Quotes of All Topics . Occasions . Authors
I'm perceived as someone who goes out and searches for new music, but it was all present in my household.
Being on the road is a great habitat for creating new music because there's so many different experiences.
If something's upsetting me, being able to go in and work on new music makes all the difference in the world.
I'm very bad with music. I don't know any new music. I've listened to the same 10 or 12 albums my whole life.
You know I want to sing for people, I want to jazz people up I want to make new music that they've never heard.
Jane's Addiction has only put out new music when our hearts were in and when we had something to say creatively.
I don't listen to much rap outside of Run DMC and the Beasties, but then I'm pretty burned out on most new music.
I suppose that's why new music and I go well together, because new music often requires maintaining great rhythm.
Meeting all the wonderful, new people and people appreciating my new music has been a really fun and blessed ride.
I start the day off with a pot of coffee, and I read all the newspapers online, then I delve around for new music.
In many ways I'm an experimental and new music composer that comes from a rural tradition rather than an urban one.
If anybody is excited about my music, that's all I care about. I care about people who are excited about new music.
I am such a music fiend. I go after so many different types of music. I'm on iTunes constantly just buying new music!
You can rebel against everything adults say. When I want to find out what the new music is, I find out what parents hate.
I actually spend as much time listening to new music as to old. Probably more. I just try to get something out of it all.
I use Twitter mostly, and then whenever I just want to preview some new music that I record, I take to Snapchat or TikTok.
I can't pretend that I don't subscribe to Internet music culture in that I discover new music and old music simultaneously.
I never wanted to be a movie star because it takes up too much of your time. I prefer the style of touring and making new music.
But that's the problem with playing new music sometimes before the record comes out: You have a bunch of yayhoots with opinions.
YouTube is a good way to discover new music now because it comes up with that thing at the side with other artists you might like.
The fans are always wanting new music, and with as much as I love to write, I might as well give them the music while I've got it.
Whether I'm being influenced by new music that I'm listening to, books I've read, my friends, or my faith, I'm learning all the time.
I can't leave home without certain movies. 'The Godfather' is a big one for me. And I've gotta have my beats so I can write new music.
I never want to lose the audience's attention or break up the party, but at the same time, it would be weird not to do some new music.
Drake is a man of the art, so he appreciates the new sounds and new music. He's always in tune with the music and the story behind it.
Bands are about these little relationships that make everything tick, and when you create new music you're testing those relationships.
When I come around people, I'm up to date on everything. I know all the new music that's coming out, all the stuff that ain't came out yet.
I was trying to write new music, but there was nothing I was reacting against. It turned out 'Worlds' itself became something for me to to resist.
The last time I really got into new music that wasn't heavy metal was probably like... TV on the Radio? I think that was it. That's the last time.
I kind of date my musical discovery back to when I was 13 years old, getting my iTunes account and using that as a major tool to discover new music.
From my time in 'King Crimson,' I'd describe a Progressive band as one that keeps trying to break musical barriers, and keeps trying to do new music.
Constantly writing with new people is important. Also, listening to new music that's popular and that's making a splash - that's how I get motivated.
I don't see why I should give my new music to iTunes or anyone else. They won't pay me an advance for it and then they get angry when they can't get it.
I'm just out of touch with new music in general, and I only know about it if I'm hanging out with someone that knows about it, or I catch it on YouTube.
I walk into the most incredible fashion houses and see the most incredible things - new technology, new ideas, new music. Incredible lighting, new girls.
I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.
There never seems to be enough hours in the day. At the moment I have no time to make new music because I've been doing so much promotion for this new single.
But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places.
The biggest thing for me is the new music. I'm playing a lot of new music that is not released yet on my tours. Seeing the reaction to that is super inspiring.
When I hear music that parents hate, or older musicians hate, I know that's the new music. When I hear older people saying, 'I hate Rap or Techno' I rush to it.
I've been getting a bit of writing done, a bit of recording done and I just want to get out as much new music as I can before I end up spontaneously combusting.
You have to be serious, and you must have a constantly inquiring mind. But I find it's new music that really stretches me, both technically and as an interpreter.
And for REO - they get to play for some Styx fans and then we get to play in front of some REO fans. It helps spread the new music to the following of other bands.
I'm constantly fighting with my manager to reduce the amount of time I have to spend on promotional activities, so I can get back in the studio and work on new music.
Perhaps many of the perplexing problems of the new music could be put into a new light if we were to reintroduce the ancient idea of music being a reflection of nature.
I tend to want to form bands and then create new music within them. Queen was an exception, and we joined forces because it just seemed to work when we played together.
I've never stopped making new music, and whether the audience wants to hear it or not, I'm going to play it. Because I'm an artist, and I create, and I've got new stuff.
I've been gearing up for this future of writing a lot of new music by digging into my favorite old stuff, and twisting it around and highlighting the things I really love.
A lot of times with artists from back in the day, they do a new album and they don't sell as much. People say they love them, and it doesn't always translate to new music.
I'm coming up with new music, I'm in the best shape of my life, I'm real sharp, my energy is strong. I look at it as: I'm just following the energy. That's how I sum that up.