Quotes of All Topics . Occasions . Authors
Our invisibility is the essence of our oppression. And until we eliminate that invisibility, people are going to be able to perpetuate the lies and myths about gay people.
Greek myths, early Roman history, is configured around violence against women. And I think we need to get in there, get our hands dirty, face it, and see why and how it was.
Pay attention to science and not myths: We think liars won't look you in the eyes, but it turns out an honest person will only look you in the eyes about 60 percent of the time.
Congress acknowledged that society's accumulated myths and fears about disability and disease are as handicapping as are the physical limitations that flow from actual impairment.
The logical man must either deny all miracles or none, and our American Indian myths and hero stories are perhaps, in themselves, quite as credible as those of the Hebrews of old.
I think if I was Trinidadian, I would latch more on to the myths and romanticise the place more. I don't think it's my place to do that - they're not really mine. I'm an outsider.
They do not depend upon mere legends and myths. They are not predicated on the false conception that the Emperor is divine and that the Japanese people are superior to other races.
The myths underlying our culture and underlying our common sense have not taught us to feel identical with the universe, but only parts of it, only in it, only confronting it - aliens.
The myths have always condemned those who 'looked back.' Condemned them, whatever the paradise may have been which they were leaving. Hence this shadow over each departure from your decision.
We overhype everything. We create monumental myths. There are people who still believe that Brandi Chastain and the U.S. women's World Cup team pulled off the equivalent of the Miracle on Ice.
The theatre has always been voraciously omnivorous. Dramatists have always raided every medium to find grist to their mill: myths, folk tales, newspapers, novels, films, works of art of all kinds.
It is no coincidence that so many religious beliefs date back to times when no science could possibly have accounted satisfactorily for many of the natural phenomena inspiring scripture and myths.
Racism is a perceptive error, and what you actually have to do is you have to get into spaces where you're meeting people and perceiving them as human beings and not as racial stereotypes and myths.
Myths are stories that explain a natural phenomenon. Before humans found scientific explanations for such things as the moon and the sun and rainbows, they tried to understand them by telling stories.
The reason that I like to use classical myths as models is because African American writers and African American stories are usually understood as occurring in some kind of vacuum - because of slavery.
I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?
What the Greeks and Romans considered myths, we consider fairy tales. We can see how very clearly the myths, which emanated from all cultures, had a huge influence on the development of the modern fairy tale.
We obsess about celebrities. We create them, build myths around them, and then hunt them and destroy them. I don't know where it's taking us or what it means, but I know we do it. I have seen a lot of it myself.
Myths grow all the time. If I was to listen to the number of times I've thrown teacups then we've gone through some crockery in this place. It's completely exaggerated, but I don't like people arguing back with me.
Information and inspiration are everywhere... history, art, architecture, everything an illustrator needs. Europe is, after all, the land that has generated most of the enduring myths and legends of Western culture.
Because I was an only, I had more things, and I remember early on the kick I got from giving stuff away. Despite all the myths about only children not being able to share, actually I've never knowingly met a stingy one.
Over the years, myths were built up about my relationship with Fred Astaire. The general public thought he was a Svengali, who snapped his fingers for his little Trilby to obey; in their eyes, my career was his creation.
Growing up as a Brit, Arthur and Merlin and Camelot, and just the idea of it, is embedded in the culture and in your soul, growing up. King Arthur is alongside Robin Hood, as those great British folk tales, myths and icons.
Have you ever held a snake? They are so strong. You can see why there are so many myths about them: they are unlike any other creature. It's extraordinary how that little brain can keep everything moving in different directions.
Young people are constantly absorbing - through media, textbooks, and policy - the myths of American exceptionalism; for black children, this means that what they are taught in class does not match the world that they navigate daily.
There are a lot of myths about my injuries. They say I have broken every bone in my body. Not true. But I have broken 35 bones. I had surgery 14 times to pin and plate. I shattered my pelvis. I forget all of the things that have broke.
Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.
We tend to think of divorced or complicated families as a modern invention, and that is not at all true. You only have to read the Greek myths to see broken homes, widows, divorce, stepchildren, children trying to get along with new parents.
I believe in all of these Irish myths, like leprechauns. Not the pot of gold, not the Lucky Charms leprechauns. But maybe was there something in the traditional sense? I believe that this stuff came from somewhere other than people's imaginations.
'Sanctus' deals with creation myths in every culture. It fascinates me that all cultures, evolving independently, have similar models of mankind's origins, of a Greater Being, of the flood, and so on. It's amazing how they crop up time and time again.
Mother goddesses are just as silly a notion as father gods. If a revival of the myths of these cults gives woman emotional satisfaction, it does so at the price of obscuring the real conditions of life. This is why they were invented in the first place.
I think the more you understand myths, the more you understand the roots of our culture and the more things will resonate. Do you have to know them? No, but certainly it is nice to recognise how deeply these things are embedded in our literature, our art.
With each film, I get more and more involved and it's more and more time-consuming. Also, I like to break myths and people's preconceived ideas. My characters have always stood for something, have always had an opinion, although they've never really rebelled.
I do find the sibling connection endlessly fascinating, as I do all family dynamics. I like how siblings seem to create their own parentless mini-civilization within a family, one that has its own laws, myths, language, humor, its own loyalties and treacheries.
When the Bible and the Gospels say that the victims should have been spared, they do not merely 'take pity' on them. They puncture the illusion of the unanimous victimization that foundational myths use as a crisis-solving and reordering device of human communities.
The bedroom is an archetype. To me it stands for a lot of the silliness of our modern culture where the kind of things that we worship in our sacred spaces are based on media and movies because we don't really have much else in the way of myths, if that makes sense.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
Both dreams and myths are important communications from ourselves to ourselves. If we do not understand the language in which they are written, we miss a great deal of what we know and tell ourselves in those hours when we are not busy manipulating the outside world.
We are all affected by the time we are born into, and of course that feeds into your work. Society is based on storytelling - religious myths, opera, film - and 1968 was always seen as a time of rupture and fragmentation. I have always been interested in those words.
Fables should be taught as fables, myths as myths, and miracles as poetic fantasies. To teach superstitions as truths is a most terrible thing. The child mind accepts and believes them, and only through great pain and perhaps tragedy can he be in after years relieved of them.
Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.
Part of my problem is that I cannot dispel the myths that have somehow accumulated over the years. Somebody writes something, it's completely off the wall, but it gets filed and repeated until everyone believes it. For instance, I've read that I wear a football helmet in the car.
As I detail in my new book: 'Hard Measures, How Aggressive CIA Actions After 9/11 Saved American Lives,' there are many myths surrounding the detention of a relatively small number of top terrorists at CIA-run 'black sites' from 2002 until they were sent to Guantanamo Bay in 2006.
When I was a kid, my grandparents were Greek immigrants on my father's side. My grandfather used to read me Greek myths, in which there are a great many goddesses and stories of strong women. And I was entranced by them. Then I started reading science fiction very young, and I loved it.
Among this country's enduring myths is that success is virtuous, while the wealth by which we measure success is incidental. We tell ourselves that money cannot buy happiness, but what is incontrovertible is that money buys stuff, and if stuff makes you happy, well, complete the syllogism.
I agree with people like Richard Dawkins that mankind felt the need for creation myths. Before we really began to understand disease and the weather and things like that, we sought false explanations for them. Now science has filled in some of the realm - not all - that religion used to fill.
There have been many, many paintings of Theseus and the Minotaur, as it is one of the more popular myths, so how could I make mine different and new? I decided it would be best to make the most dynamic painting I could. I wanted to capture the moment right before the Minotaur's horn was snapped.
The enormous success of 2009's 'The Blind Side,' in which Sandra Bullock makes a black teenager one of the family, demonstrates that America isn't post-racial. It is thoroughly mired in race - the myths that surround it, the guilt it inspires, the discomfort it causes, the struggle to transcend it.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
As popular culture becomes more presentist, we move away from entertainment as the vicarious experience of a narrative - as watching someone else's story - and much more toward enacting one's own story. Moving away from myths and toward fantasy role-playing games, away from movies and toward videogames.