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New Orleans is a place where people are deliberately undereducated so that they can be a labour class - the economy there is tourism, and one of the only outlets that black males have traditionally been allowed is to play jazz music, y'know?
New Orleans lives by the water and fights it, a sand castle set on a sponge nine feet below sea level, where people made music from heartache, named their drinks for hurricanes and joked that one day you'd be able to tour the city by gondola.
I'm obsessed with how people talk! Accents, dialects... So whenever I go someplace where an accent is extremely distinct - Minneapolis, New Orleans, Jamaica, Vancouver - I always find myself trying to pick up the subtleties of their patterns.
New Orleans is my kind of city. I think there's a lot going on, but it's also very calm. It's a place where I can actually drive a car without being stuck in traffic for for 40, 50 minutes. It's my kind of city. A lot going on but still calm.
I am so proud to be from New Orleans and to be one of those people who had been displaced. I wasn't there during that time, but that's where I come from, that kind of poverty, and I'm very, very proud of that because it's given me my history.
I started this charity, Fashion for Relief, in 2005, after Hurricane Katrina happened. New Orleans was actually the first place I visited in the United States. It was one of my first big jobs, a shoot for British 'Elle.' It was April 14, 1986.
New Orleans has to learn to live with water rather than in fear of water, and we need a master plan that shows us how to do this. It's so critical that we send a signal to everyone in the country that we're serious about rebuilding New Orleans.
My favorite day was Monday, September the 25th, 2006. New Orleans, Louisiana, site of the Superdome. I watched our people who had suffered so grievously through Hurricane Katrina fill a stadium hours before a game and stay hours after the game.
I live in New Orleans, because it's the strangest city in the United States. It has the highest murder rate in the country, the highest incarceration rate, and often we have to boil our drinking water, but there's nowhere else remotely like it.
I just co-created a story for a Disney movie that I'm working on with my fiancée. And also about to finish up writing a T.V. pilot set in New Orleans that I'm really excited about. So I'm definitely trying to stay as busy as possible, for sure.
Gluttony is harder than it looks. It's listed as a sin, as something you give in to, when really it's a skill, requiring not just hunger but resilience. That's why the most resilient city in the country, New Orleans, is also the most gluttonous.
The Saints are doing a good job adjusting. I think their focus is on trying to make the best of their season, but also to try and help the people of New Orleans in the process. From everything I've seen and heard they are doing a good job of it.
Essence is something I always enjoy, because I love New Orleans. Since they brought it back to New Orleans, it's a special place to me. We been doing it since the beginning. We did it when it was in Houston, but there's nothing like New Orleans.
The way the team and the community embraced us when we first arrived, and the way they continue to do so, even today, shows how deep this connection is. I'm honored to be a part of this organization and so proud to retire as a New Orleans Saint.
And if citizens of New Orleans who are really contemplating coming back heard that we're really intent upon making the place secure again - regardless of whether the levees held or not - then I think a rebuilding process would really take shape.
No other city in the U.S. can divest the visitor of so much money with so little enthusiasm. In Dallas, they take away with gusto; in New Orleans, with a bow; in San Francisco, with a wink and a grin. In New York, you're lucky if you get a grunt.
Twerking - and it's a lot more than twerking - comes from a long history of music and dance in New Orleans. Twerkin' happen around the world for a long time now, so I'm very excited that it's coming into the public eye, as long as it's respected.
People hear traditional jazz and think it's stale, where there are so many ways it can be opened up. With New Orleans and old-time grooves, there's no limit in what can be done with that. I want to break the stereotype of what traditional jazz is.
It doesn't matter where we are. We can be marching down the streets of New Orleans, or we can be onstage in front of 15,000 people. As long as I know that I'm about to put my horn to my mouth and play some notes, that's what I most look forward to.
Sometimes it's very hard for other New Orleans musicians to break out. It starts with the musician. They have to be willing to take a risk. Playing in the city, you can get comfortable. You think things are going well, but you're always in the city.
Venture for America operates in communities that could generally use more innovation: Detroit, New Orleans, Baltimore, and other U.S. cities. So I'm obviously a big believer in innovation and progress as key drivers of economic growth and prosperity.
George W. Bush was good as his word. He visited the Gulf states 17 times; went 13 times to New Orleans. Laura Bush made 24 trips. Bush saw that $126 billion in aid was sent to the Gulf's residents, as some members of his own party in Congress balked.
There have been nine Super Bowls in New Orleans, and not all of them have brought the best of luck to NFL Films. We got robbed twice there, got food poisoning, and my hotel room was broken into on the day the Bears played the Patriots in January 1986.
Growing up in New Orleans, when you're in seventh and eighth grade, and you're into music, and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog, and you go through these, like, phases of classic rock.
In Zurich, in a cafe overlooking the Limmat, I ate butter-drenched white asparagus pulled from the ground that morning; it had the aftertaste of champagne. I've been able to appreciate epic meals in San Francisco, New Orleans, Berlin, Paris, Las Vegas.
New Orleans could wreck your liver and poison your blood. It could destroy you financially. It could shun you or embrace you, teach you tricks of the heart you thought Tennessee Williams was just kidding about. And in August it could break your spirit.
But I'm not an Atlanta Falcons fan. Nobody is. Sure, the team has its followers, its adherents, in Atlanta. But they don't follow the team the way fans from other teams follow their teams - the way, say, fans of the New Orleans Saints follow the Saints.
The only excursion of my life outside of New Orleans took me through the vortex to the whirlpool of despair: Baton Rouge. . . . New Orleans is, on the other hand, a comfortable metropolis which has a certain apathy and stagnation which I find inoffensive.
When I was a teenager, I worked in New Orleans for a chef named Paul Prudhomme. That was a very important time in my life as a chef. I developed my palate and learned a lot. And here I am now. I specialize in modern Mexican and contemporary Latin cuisines.
When my dad went to college to get his master's from Loyola, he was playing Debussy and Chopin and Beethoven. But he played all that New Orleans stuff, too. I would go with my dad to gigs, pick up the piano and the speakers, and I would be like his roadie.
'Treme' begins after Hurricane Katrina, and it's a year-by-year account of how everyday people there put their lives back together. It's sort of a testament to, or an argument for why, a great American city like New Orleans needs to be saved and preserved.
I've always been shy, but in New Orleans there were times my shyness would cause me actual physical pain. I'd get so claustrophobic around people that I'd bend over from the sickness in my stomach. That's not a good way to be when you're famous, obviously.
people in New Orleans really care about food, care about it passionately, can spend hours arguing over whether Antoine's is better than Galatoire's or the other way around ... in New Orleans, there is basically nothing to do but eat and then argue about it.
I witnessed a surgery on a patient from New Orleans who was in a car accident. He didn't have any flow of oxygen. He couldn't breathe. He couldn't get a good flow of oxygen, so they did a surgery on him right there, and I was just holding the IV up watching.
Flying over New Orleans on our approach, I got it. There was no view of land without water - water in the great looming form of Lake Pontchartrain, water cutting through in tributaries, water flowing beside a long stretch of highway, water just - everywhere.
Invite the best and brightest to compete for a grand prize to come up with designs, including new zoning, building codes and so forth, for New Orleans that could make it safe from water, and let the state and city pick the plan that works best for Louisiana.
My favorite WrestleMania moment would actually be the first WrestleMania I ever went to, and that was at WrestleMania 30 in New Orleans. I've been a fan forever but have never been able to go to an actual WrestleMania until I started working with the company.
I actually went to the first game in Saints history. We were living in New Orleans at the time. I was eight. They opened against the L.A. Rams in 1976. I went with my dad, and we bought standing-room only seats at Tulane Stadium. We actually sat in the aisle.
I've experienced all the food and restaurants in New Orleans. I've been doing a bit of touristing when I have the day off, just walking in the French Quarter. To me, it's very, very surprising how people are so friendly. But no, it's very different from Paris.
As many bands as you heard [in New Orleans], that's how many bands you heard playing right. I thought I was in Heaven playing second trumpet in the Tuxedo Brass Band -- and they had some funeral marches that would just touch your heart, they were so beautiful.
With Hurricane Katrina and all that kind of stuff happening, you needed somebody to rally for your city, to tell that story. Since Hurricane Katrina, we didn't really have nobody that said, 'I'm gonna tell New Orleans' story, and I'm gonna stick to New Orleans.'
My family's business was actually an amusement park in New Orleans. My grandfather had started that, and my grandmother was a dance maven in New Orleans. It was just the theatricality and the Mardi Gras and the pageantry that I fell in love with at an early age.
I'm from New Orleans, which is all about direct engagement out in the street with all the parades and Mardi Gras Indians and jazz funerals. I'm trying to take that and put it into my generation, a group that doesn't have enough joy and celebration in their lives.
I think, you know, people think of the city of New Orleans as a parochial place where it's a lot of folks who are from there and a lot of big families, a lot of musical families, a lot of history, a lot of tradition, but I like to think of New Orleans as an idea.
One of the things that's beautiful about New Orleans is how culturally rich we are and how well we have worked together. People call us a gumbo. It's really important that we get focused on the very simple notion that diversity is a strength, it's not a weakness.
Times are not good here. The city is crumbling into ashes. It has been buried under taxes and frauds and maladministrations so that it has become a study for archaeologists...but it is better to live here in sackcloth and ashes than to own the whole state of Ohio.
When a sports team is doing well in a city that's going through tough times like New Orleans, like Detroit, it bolsters this real sentiment of 'we can get through this.' And when you have that sentiment, it becomes more than feelings: It's transported into action.
A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.
The air was so sweet in New Orleans it seemed to come in soft bandannas; and you could smell the river and really smell the people, and mud, and molasses, and every kind of tropical exhalation, with your nose suddenly removed from the dry ices of a Northern winter.
After Hurricane Katrina, over New Orleans, my helicopter crashed and the pilot and I were only saved because we fell on the roof of a flooded house that absorbed the shock. When the helicopter was spiraling downward out of control, I didn't expect to survive at all.