-the-Month Club' and 'The Literary Guild' were founded in that period as well as a lot of magazines, like 'Reader's Digest,' 'Time,' and 'The New Yorker.'
I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!
I'm a New Yorker. I was there during 9/11, and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life. I think millions of people were forever changed.
A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kind of lost my indie credibility over 'Mr. and Mrs. Smith.' I know I haven't lost it. I just have to go make an independent movie. I just have to do it. Just for me.
Toronto is a special city, and the environment is perfect for the arts; free and alive. I'm a New Yorker, and Toronto reminds me of a much cleaner New York, so it's like coming home after your mom just cleaned your room for you; for me that's a lovely environment.
I was kind of an unhappy kid. I always felt like a cynical New Yorker trapped in a little kid's body. I started to get some pretty bad anxiety disorders around puberty, which totally did not work with growing up a mile away from the beach. I started cutting my own hair.
Activating is about changing people's perceptions of overlooked or invisible spaces. A building can become an archetype, invisible, like for a New Yorker, for example, the Statue of Liberty. You look at it, and it disappears into the thousands of times you've already seen it.
If you're a New Yorker, there are two things that are most important: a car and a washer and dryer. Literally everyone else in America has those things! It's so weird to them that these are our luxuries. You can eat at Per Se every night, but I don't have a car or washer and dryer!
If I have a spare second, I usually catch up on the many magazines I'm behind on or watch the latest movies on demand that I usually missed at the theater. I love magazines. My top three: Graydon Carter's 'Vanity Fair', Adam Moss' 'New York magazine' and David Remnick's 'New Yorker.'
When I was working on the al-Zawahiri piece, a large part of it published in 'The New Yorker' in 2002, I had spoken to a lot of Zawahiri's friends, people who had been in prison with him, people that had been in al-Jihad with him. And quite to my surprise, they liked that article a lot.
I get 'The New Yorker,' and I'm usually about three issues behind. But I do catch up. The problem is that it always seems like homework, but then you start reading it and go, 'Why am I not doing this all the time? These are such great stories!' But, yeah, that stack gets so big and dense.
If you write chick lit, and if you're a New Yorker, and if your book becomes the topic of pop-culture fascination, the paper might make dismissive and ignorant mention of your book. If you write romance, forget about it. You'll be lucky if they spell your name right on the bestseller list.
I wrote a lot about Cheney in 'The New Yorker,' but I wrote very little of what I know. The only time I ever mentioned what he ever said at a meeting was when there were many people there who were not insiders, you know, other people not in the government, so my sources would be protected.
When you're from New York, people take a second look at you. In Virginia, the other players always asked about the fast life we live. They want to know about the crime. As a player, they expect you to be able to do things that excite a crowd. And they always want to beat you. You're the New Yorker.
I feel like I just have such the blood and bones of a New Yorker that I can almost imagine better, like, giving up the fight and not being able to afford the city and going out West, keeping a small place here, and then when I'm like 80, coming back here, living on the park and going to the theater.