Quotes of All Topics . Occasions . Authors
Sometimes I have parties at my house in Nashville and it's clothing-optional, and we just body-paint each other and run around, and I have a giant bed. I'm very much in touch with that side of myself.
I was in Nashville and I was having just the most amazing time there, discovering who I was as an artist because that is such a music city. Everyone there is so friendly and inspiring and down to jam.
I think every role you do prepares you for the next one. Of course, 'Nashville' has been, and will continue to be, a huge learning experience for me as an actor. It's something that I grew a lot doing.
I knew what I wanted to be, but I didn't know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
I was a business major, but the more I played music and the more I got into songwriting, I realized this is what I loved, but I kept asking myself, 'Is this what I'm supposed to do - move to Nashville?'
I remember in the '80s, Randy Travis was my guy. He's the reason I moved to Nashville, and I just loved him. But at some point when he was winning everything, you find yourself pulling for other people.
We're having such a great time on 'Nashville' that building on the relationship seemed an obvious next step. Lionsgate is the perfect home for the kind of scripted television I want to produce and direct.
My father was pretty independent. He was - he was arrested once in Nashville when he was on one of his sales trips because he had a black - guy to lunch. So that took a fair amount of courage at the time.
I had never heard much about Nashville before coming out here, and that's why it's so surprising, because I'm the biggest enthusiast on the city of Nashville now. I'm looking for a place out here to live.
We're not just going to take some songs from a focus group in Nashville where people are sitting around in a circle having appointments trying to write catchy songs so they can sell them to a band like us.
Faith is the main thing. That's kind of why I'm like here in Hollywood: to be like a light, a testimony to say God can take someone from Nashville and make me this, but it's his will that made this happen.
I just got an apartment here in Nashville, and I invested in a Queen-sized bed because I'm like, "I haven't had a big bed since I was a kid." I woke up this morning on one side, like, in "coffin position."
People don't play music in New Orleans for the reasons they do in Nashville or L.A. - to become stars or to get rich - they play because they've got to. It's in the streets, in their family, in their blood.
I had been on the road for a long time and was not really getting anywhere. Bob Johnston, a friend of mine, had taken over Columbia in Nashville. He asked me if I wanted to come down. I did - thank God I did.
Don't move to L.A to become an actress - you'll just be a waitress. Don't drive to Nashville to become a country music star - you'll just end up playing empty honky-tonks at two in the afternoon on a Tuesday.
The songwriting community in Nashville really is all about your talent. It's not about your image, and you have to be humble. You have to be kind. You have to have zero ego when you walk into that writing room.
I was born in Nashville, Tenn., but I have lived in a number of places. In 1937, I moved to Baltimore, Md., where I attended junior high and high school. I lived there for five years before leaving for college.
Nashville has a formula, and it works a lot of the time, but it wasn't right for me. They're afraid to step outside the box - even though, with me, my success came because I was outside of the box to begin with.
I think of Nashville as a very natural place. We're easy going, we are ourselves. There isn't a lot of preening or trying to impress. So it's an easy place to just be and that is a good state from which to write.
I came to Nashville in the early '90s, and I thought, 'OK, enough is enough. I write songs; I just don't have the backbone to show it to anybody. I want to go to Nashville and learn how to properly write a song.'
I was writing for a publishing company in this old building right next to the RCA Victor Studio in Nashville. We were on the top floor, and Combine Music was on the bottom floor. I was friends with all those guys.
One of the things I liked so much about the women artists I saw in Nashville was that they were appreciated for their music and their talent, not because they were wearing skimpy outfits and showing a lot of skin.
I tell my audiences today that I served 10 years in Nashville! That's a joke, of course; I was grateful for the work. Bob Ferguson, who produced Connie Smith, Porter Wagoner and Dolly Parton, started calling me in.
I've definitely received a lot of support in Nashville; it's a huge music town. I like country music. Like any genre I'm largely unfamiliar with, there are elements I really enjoy and elements that go over my head.
The reason I moved to Nashville was because I was reading biographies of a lot of my country music heroes, and I thought it would be better to actually go where the history was, as opposed to just reading about it.
I had no idea when I moved to Nashville people just were songwriters. I had no idea. So I guess I was selling myself as a singer when I first moved here. But then right after I first moved, I started writing a lot.
If actors are making a little film with me at 2am in Nashville, they're not doing it to get paid. They're doing it because there's something special about the characters, which helps the film become more interesting.
I had a drummer I really wanted to move to Nashville with me, and he's like, 'Naw, I can't go, man.' He never could pull the trigger. It's a big move. You just gotta be diehard - you gotta give it your all, you know.
I started playing guitar, like, when I was 17 or so, but where I'm from, you just don't hear about people moving to Nashville and making it. It was such a foreign thing to me. I never knew music was an option for me.
Back in the early '90s, I started going to Nashville to do a lot of co-writes. One of the first people I met there was Keith Follese. Keith and his wife Adrienne are both songwriters, and we wrote some songs together.
I've always been an outsider. When I did magic, I was the only kid. When I worked with Johnny Cash, I was completely out of place in Nashville. And when I started Def Jam, I was the only white guy in the hip-hop world.
Growing up on Franklin Road in Nashville, I had everyone from Johnny Cash to Fats Domino swinging by my house to talk with my mom about my dad. So I had some pretty diverse influences, and I think that shows in my music.
A lot of my music is very roots-oriented, and that's country and soul. I've been in every roadhouse in the South, soaking in all of that... Nashville is like a second home to me, and I'm just gravitating toward the songs.
Me and Luke are fraternity brothers. Luke Bryan was already in Nashville when I got to college. He had come back to his old fraternity house, which was my new fraternity house. We met there and just kinda stayed in touch.
One of the reasons I wanted to do a show about Nashville in Nashville was because when I lived here, the hardest thing to go out and hear was country music. Country was taking place inside the studio and it was an export.
I moved to Nashville with the same kind of mindset that I had in L.A., and that is to make sure you don't get outworked by anybody and make sure you're always writing songs and take every opportunity to play that you can.
I lived in Nashville for about five years. It was almost like me going to college for my craft. I immersed myself in the songwriting community there. They embraced me, and I made some real friends but also learned so much.
Nashville, there's people that are ten times more talented than me, ten times better singer than me, song writer than me, but for some reason you get the ball, and now - and now you run with it. And you do the best you can.
You can't be rolling into town with stars in your eyes. A lot of people get to Nashville and immediately start selling themselves: 'Let's go to lunch and talk about the business!' Then you realize everyone is talented here.
There is definitely that thing here a little where people are like 'Oh that Broadway girl has come to Nashville' and I'm like 'Listen you guys, I was singing country before I even got a Broadway show. And I'm from Kentucky.'
Fancy a novel about Chicago or Buffalo, let us say, or Nashville, Tennessee! There are just three big cities in the United States that are 'story cities'- New York, of course, New Orleans, and, best of the lot, San Francisco.
I love the story of the guy coming to Nashville and then kind of getting set down and told, 'This is how the town works,' which, I've totally been there. But the coolest thing about 'Out of Style' is it's a song within a song.
I finished high school, moved to Nashville for college, and set out to break into the music business. Every night when I called home with news of my experiences, my mom and dad would encourage me to keep taking those small steps.
Take of London fog 30 parts; malaria 10 parts, gas leaks 20 parts, dewdrops gathered in a brickyard at sunrise 25 parts; odor of honeysuckle 15 parts. Mix. The mixture will give you an approximate conception of a Nashville drizzle.
You know Nashville, there's people that are ten times more talented than me, ten times better singer than me, song writer than me, but for some reason you get the ball and now - and now you run with it. And you do the best you can.
For years, I've thought about a project or a way where I could do acting and music together, and I never really thought that would happen. Then 'Nashville' came along, and it was like a dream come true to marry both of those worlds.
Steve Earle had a mainstream career. Dwight Yoakam had a mainstream career. Willie Nelson did. But they always made good music, they always stuck to who they were. They weren't relying on radio like a lot of people are in Nashville.
You have different stages in your career where you have different things to prove. And early on, like most people who move to Nashville, I wanted to prove that I belonged here, that I belonged in this format, that I had a love for it.
I am a great admirer of Sen. Frist, who is a nationally known heart surgeon and well known in Nashville as a great family man who has dedicated his life to helping others and, in that regard, he has followed in his father's footsteps.
When I left college, it broke my mom's heart, but I knew I had to be in Nashville. I knew that was the place you had to be in to become a better songwriter, and that's what I wanted to move there for and to ultimately get a record deal.