Quotes of All Topics . Occasions . Authors
I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.
My career only took off because of one football game. I thought it was funny. 'Playboy' called and offered me a cover just like that. I turned them down initially, because I was nervous about it and my boyfriend at the time didn't want me to do it, but they kept coming back, so I eventually said yes.
I've really taken time to dive into my heart and my emotions a little more. I think, before, I was a little nervous to open up that box and go, 'What's in there,' you know? Now, that's what's made the best music, and that's what I've been able to pull out of parts of myself that I never knew existed.
Anyone who sets foot into the Watchmen universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered Watchmen to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
I have grown up in Delhi in a way, and I keep coming here often. But, and I am sorry to say, I'll always be nervous when in Delhi. In my college days, I have had my bum pinched around so many times. So yes, in Mumbai, I can just walk around and do what I want to do, but in Delhi I'll always be scared.
I enjoy a good cliffhanger. As a reader, I relish that nervous feeling you get when you're engrossed in a story, but in the back of your mind you're aware that there aren't that many pages left. How will it end? Everything can't be wrapped up! This can't end! Then it does, and your heart seems to stop.
I show up in a playoff game, I have my sideline sheet. I can't even spit plays out, I get so excited. I mean, you get nervous. These are critical, do-or-die situations. Third down and 1, Red Zone, what do I call? Two minute drill? Are we going to go no huddle? These are decisions that you wrestle with.
It's very exciting to be able to just work in this business, let alone on stuff you are extremely proud of. So it does make me a little nervous, because 'Breaking Bad' is so special. It's great being part of something so great because people pay attention to you, hopefully because you're doing good work.
I remember Alicia Keys and Usher had released a song called 'My Boo,' and my music teacher got me to sing a duet with a friend of mine, and I remember being so nervous because I loved to sing, but I could never fathom singing by myself. And when I did that, I remember how proud I was of myself. I was 12.
When I was younger, I was nervous and didn't have a huge amount of confidence as an actor. Comedy is something - you know when you're getting it right because you can hear. And you can hear if you're not getting it right! I like to create interesting, weird characters, and they're often best in comedies.
First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
I understand why creative people like dark, but American audiences don't like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
Anyone who sets foot into the 'Watchmen' universe and isn't just a little nervous should be given a few days of electroshock therapy. I've always considered 'Watchmen' to be one of the best graphic novels ever written, and when it came out back in 1986 I was as blown away as everyone else. Just masterful.
Practically everybody knows what it's like to feel anxious, worried, nervous, afraid, uptight, or panicky. Often, anxiety is just a nuisance, but sometimes it can cripple you and prevent you from doing what you really want with your life. But I have some great news for you: You can change the way you feel.
My mom had an audition for a commercial when I was about two and a half, and I ran in crying and interrupted her. They thought I was cute so they offered me a commercial role. My mom was skeptical and a bit nervous about the child actor thing, but I was extremely bossy and convinced them I wanted to try it.
When my sister decided that she wanted to act, I was so nervous for her. She's doing great, but I have a lot of friends at every level of success as an actor, and we all go through periods of time where they feel like their worth isn't within their own control. That's a horrible feeling for an adult to have.
Generally I find that kids ask better questions than you get with adults. Something that kids will do a lot is, they're so nervous, and they're not really paying attention, so they'll ask the same question someone just asked. And you're trying to be nice and not embarrass them any more than they are already.
The studios are nervous on every movie. It never ends, because Marty's movies are so unusual. He doesn't repeat himself, so they don't know what to expect. We have to fight hard to keep them from being ruined. Film students can't believe that when I tell them, because they think, 'Well, it's Martin Scorsese.'
'One Tree Hill' was my first television experience, so naturally I was nervous initially. There is no rehearsal, you get your script a few days ahead, and you work. I was also the youngest actor, 13, on set at that time, but it was amazing to be able to 'learn the ropes' with such a supportive group of people.
My first show was in Patkar Hall next to Bombay Hospital. It was a total flop. I was so nervous standing in front of all those people that I completely froze. I forgot all my lines and the audience booed me off the stage. I realised that day that you have to earn the audience's appreciation. They aren't fools.
If you had asked me, did I have everything nailed down and wired about what I wanted to do, and was I following some real plan? No. In fact, by the time I was in my mid-20s or even late-20s, and I was still in the law firm, I really was starting to get a little nervous that I didn't know what I was going to do.
I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
When I took over 'New Mutants,' writing and drawing, and I figure this is a big deal, I'm 23, 22 at that time, and I am nervous because I've had nothing but success. And now they're giving me the entire platform to create. And I figure, if I fall flat on my face here, it's going to hurt. It's going to set me back.
I don't get the jitters and I don't get nervous, because I build that comfort on set for myself. Sometimes if I'm gonna do something really crazy, it helps me to yell or look like an idiot on set, so that when I'm about to do a scene, I've already embarrassed myself. I find ways to work around getting the jitters.
I tell residents, if you gave me two patients with identical problems, and one of them had family at the bedside with a lot of laughter, plus photos and a quilt from home, and next door was another patient who was alone every time I came by - I'm going to be very nervous about the isolated patient's mental status.
I was pretty nervous when I met Robert DeNiro. I kind of felt like a kid in a candy store for the first time. I couldn't wipe the grin off of my face. But Bobby DeNiro was really, really sweet and made me feel very comfortable. He's very low-key and just a superstar professional, and totally someone to be admired.
Yes, you have to be brave enough to take steps that your heart is telling you to take. Because when I decided to go into cricket, not one person told me I was making the right move. At that time, nobody thought the IPL would become so big. I was nervous at that time, because suddenly I was in an uncomfortable spot.
In my view, while the single neuron is the basic anatomical and information processing-signaling unit of the brain, it is not capable of generating behaviors and, ultimately, thinking. Instead, the true functional unit of the central nervous system is a population of neurons, or neural ensembles or cell assemblies.
The quantity and quality of consciousness, one may say, have always been growing throughout geological times. In this respect man, in whom nervous organisation and therefore psychological powers have attained an undisputed maximum, may be considered, scientifically, as a natural centre of evolution of the primates.
My thought process when I'm on the court is always thinking about getting better, and thinking about how I'm playing. Thinking about it as a process, as the big picture and what I need to work on, instead of being close-minded and thinking, 'I'm so nervous and have to win this match, if I don't, it'll be the worst.'
You know when you read that someone has to leave a show or a tour because they had 'nervous exhaustion'? Well, I had one of those and discovered that I was quite close to death. I always assumed that my lifestyle was going to take me at an early age, but when it was actually occurring I was, 'Not yet!' I pulled back.
I was fired from my first job in New York. I was just out of school, doing the Welsh play, 'The Corn Is Green,' at Equity Library Theater. I was studying with Uta Hagen, and I was really working well, but they got nervous. They wanted results right away. We had a run-through, and I wasn't there yet, so they fired me.
There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
Because advertising and marketing is an art, the solution to each new problem or challenge should begin with a blank canvas and an open mind, not with the nervous borrowings of other people's mediocrities. That's precisely what 'trends' are - a search for something 'safe' - and why a reliance on them leads to oblivion.
The most venomous animal that lives in the ocean is the box jellyfish. And every one of those barbs is sending that venom into this central nervous system. So first I feel like boiling hot oil I've been dipped in. And I'm yelling out, 'Fire! Fire! Fire! Fire! Help me! Somebody help me!' And the next thing is paralysis.
When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.
I used to get nervous, you know if my parents would come watch. And then I would get nervous if my friends came and watched. Today it's not a problem anymore actually, because now I enjoy it. I see that they, you know, respect me immensely, and I try to put on a good show and show that I can still play very good tennis.
On the environment and climate change, I suspect that future generations will think there was too much timidity, too much fear of upsetting business. Basically, New Labour was very nervous about regulating business, or requiring it to do anything, even when there was a very clear social or environmental case for doing so.
For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
There is a biological power that is intrinsic to the woman, to the female condition. Because you are able to give life. You are the reproducer of the species. Men feel very weak in front of a woman because a woman is capable of eliciting a number of instincts in a man. And that is what has made men very nervous about women.
Women in their thirties are much more nervous about dating. They feel time is 'running out for them. They want to get married and have a family. The women I see in their forties and fifties know what they want. They are amazing, confident women with good jobs, but they are just struggling to find someone who is their equal.
Technically, my first acting job was in one of my videos for a song called 'Retrospect For Life,' which Lauryn Hill directed and featured an actress by the name of N'bushe Wright, who played my girlfriend who was about to be pregnant. I remember being so nervous about it, but now I feel like I can conquer the world with it.
I enjoy putting myself in situations where you are nervous, but you need to enjoy yourself also. I've done skydiving, bungee jumping. I quite like those sensations - when you feel a little bit nervous and you don't really know where you are going. It's a quite good sensation that I love. I like the speed; I like everything.
Studios are often very nervous of things they don't recognize, by which I mean things that haven't been done before, and therefore, they take a really original idea, and they recognize the originality, and then they try and make it look like something they recognize. So they try to turn it into something far more procedural.
Well, I think having your kids see you role model behavior of dignity when it's hard, when you're upset, when you want to confront somebody but you don't want to and you're nervous about it, when you are having moments where abuse of power is coming on to you. I think it's really important for kids to see how you handle that.
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
By immersing ourselves with our consciousness in a supersensible world, we now learn a new kind of thinking, a new life of mental pictures, one that is not dependent on the nervous system in the way ordinary thinking is. We know that previously we have had to make use of our nervous system, but now we no longer need our brain.
I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.
I have to get three pages done every day, and there's usually a point about 150 pages in where everything falls apart, where all the plans are for naught. The book has become something else, and I have a nervous breakdown, and then I submit to what the book has become, and I keep going, and that's a terrible and then a great time.
My adrenaline is definitely going, but it's mostly my real, laid-back persona carrying over on stage. When I first started, I was nervous, I'd be really high energy, and I'd be sweating. Now it's just my job. It's like a machinist who goes to work every day and uses the same drill bits. He's not worried about taking his finger off.