Every fight is a new story, a new training camp.

I hope they find some way to come up with a new story that involves Beast in my timeline.

If you want to tell a new story, it is a risk. But then you have to do it in the best financial way as possible.

I now find magic in the mundane. I'm also more creative - better able to look beyond the obvious and come up with new story angles.

I was too lazy to start a whole new story, so I just stuck a princess into the story I was working on... and The Princess Diaries was born!

I want to write a new story in Europe, to make a new history. I want to come to win the championship and play again in the Champions League.

Before I ever begin writing a new story, I have to sketch my characters out on paper. It's part of my process of understanding who they are.

When I'm doing a part, I'm not coming with any baggage of who did what. I looked at 'Force 2' as a fresh film. It's a new story and a new director.

I love taking prints, embroidery, appliques - precious things that seem to be from another time - and using them to create a contemporary, new story.

One thing we never did with 'Bad Company' was talk down to our reader. And we certainly don't do that with the new story, 'Bad Company, First Casualties.'

I think that fashion, for a long time, has been in a prison. Without freedom. I think that without freedom, with rules, it's impossible to create a new story.

The one thing that I always try and take with me, if there's, like, a remake, or you're doing something again, is that every generation has a new story to tell.

Shooting a new story out of order every week is a fundamentally different beast than stage work, where you tell the same story every night from beginning to end.

I love writing, and I love the solitude of the writing, in that you're just sitting there creating something from nothing, or a new story for characters you love and care about.

The terror of figuring out a new genre, of telling a new story, is what makes the job exciting, keeps me from getting bored, and I assume it keeps whoever follows my work from getting bored as well.

I'm working on a few different films and I'm just searching for the right new story to tell. As a director, you just have to kind of like just get through the first project before starting on the next one.

I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it.

By accepting what the external structures have told us we need to do, we have given the power of our realities and ourselves to others. It is time to tell a new story for women, and that can only start with women.

I'm astonished by how much journalists stay with the story, try to get to the truth of the story, maybe give years of their life to it, maybe go over to Syria, maybe lose their life. Then, the next day, it's a new story.

I would say a good leader brings results. A great leader writes a new story, it's different. Obviously a new story has to incorporate a lot of results. But a story is a chapter in the life of a company that people want to write and want to remember.

In school, you learn that there are only seven kinds of stories. There's man versus nature, man versus man, man versus himself, blah blah blah. So it doesn't matter what they're called. It's this: do you have a new story that fits into one of those things.

When Josh and I are recording a record, we're very mindful of how the music will manifest itself live. That's where we have to live every day. When we tour for the next record, I imagine there will be a new story to tell, and we'll introduce new characters.

What I feel responsible for is, if my name is on a comic, I want it to be the best-written comic that I can possibly do. I want it to include some new things we haven't seen before, new story ideas, new characters. Quality, quality art, all those kinds of things.

I think the success of 'Downton' is partly because there are effectively 18 leading characters, all given equal importance, so it's enormously involving on many levels. But also, it's a new story. It's not like Dickens or Austen, where everyone knows the denouement.

I've always been interested in the Greek tragedies. A few years back, I re-read a translation of the 'The Oresteia,' and that stayed with me, and slowly this idea of using some of those old legends and plays to tell a new story about modern urban life began to form.

My daughter had carried within her a story that kept hurting her: Her dad abandoned her. She started telling herself a new story. Her dad had done the best he could. He wasn't capable of giving more. It had nothing to do with her. She could no longer take it personally.

Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.

I teach a 14-week semester, and one of the things I do when I have to teach literature is, for the first half hour of the class, I have the students write the beginning of a new story every week. At the end of the semester, even if they have learned nothing about literature, at least they'll have 14 beginnings that they can take with them.

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