Quotes of All Topics . Occasions . Authors
There's a lot to love about America - freedom, the melting pot of diversity, individualism - all attractive concepts, especially to an introvert. In fact, the introverts were probably the first to feel crowded in England and to daydream about all the space they would find in the New World. Peace! Quiet!
We could choose to leave as a country split and an economy disjointed, struggling to make our way in a new world outside the E.U. Or we can come together as one United Kingdom, confidently seizing new global opportunities as we build a prosperous, secure nation fit for the future challenges we will face.
The thing I love about being a novelist is that with each project, you invent a new world. You approach it with a different set of aesthetic and structural ideas, and you grapple with a different series of problems in figuring out how to tell the story. And yet there are certain concerns that stay constant.
Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.
My hope is that 'The New World Haggadah' will open a new world for readers who will see our heritage through a multilingual prism. I wanted to feature medieval and renaissance authors, resistance in World War II, crypto-Jews and activists during the Dirty War in Latin America, songs of protest, and songs of hope.
In 'Birth,' I explore the nature of the new world we are approaching with my business-spiritual model, a new model for a new world. This view will enable individuals, companies and even nations to move from collapse to positive change, and bring together the spiritual and the material, giving birth to a new future.
I have a younger brother and sister who actually play in my band, and we were always into Disney music, big time. The first time I heard myself sing was when I recorded myself singing a Disney song. I remember it because it was awful, and I didn't expect to hear that. I think it was 'A Whole New World' from 'Aladdin.'
Working with Prince, it's kind of like he's opened up this whole new world, especially with the horn players. And I'm like, 'Man, only if I had strings on this album, too.' And I'm like, 'I wish I had an orchestra.' So I just, you know - I just wonder what's next, you know. I just want to constantly push myself for more.
I was in my early 20s when Estonia joined the E.U. For a kid who'd grown up in the Soviet Union, it seemed like my country had come of age. For a country that had been isolated and cut off from the rest of the world, it seemed like we were becoming part of the global community. It opened a whole new world of possibility.
My interest in Virtual Reality (VR) films began for me when I began a fellowship with MIT's Open Documentary Lab. It was a profound experience to be on MIT's campus one day a week and to enter a new world of storytelling where breaking convention and traditional methods were expected. This was deeply challenging and inspiring.
I think people who are not rich can be extremely happy. And I think the chances to be happy in this new world - with many more opportunities to be creative, to be online, to educate yourself - there'll be a lot more chances to be happy. It's not to say everyone will take them, but there will be a lot of new paths to opportunity.
When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.
From Nato to the U.N. and the E.U., the generation that lived through the first half of the 20th century knew they needed to create a new world order. An order with rules and institutions which, however imperfect, could act both as constraints on individual countries going rogue and as catalysts for co-operation for mutual benefit.
In 1984, as a college freshman, I spent a fall weekend at a friend's house in suburban Chicago. His father worked for Beatrice Foods, a sponsor of the Chicago Marathon, and we watched that race from the finish line as a Welshman named Steve Jones set a new world marathon record. I was bewitched by the race and, especially, the clock.
'A Valley Without Wind' takes the idea of dungeon crawls and throws it on its head by casting you as a magic user in this 2D platforming labyrinth of a world. From NPC's to rescue, spells to learn, and a whole civilization you practically need to build back from scratch, this adventure takes to a new world where few other games dare to go.
If 'Buffy' the movie was the true love of my childhood, 'Buffy' the series quickly became the true love of my teenage years. It was everything I'd ever wanted in a show and more. 'Buffy' quickly became an obsession, and, shortly thereafter, became my gateway into an incredible, insane, indescribably wonderful new world: shared media fandom.
The bipolar world of the Cold War is history. The new world order, however, is not the One World dreamed of by Wilsonian idealists. It is a Balkanizing world where race, tribe, culture and creed matter most, and democracy is seen not as an end in itself but as a means to an end - the accretion of power by one's own kind to achieve one's own dreams.