For us, since we entered the MCU as storytellers, and we picked up the story with 'Winter Soldier,' we've been carrying a thread forward from that point, a narrative thread.

'Main Hoon Na' will always be special since it was my first film but in my subsequent films, I was trying to show off with gimmicks that didn't aid the narrative in any way.

I think what 'Four More Shots' wanted to do from the word go is to create a narrative where women have the agency. None of the characters are perfect. They have their flaws.

At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.

The future of narrative? Built in, part of the human template. Not going away. The future of the codex book, with pages and so forth? A platform for transmitting narratives.

I refuse to be part of an effort to legitimize an alternate narrative that the Ukrainian government is a U.S. adversary, and that Ukraine - not Russia - attacked us in 2016.

I did try to write stories in college because I was interested in writing, and I was interested in the sound of language, but I was just no good at narrative and at fiction.

Indian Prime Minister Narendra Modi turned the narrative around on demonetisation very quickly by promoting the move as one way of ending systemic corruption in the country.

It's probably why I'm a short story writer. I tend to remember things in the past in narrative form, in story form, and I grew up around people who told stories all the time.

Pierrot le Fou is something I keep coming back to. Its so surreal but still really engaging - it proves narratives within narratives are a landscape that can be pursued well.

Toni Morrison has a habit, perhaps traceable to the pernicious influence of William Faulkner, of plunging into the narrative before the reader has a clue to what is going on.

We have been, obviously both in Maine and nationally, enmeshed in this false narrative that's based on a fear of immigrants, when in fact we are country founded by immigrants.

Oh yeah, I grew up with comics. You know, I always like to describe myself as a 'narrative junkie.' I love novels, I love comics, movies, TV. If it's a good story, I'm hooked.

Brands' products should be the manifestation of a company's values. Those values should be the subject of all sorts of wonderful stories that comprise your company's narrative.

Every song in 'Groundhog Day' works to forward the story in a chronological, narrative sense, to illuminate the state of mind of the person singing it and comment on the world.

People say it's a Ponzi scheme, it's a bubble. People really don't want to take it seriously. At some point, that narrative will shift to 'virtual currencies are here to stay.'

The human brain has evolved the capacity to impose a narrative, complete with chronology and cause-and-effect logic, on whatever it encounters, no matter how apparently random.

The new narrative for Europe should be about the need to have a responsible organisation, the need to be able to defend our interests and promote our values, like human rights.

I was like: the narrative should be that the work that we did was never paid for so Leave.E.U., by not registering that we did that work, are the ones that should be in trouble.

People need a sacred narrative. They must have a sense of larger purpose, in one form or another, however intellectualized. They will find a way to keep ancestral spirits alive.

Every good story needs a hero. Back when I wrote 'The Search,' that hero was Google - the book wasn't about Google alone, but Google's narrative worked to drive the entire story.

My background with acting is deeply interwoven with my family life and my childhood. It's a 'Peter Pan'-like narrative, something that was golden but could also be a bit dubious.

I have been suspected of being what is called a Fundamentalist. That is because I never regard any narrative as unhistorical simply on the ground that it includes the miraculous.

Life is never static. Despite catastrophic tragedies, life has persisted in evolving new varieties of unimaginable forms. I find comfort in the narrative of evolutionary history.

I've always been a little more narrative, a little more linear, a little more direct. People instantly want to classify that as something retro. It's just a way of writing songs.

True terror is a language and a vision. There is a deep narrative structure to terrorist acts, and they infiltrate and alter consciousness in ways that writers used to aspire to.

We construct a narrative for ourselves, and that's the thread that we follow from one day to the next. People who disintegrate as personalities are the ones who lose that thread.

Ninety percent of the research comes first. I mostly blunder around reading stuff and talking to smart people until an idea batters or oozes its way through to my narrative brain.

In my mind, there's usually a fairly definitive kind of narrative when I write. But I don't want to enforce that on other people. I think that's why I like using metaphor so much.

I knew how to write like an academic, so I knew how to write academic papers and essays and things. But the things that are great for an essay are unbearable in narrative writing.

It's actually pretty complex, because there's two levels of reality in the narrative. One is what really took place, and the other is Spider's poisoned version of what took place.

I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives.

I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.

I believe we all have different ways we came to the gay community and we can't and shouldn't be pigeon-holed into one cultural narrative which can be uninclusive and disempowering.

I think when I first started out, I had a kind of an exuberance about language, comedy, narrative leaps that... stopped just short of non sequiturs. And I'm much more cautious now.

In the fall of 1989, I was writing 600-word columns at the 'Herald.' My heart always was in long-form narrative writing, though. It's what I cut my teeth on at the 'Boston Phoenix.'

The actor always must be in the scene, not above the scene. To communicate any larger ideas is my problem; it's how the narrative is constructed and directed that hopefully does it.

First of all, I don't dislike direct storytelling - people seem to think that about my games! Actually, the truth is, I'm just not good at implementing direct narrative in my games.

After a traumatic event, people tend to store a series of memories and arrange them into a meaningful narrative. They remember exactly where they were and to whom they were talking.

We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.

Moviemaking is a time machine: narrative spliced into fragments and reassembled into a constant present, the end of a story shot before the beginning, which is shot after the middle.

In every debate, whatever the format, whatever the questions, there is one and only one way to identify the winner: Who commands the room? Who drives the narrative? Who is in charge?

When I started making music I wanted it to have a narrative and be conceptual, but as time went on I thought it was probably more practical for a first album just to have good music.

And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot of it was staged and manipulated to get those things in there that I knew to be strong.

Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.

I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end.

You need to be able to climb into a narrative and zip it up under your chin. You need to be able to see through the eyes of the hero, smell what he's smelling, hear what he's hearing.

What matters to me as a creative artist is the credibility of the production house, the honesty in the script, and the way the filmmaker has conceived the characters in the narrative.

Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving towards the watcher on the shore.

What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.

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