Quotes of All Topics . Occasions . Authors
I am haunted by what my life would have been had I not had the courage in my early twenties to leave Pittsburgh for New York City and really commit to being a writer. Pittsburgh is both post-industrial and provincial, and the opportunities there are limited. It would have been quite easy to simply drift through life.
I was part of that group of kids growing up in the '80s under the Reagan regime, what I used to call 'living in the shadow of Dr. Manhattan,' where we would have dreams all the time that New York City was being destroyed, and that that wall of light and destruction was rolling out and would just devour our neighborhood.
When I first came to New York City, what I was thrilled about was not the Empire State Building, or the Statue of Liberty; it was the fireplugs in the street. These things that Jack Kirby had drawn. Or these cylindrical water towers on top of buildings that Steve Ditko's 'Spider-Man' fights used to happen in and around.
For the most part, I keep it true to who I am with Southern, trendy, and comfortable looks. I like to bring that element when I go to places like Los Angeles and New York City because I know a lot of people have a set look there, and I like to be different, and I am still going to wear my Daisy Dukes and my denim overalls.
The Documents Project has actively collected documentation on both island-based Puerto Rican art as well as Nuyorican art in the United States through partnerships and researchers ceded at the University of Puerto Rico's museum in San Juan and Hunter College's Center for Puerto Rican Studies in New York City, respectively.
Around New York City, samples collected at dozens of beaches or piers have detected the types of bacteria and other pollutants tied to sewage overflows. Though the city's drinking water comes from upstate reservoirs, environmentalists say untreated excrement and other waste in the city's waterways pose serious health risks.
My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.
I was raised in New York City and raised in the New York City theater world. My father was a theater director and an acting teacher, and it was not uncommon for me to have long discussions about the method and what the various different processes were to finding a character and exploring character and realizing that character.
My education in the public schools of New York City between 1932 and 1944 was an excellent preparation for a life in science. Because of the Depression, these schools were able to attract a remarkably talented and dedicated collection of teachers who encouraged their students to strive for the highest levels of accomplishment.
I will never forget what happened on August 14, 2003. I know the exact sequence of where I was for every moment of that evening. It was a tragic day, and it's burned into my memory. Many people might remember that date, vaguely, as the date of the infamous eastern seaboard blackout that plunged all of New York City into darkness.
I am not a religious person myself, but I did look for nature. I had spent my first sabbatical in New York City. Looked for something different for the second one. Europe and the U.S. didn't really feel enticing because I knew them too well. So Asia it was. The most beautiful landscapes I had seen in Asia were Sri Lanka and Bali.
I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.
In 1949, when I was 2, my family moved from Yonkers, NY, to a development of brick houses in Elmont, a Long Island suburb of New York City. What I remember most about the house was the glider on our porch. I used to sit there evenings close to my father, Victor, as he talked about the moon and the stars. He taught me to dream big.
The first trip I remember taking was on the train from Virginia up to New York City, watching the summertime countryside rolling past the window. They used white linen tablecloths in the dining car in those days, and real silver. I love trains to this day. Maybe that was the beginning of my fixation with leisurely modes of travel.
Woody Allen was the reason I wanted to move to New York City and one of the reasons I wanted to make films. I felt that I understood his films, and I love them so much. When you're starting out, certainly, you have this sense of wanting to talk back to people who have influenced you, and I always wanted to talk back to Woody Allen.
As you know, I'm a black girl out of the projects of New York City, raised in a single parent home because my parents divorced very very young... welfare and homeless at four and then again at 16 and just not having the things or the necessary tools that society would say I needed to have in order to be any kind of success in life.
The contrasts between what is spent today to educate a child in the poorest New York City neighborhoods, where teacher salaries are often even lower than the city averages, and spending levels in the wealthiest suburban areas are daunting challenges to any hope New Yorkers might retain that even semblances of fairness still prevail.
During my eleven years as a New York City public school teacher, I saw firsthand the impact that poverty has on the classroom. In low-income neighborhoods like Sunset Park, where I taught, students as young as five years old enter school affected by the stresses often created by poverty: domestic violence, drug abuse, gang activity.
Entrepreneurship is seen as if you're in Silicon Valley or New York City and starting an app business or a social-media business, which is cool. But what we really have to focus on is people who make things, and how can we fund them, and how can we encourage people to stay in their community and make a difference in their community.
When I was growing up, I actually went through, in New York City, blackouts when we had to close the windows and worry about air raids. I don't know whether or not those were realistic worries or not, but as a kid, when we all had to run around pulling down the drapes and turning the lights off; it was a very frightening experience.
A report released by the Partnership for a New American Economy and the Partnership for New York City predicts that by 2018, there will be 800,000 science, technology, engineering, and mathematics (STEM) jobs in the United States that require a master's degree or higher - and only around 550,000 American-graduates with this training.
I grew up in the D.C. suburbs, and what I like about that place is that there's not a strong regional affect in the cultural imagination like there is in Dallas or San Francisco or New York City. You have a little more freedom as a novelist this way. The suburbs become a generic idea, and the place doesn't intrude into the narrative.
We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.
I didn't realize what a love affair I would have with big city life until I got to New York City. In a place like New York, granted it's utterly unique, you can get and have and do anything you want at any time of any day. It's bursting with culture and the cream of the crop in all walks of life. That sort of energy really excites me.
My father emigrated from Lithuania to the United States at the age of 12. He received his higher education in New York City and graduated in 1914 from the New York University School of Dentistry. My mother came at the age of 14 from a part of Russia which, after the war, became Poland; she was only 19 when she was married to my father.
We are all used to paying a sales tax when we buy things - almost 9 percent here in New York City. The application of this concept to the financial sector could solve our need for revenue, bring some sanity back into the financial sector, and give us a way to raise the revenue we need to run the government in a fiscally responsible way.
I was in New York City and my sister and cousin came out to see me, and I brought a guitar on stage. But all the audience wanted was for me to play so they weren't listing to anything I was saying, I bombed hard. On the cab ride home, my sister pulled a sticker off the cab and put it on my guitar which I still have today in my man cave.
My first experience in a movie theater was Dick Tracy. There was a scene with a guy with a Tommy gun and a wall of fire behind him. I panicked, screamed, and jumped out of my seat. And I ran six New York city blocks, running into the street and almost got hit by a bunch of cars and had my mom chasing after a panic-stricken four-year-old.
I often have said to people that there are really two cities in the country where the outlook is always forward-looking - there is never really a backward-looking tendency. My banking work has taken me out to Palo Alto, what is commonly called Silicon Valley. And you sense out there is always a forward-looking outlook. And New York City.
I find the older I get, the lower in weight I go. It's harder to recover. Living in New York City, working a job that is unpredictable and at times stressful, you're lifting way more than your max because you need to push some weight around. You put an extra plate on for the release, and then you're sore the next week. Its stress release.
One of the things is that the good intentions of Prohibition, from reading over the years and from becoming obsessed with the research of gangs in New York City, seems to have allowed crime figures at the time, like Luciano, Capone, Torrio and Rothstein, to organize to become more powerful, which pulled all the way through until the '70s.
When I was mayor of New York, my views changed. I began as mayor of New York City thinking that I could reform the New York City school system. After two or three years, four years, I became an advocate of choice, of scholarships, and vouchers, and parental choice, because I thought that was the only way to really change the school system.
I live in New York City, and one day many years ago I was with a poet, Gregory Corso, walking through Greenwich Village. He pointed to a doorway in an alley that he said led to a tunnel under Manhattan, a tunnel he'd use to run from the cops. I started learning about old Prohibition-era speakeasy tunnels under the city, for running whiskey.
Right before my dad died he was planning to go to New York City for the video music awards that he was nominated for, the MTV music awards. You couldn't tell him he wasn't going to go. It was going to happen. But he wound up having to check into the hospital there, and not too long later he died. But his spirit never gave up - his body did.
When people endure a traumatic event, they are either defeated or made stronger. On Sept. 11, I told New Yorkers, 'I want you to emerge stronger from this.' My words were partially a hope and partially an observation that people in New York City handle big things better than little things. I could not be more proud of the way my city responded.
I turn on the radio. I'm a really big fan of old-fashioned dial radio. I love WNYC and NPR and also 88.3 in New York, which is the jazz station, and it's usually good for background music. If I'm not in New York City or by a traditional radio, I'll stream it on my phone, although I usually try not to look at my phone first thing in the morning.
The Flight 93 Memorial isn't that easy to get to. It isn't like the memorials in New York City or Washington, D.C., where you may go on a business trip or family vacation. No, in order to get to Shanksville, PA, you fly to Pittsburgh, make your way through the traffic and onto the highway that takes you through the beautiful wooded countryside.
In Toronto, I grew up taking a subway, I grew up taking a bus. I spent my formative adult years in New York City, walking the streets, taking the subway. You're connected to the larger whole. L.A. is so spread out, and you're so incubated inside those cars and it's so exhausting to deal with the traffic, without really having the human contact.
I lived in Tokyo for four months. I've heard Tokyo was modeled after New York City, so I was ready for the subways and all the people, but it's a little overwhelming at times. Not to mention, I'm paying twice as much for my apartment here than I was paying in L.A., and my apartment in L.A. is about four times the size! But it's such a cool city.
Night after night in the '50s, I traveled all over New York City. The promoter had 10 acts, and the winner each night would get five dollars; second place would get three dollars, and third place would get two dollars. He always put the best acts on last so the people wouldn't walk out, and the worst acts went on first. He always put me on first.
Greensboro's mad at me because I said I'd rather go to New York City for a week. Why would they be mad at me? Are they that parocial. I didn't say Greensboro wasn't a nice place. It's a very nice place. But if I had a choice for a week where I would go and ask somebody in North Carolina where they rather go for a week - Greensboro or New York City?
'Sour Heart' is a collection of seven linked short stories narrated by young Chinese-American girls living in New York City in the '90s. It's exceptionally hard to describe what I've written without sounding delusional or boring, so I'll just say they are stories about growing up and the pleasures and agonies of having a family, a body, and a home.