It is an honor to open in New York City and to have the opportunity to serve and share our family's version of American Chinese food and hospitality. New York City deeply influenced my passion for food and service, and it feels good to be back.

My grandfather had been on the New York City force with his 11 brothers around the turn of the century. He was killed in the line of duty. My father, who was 16, was the oldest son, so he had to quit school and go to work to support his mother.

When I got out of high school, I was working in restaurants in New York City, when I heard Bill Anderson from The Neighborhood Playhouse was doing private lessons. I started taking classes, and it was a lot of improv and Meisner and repetition.

I think I have a very good reputation amongst the gay population and among the whole country because I stood up on the issue of gay rights. It is not easy to stand up on that issue when you are single and male in New York City. I did it anyway.

I went to an ordinary school in New York City with no other actors. I learned to compartmentalise different parts of my life. I was one person at home and then another person at work and for that reason my career didn't challenge my family life.

In the '60s, I was teaching humanities at a college in upstate New York and trying to publish a novel I'd written in graduate school. But nothing was happening. So I moved to New York City and got a job as a messenger at a place that made movies.

Jerry Orbach was the first person to take me to the Friars Club. It's a beautiful building, and you walk into these halls of comedic history and meet these old cats who could tell you a million stories about how things went down in New York City.

When I started writing, most of the police department in New York City, especially above the rank of detective, were Irish, Irish-American. I thought it would be more interesting... to use the actual ethnic background in New York City at the time.

I even went to film school at School of Visual Arts in New York City. And then, after that, I got a day job at Universal publicity department, then moved over to Disney publicity department. So I had this day job, and at night I would study music.

Having Black hair is unique in that Black women change up styles a lot. You can walk down one street block in New York City and see 10 different hairstyles that Black women are wearing: straight curls, short cuts, braids - we really run the gamut.

Hydrogen peroxide-based bombs were used in the London bombings in 2005; in al Qaeda's foiled plot to attack subways in New York City in 2009 and also in the ISIS-directed Paris attacks in 2015 and the ISIS-directed attacks in Brussels a year later.

I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges.

I live in New Hampshire. We're in favor of global warming. Eleven hundred more feet of sea-level rises? I've got beachfront property. You tell us up there, 'By the end of the century, New York City could be underwater,' and we say, 'Your point is?'

My mother witnessed the martyrdom of her husband, Hajj Malik Shabazz, Malcolm X, on Sunday, February 21, 1965, at the Audubon Ballroom in New York City. My older sisters, Attallah, Qubilah and I were seated with our mother up front and stage right.

'I Met You When I Was 18' is a collection of songs, a story about moving to New York City when I was 18 and falling in love for the first time. A story about trying to figure out your own identity whilst being deeply intertwined with someone else's.

I was enamored of New York City intellectual life and was really into Philip Roth because I was raised by self-loathing Midwesterners who were from southern Illinois, who felt like fish out of water when they came to the East Coast when I was a kid.

Every song brings back memories, like I remember where I wrote all these songs. 'Universal Heartbeat' was my apartment in New York City. 'My Sister' was at my apartment in Boston. I remember places and I remember what I was thinking when I wrote it.

I don't think the isolation of the American writer is a tradition; it's more that, geographically, he just is isolated, unless he happens to live in New York City. But I don't suppose there's a small town around the country that doesn't have a writer.

You know, in 1975 I couldn't get a job in New York City because I was American. The kitchens were predominantly run by French, Swiss, German, and basically I got laughed at. I had education, I had experience, but got laughed at because I was American.

I came to N.Y.C. in 1988 and got very involved with Act Up. I also started making movies, including two very gay shorts, 'Vaudeville' and 'Lady.' It was the height of the AIDS epidemic, and New York City was both dying and very alive at the same time.

I often feel that my days in New York City, that I was here for five years, didn't get one job, went on a thousands of auditions and literally did not get a job on a soap, not a movie, not TV, not nothing, although I did do some commercials thank God.

We were in New York, and we were performing at a morning show. This fan literally ran from that studio in the middle of New York City to our airport, which was very far away. That fan ran all the way there to see us, and we were so in awe of that guy.

I grew up, until age 6, in Chicago. My parents rented their apartment and, at the end of the Depression, my parents wanted to replicate that situation. So, again, we lived in a somewhat suburban setting outside of New York City, and again, they rented.

I did Alan Ball's 'Five Women Wearing the Same Dress,' and then he put me in 'American Beauty.' Everything started to happen from all the years I put into the theater in New York City, and working, and having great parents who supported me through that.

I started in the theater world in New York City - and indie films - and I love the feeling of your head coming together and trying to tell a simple story, a small story, and just getting that vibe of storytelling without all the craziness of big budget.

I'm a half-breed. You know, I'm Puerto Rican and Norwegian from descent, and I grew up, born and raised in New York City, and I stood out amongst my friends in my community. I was very blond-haired, white, and 'Lemonhead' was the name that they gave me.

I grew up with my parents screaming and yelling at each other for the rent in Bronx, New York City at the time. It was $36. So my mind hadn't stretched out to that place where I could spend a whole month's rent on a 45-minute plane flight to Fargo, N.D.

Liberals talk about the 'income inequality' and the 'unfairness' and the disparity of the haves and the have-nots in New York City. Who has been running that city for all this time? Who has created the underclass in this country? It's the Democrat Party.

I wouldn't say that a big family is for everybody, and I've brought my kids, for example, to New York City, and I can tell you it's much harder to raise that number of kids in a city like New York than it is to raise them in rural Wisconsin where I live.

I never really thought of my neighborhood in South Philly as being a neighborhood; it was more a state of mind. For people who aren't familiar with those kinds of places, it's a whole different thing. Like, 42nd Street in New York City is a state of mind.

Fellow conservatives, particularly within the Republican Party, typically do a good job arguing against totalitarian, one-size-fits-all approaches to policy. What works for a family in New York City might not work in Jenison, Michigan, or Tulsa, Oklahoma.

Moving to New York City and doing what I do, social anxiety is a really ridiculous kind of curse to have. But I met people along the way who deal with it - performers as well - and they are learning to deal with it daily and deal with it in different ways.

In 1990, when I had just arrived in New York City as a wet-behind-the-ears 20-something girl from Arizona, I spent a year or more working as the personal secretary and secret ghostwriter to an American-born countess in her apartment on the Upper East Side.

I've always loved dogs and have had one since I was three. We bought her from a kid selling puppies out of a cardboard box on the street where we lived in New York City. Great dog. We named her 'Marcella' after a Raggedy Ann character. She grew up with us.

I grew up in New York, and I grew up with a mother who was an arts lover herself, and I went to these New York City public schools with these great arts education programs, so it was something that I was lucky enough to be able to be exposed to very early.

When I moved to New York City to go college, my mother said, 'If you want to be recognized, you need to go out to a club.' Because we didn't have computers. We didn't have social media. We didn't even have cellphones. So you had to go out to be recognized.

At 25, I had lost my job due to the economy, and my family wanted me to become a policeman or firefighter, but I knew there were other things out there for me. I sent some pictures to New York City and a model agency called and said, 'Where have you been?'

I like to do Italian food on Sunday nights. We'll either go somewhere, and the whole family will go, or we'll stay in our apartment and watch a movie and enjoy one of the huge perks of living in New York City, which is that you can have anything delivered.

I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!

I miss the energy of New York City and being able to step out of my apartment and see so much unique culture all the time around me without having to seek it out. In L.A., I have to sort of seek out everything I'm trying to do. It makes it less spontaneous.

I don't have great running technique, but I like to run. I've heard from countless people that the last six miles of the marathon is all mental. But what better city to have this in than New York City where there are millions of people there supporting you?

I'm a New Yorker. I was there during 9/11, and I saw how, not only New York City stopped for a moment, we all took an inhale and exhale at the same time - the world united at that time, and it changed my life. I think millions of people were forever changed.

I love New York City. Everyone is busy with their own lives - and no one is interested in some Hollywood celebrity walking past in downtown Manhattan. That's why it's my favorite city. You can do what you want without attracting a crowd of curious onlookers.

The first time I came to New York - and the first time I saw the movie 'Paris Is Burning' - I learned about the homeless LGBT culture in New York City that goes back to the '80s. I found that very interesting, and it's definitely something that I care about.

I am a marathon runner. I ran the New York City marathon and almost died. I tried to run, like, a two-minute mile early on in the race. I was crazy enough to think I could win. After seven miles I thought I would die, but I slowed down my pace and kept going.

Picture what this country felt like in the weeks and months after 9/11. Can you imagine anyone even beginning to allow an advertising campaign promoting Islam, being endorsed and supported by a man the feds believe to be a terrorist, on New York City subways?

After living and working in Milan and Paris, I arrived in New York City 20 years ago, and I saw both the joys and the hardships of daily life. On July 28, 2006, I was very proud to become a citizen of the United States - the greatest privilege on planet Earth.

I first saw 'The Dinner Party' in 2007 at the Brooklyn Museum in New York City. While perusing the Heritage Panels, which honor 999 women who have made important contributions to Western history, I came upon the names of two sisters, Sarah and Angelina Grimke.

My dad was a mathematician and worked for New York City as a statistician. My mom was an accountant and eventually started her own business in her mid-40s. She linked manufacturers in Taiwan to companies in the United States that needed those types of products.

When I became mayor of New York City, I had a $2.4 billion deficit. And everybody wanted me to raise taxes. I said, 'If I raise taxes, I'll drive people out of New York City, and then I'll be raising taxes again.' So what I did was I cut expenses by 15 percent.

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