Quotes of All Topics . Occasions . Authors
Conscience is the most dangerous thing you possess. If you wake it up, it may destroy you. To live a life of total moral rigor is not necessarily the way to go. It's the path for very few people. Most people need to come up with some kind of middle ground that satisfies their practical, moral, and philosophical esthetic needs.
Of course fear does not automatically lead to courage. Injury does not necessarily lead to insight. Hardship will not automatically make us better. Pain can break us or make us wiser. Suffering can destroy us or make us stronger. Fear can cripple us, or it can make us more courageous. It is resilience that makes the difference.
I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.
A long iron rod rocketed straight through the very forefront of Phineas Gage's brain. It's kind of an unusual part of the brain: you can suffer pretty severe injuries to it and often walk away from the injury. It's not a part of the brain that's necessarily vital for your biological self. But it is very important for personality.
As a younger person, I was obsessed with Ray Bradbury, and I think his stories did more to shape me as a storyteller than anybody else - even though, when I read them now, a lot of them seem overly sentimental. But that's probably the writer that I've thought about the most, even though I don't necessarily like a lot of his work.
I'm not going to have the TV personality and be like, 'There's no bitterness. There's no ugliness.' There's bitterness. There's ugliness. There's pain. There's greed. There's malice, and there's hurt. That's all good stuff for any kind of art. I'm not necessarily feeding that side of myself, and I try not to encourage it too much.
What people have to realize is this: You have rappers who are popular or whatever for the time being, but that don't mean you necessarily want to dress like them. You may have a guy who sells five million records; do you want to dress like him? When you see me, you think you may want to dress like that guy because that guy is fly.
I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
Winning the Pritzker assures a flood of work in one's seventies and eighties, jobs necessarily carried out by assistants as the demands of modern-day cultural stardom and the inevitable waning of physical capacities prevent many architects from attaining the transcendent final phase more easily achieved by artists in other mediums.
As technology progresses, and as it advances, many of us assume that these advances make us more intelligent, make us smarter and more connected to the world. And what I'd like to argue is that that's not necessarily the case, as 'progress' is simply a word for change, and with change you gain something, but you also lose something.
When my friends and I grew up, we had 'Full House,' 'Growing Pains' and 'Roseanne.' These sitcoms were about something, about real people in a sense. They sort of super-sized real life where things aren't necessarily exactly how you go through them in daily life, but you can relate to something, and you can pull something out of it.
A lot of people, when they say 'forgive and forget,' they think you completely wash your brain out and forget everything. That is not the concept. What I think is you forgive and you forget so you can transform your experiences, not necessarily forget them but transform them, so that they don't haunt you or handicap you or kill you.
The post office doesn't guarantee delivery, but it tries really hard. It's called best efforts communication. If you put two postcards in the post-box, they don't necessarily come out then in the same order that you put them in. So, that means that there's potentially disorder with your delivery, and that's also true in the Internet.
I think it's wonderful when a love story begins with a great deal of romance and affection, passion and excitement, that's how it should be. But I don't necessarily know that it's the wisest thing in the world to expect that it ends there, or that it should, 30 years down the road, still look as it did on the night of your first kiss.
Anything you can do to help someone, I just think it's so important because there's a lot of kids that look up athletes of all size and shapes in a lot of different fields, not necessarily in the basketball field. They get involved emotionally with those people because there's something about certain athletes that people rally around.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
On every job you do, you've got to raise your game. My ambition is to just get better and better every job you do - you should never stop trying to get better. You have to teach yourself new things - I don't think you necessarily learn them from other people because you have your own style of doing things, but hopefully you get better.
I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.
Perfectionist is sometimes the wrong word... It means like you're never satisfied, or you're upset by every single failure - any type of failure. And so for me, I don't look at failure as necessarily a bad thing as long as I'm able to learn from it and take something from it, so that next time I'm in that situation I know how to succeed.
I started as a black and white photographer, but the colors I was seeing were just so lurid and compelling and awful at the same time. They got me looking at other contemporary art. I was gravitating more and more toward work that had visceral power, that wasn't necessarily about being beautiful but had some kind of horror in the palette.
The 'Black Album' was my real first introduction to Metallica. I was, like, 12 or 13 at the time. We were just getting into music, and I liked that album a lot, but it didn't necessarily change my life. But when I started picking up all the other Metallica records, 'Master of Puppets' was the one to me that stuck out with its songwriting.
People are getting careers from YouTube and uploading videos. And they're totally different - you can't necessarily be funny on a video, and then all of a sudden you're live in a theater. You don't have the tools yet. It's a lot more involved to go from being funny on a little iPhone screen to being live in front of people and being funny.
Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'
Measures of policy are necessarily controlled by circumstances; and, consequently, what may be wise and expedient under certain circumstances might be eminently unwise and impolitic under different circumstances. To persist in acting in the same way under circumstances essentially different would be folly and obstinacy, and not consistency.
Some people think that our planet is suffering from a fever. Now scientists are telling us that Mars is experiencing its own planetary warming: Martian warming. This has led some people, not necessarily scientists, to wonder if Mars and Jupiter, non signatories to the Kyoto Treaty, are actually inhabited by alien SUV-driving industrialists.
There's a lot of creativity in the industry, but I don't necessarily think that the most creative DJs or producers are always the biggest ones. I think it would be nice to see more of an open culture to different music. I think that's happening. With Spotify, I think people are discovering a lot of artists they might not discover otherwise.
I write what I want to write, and then, when it's finished, I use my judgment to see whether or not I think it's intrusive. If it is problematic, then I ask those involved. I won't necessarily do what they say. But I do consult. I haven't had too many problems. Nobody's really gotten angry at me. Nobody, as far as I know, has felt betrayed.
I do think your personal life has an impact on your tennis. If your private life is up and down, and you're thinking about what is going on back home, then you aren't solely focused on your job, but when things are good back home, it's so much easier when you're on court. It's not necessarily marriage; it's more having a stable relationship.
The first series of 'McMafia' is very Alex Godman-centric and could continue to be, but we haven't even begun to explore the Middle East or Africa or even South America in detail. One of our ambitions would be to drop into some of these other places and, by doing so, bring the audience into a world that they wouldn't necessarily have been in.
The fact that guys adjusted really quickly to the big leagues, developed really quickly, faced adversity under the brightest spotlights, played great baseball, overcame so much, overcame centuries worth of issues and won a World Series, I guess it doesn't necessarily mean we're still not just prone to the laws of nature and reality and baseball.