Quotes of All Topics . Occasions . Authors
Chris Paul is one of the brightest stars in the National Basketball Association, a must-see player with the New Orleans Hornets whose deft ball skills and eye-popping speed have attracted admirers all over the world.
In Canada I'm not dealing with people who are bringing in baggage, they just get it. But New Orleans will be a bit different. If there's a group of people who have a right to be bitter, it's the people of New Orleans.
I've had a five- or six-year down-spell as a writer, and now that most of the other contracts are cleared or down to the last book, I have a chance to do what I want to do - specifically, something set in New Orleans.
Like Venice, Italy, New Orleans is a cultural treasure. And everyone who lived in the city should be allowed to come back. But that doesn't mean that they all should live in exactly the same spot that they lived before.
The time after college and before music was really rough. I couldn't afford food. I was eating bread and butter for five months. Living in New Orleans, I couldn't afford to take care of myself. I had no health insurance.
There's a lot of UFO sightings in New Orleans, which isn't really too surprising. There's a lotta crazy people there. The people there lack the intelligence to know what they are seeing, so that's why the UFO's go there.
I worked as a telemarketer for an SAT-prep company. That was the worst of it, because I had to call people in post-Katrina New Orleans and offer them this very, very expensive SAT class. And I'm not even a good salesman.
Beale Street is a very famous street in the history of America. You know, American music in particular. From the blues to jazz, it's a connecting city from New Orleans that goes all the way up to Buffalo through New York.
The good thing about New Orleans is that, overall, it's an accepting place. It's accepting of eccentricity, it's accepting of excess, it's accepting of color, in the sense of culture, not necessarily in the sense of race.
The word [jazz] never lost its association with those New Orleans bordellos. In the 1920s I used to try to convince Fletcher Henderson that we ought to call what we were doing 'Negro music'. But it's too late for that now.
If I have to be considered any type of jazz artist, it would be New Orleans jazz because New Orleans jazz never forgot that jazz is dance music and jazz is fun. I'm more influenced by that style of jazz than anything else.
I think New Orleans is such a beautiful city. It looks like a fairytale when you walk through the French Quarter or the Garden District. There is such a lush sense of color, style, architecture - and the people themselves.
In New Orleans the funerals remind us that Life is bigger than any individual life, and it will roll on, and for the short time that your individual life joins the big stream of Life, cut some decent steps, for God’s sake.
I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.
New Orleans, more than many places I know, actually tangibly lives its culture. It's not just a residual of life; it's a part of life. Music is at every major milestone of our life: birth, marriage, death. It's our culture.
Everywhere I go around the world, we have fans of New Orleans. Sometimes we go places, and people don't really know who we are, but they know New Orleans, and once we say we are from New Orleans, we have a lot of supporters.
Administration policies seem to tacitly encourage those who live below sea level in New Orleans to relocate permanently, to leave the dangerous water's edge for more prosperous inland cities such as Shreveport or Baton Rouge.
Being from North Carolina, it's kind of slow-paced. There's not too much going on there, whereas in New Orleans, there's always something going on. I just love all the people, going out to dinner and enjoying anything I want.
Man, I was scared. I didn't know what to think. All of a sudden, I got a record climbing the charts, and I'm out in the streets. You know, workin' on the docks. And the first week, it sold something like 40,000 in New Orleans.
When I finished my residency in New Orleans, I went to L.A. where I would work as a doctor during the day, and then at night I would actually go to The Improv and do standup, all the while kind of cultivating my comedy resume.
Hurricane [Katrina] hit the Gulf Coast and destroyed much of the Gulf Coast - that was an act of God ... Now what happened to New Orleans, that was a complete failure of the federal government. Complete negligence by the feds.
The first few feet of sea-level rise alone will displace more than 100 million people worldwide and turn all our major Gulf and Atlantic coast cities into pre- Katrina New Orleans - below sea level and facing super-hurricanes.
New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.
There is nothing that will discombobulate and degrade [more] the lives of people near the margin on this planet. You don't have to look much past New Orleans to see that. Who took the hit? Some of the poorest people in the U.S.
I don't see myself only as a member of the New Orleans community. I see myself as a part of the human community. I see myself as a part of the community that's trying to put things in the world that add value to people's lives.
My mom is from New Orleans. And all of my maternal relatives were there during Katrina. We couldn't even find my uncle for four months. We literally didn't know where he was. I had been there just four days before the storm hit.
The Batiste family is a large musical family in Louisiana, out in New Orleans. People go to New Orleans, and if they go to any club, four days out of the week I guarantee you that you will find a Batiste playing in the ensemble.
I grew up in the South, in New Orleans, where guys torture you all the time. So I didn't really grow up on the self-esteem campaign. When you were lousy at something, they told you you were lousy, and they told you how to fix it.
New Orleans is just so full of culture in the music content - blues, folk. I was introduced to a lot of things. My mother didn't keep me away from other music. She only kept me away from rap. The closest I got to rap was D'Angelo.
The Saints are Louisiana's team and have been since the late '60s when my predecessor Pete Rozelle welcomed them to the league as New Orleans' team and Louisiana's team. Our focus continues to be on having the Saints in Louisiana.
We have been working with Habitat for Humanity and we have built eighty homes, 80% of which are being lived in by New Orleans' musicians. It is called the Musicians' Village and at the center is the Ellis Marsalis Center for Music.
I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.
I want to thank the people of New Orleans and south Louisiana. New Orleans is my hometown, and of course they support their own team, the Saints, but they also support their own, and that city and state have backed me from the start.
We were poor. But my mom never accepted that. She worked hard to become a residential contractor - got her master's with honors at the University of New Orleans. I used to go to every class with her. Her father was my paternal figure.
I've lived in N.Y. and L.A. for many years, but I still gravitate to New Orleans - it's so unique and so European. There's nothing else like it in the country. It has its own music, its own food, its own style and its own way of life.
There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there
I was caught on the freeway for hours when Hurricane Katrina devastated New Orleans. The entire city had to be evacuated. I observed lives threatened by catastrophes and a whole range of behaviour. What could people do during a crisis?
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
There's a great deal of disturbance in this country and how black feel about what happened in Katrina, and, you know, many of the comics, many of performers are in Las Vegas and New Orleans trying to raise money for what happened there.
It's a common theme around the city of New Orleans; we're resilient people because we have to be. We love this place with all of our heart and all of our soul and I just wanted to try to do something that I could to help make it better.
I remember being in New Orleans after Katrina hearing people calling, 'Help me,' and wanting to slide down in the seat of my car because it felt like I was invading their suffering. But I also know that our being there gave them a voice.
The history of New Orleans was always a fascination to me - such a blend of light and darkness and plague and pleasure and hedonism and fear and death. It's just a very, very intriguing city. I have this strange love relationship with it.
New Orleans is unlike any city in America. Its cultural diversity is woven into the food, the music, the architecture - even the local superstitions. It's a sensory experience on all levels and there's a story lurking around every corner.
I get a lot of comparisons to Daniel Bryan, and trust me, I am flattered by all of them because we mentioned New Orleans and WrestleMania; I watched it at home and watched Daniel Bryan in the main event of WrestleMania achieve his dreams.
But the people cannot have wells, and so they take rain-water. Neither can they conveniently have cellars or graves, the town being built upon "made ground"; so they do without both, and few of the living complain, and none of the others.
New Orleans is my essence, my soul, my muse, and I can only dream that one day she will recapture her glory. I will do everything within my power to make that happen and to help in any way I can to ease the suffering of my city, my people!
You saw on your TV what happened in New Orleans after Hurricane Katrina. The Reserves or National Guard are usually the people we use for those national emergencies. They weren't here, they were over in Iraq, and so we were less protected.
I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.
Jazz came out of New Orleans, and that was the forerunner of everything. You mix jazz with European rhythms, and that's rock n' roll, really. You can make the argument that it all started on the streets of New Orleans with the jazz funerals.
I started this charity, Fashion for Relief, in 2005, after Hurricane Katrina happened. New Orleans was actually the first place I visited in the United States. It was one of my first big jobs, a shoot for British Elle. It was April 14, 1986.