Quotes of All Topics . Occasions . Authors
We insist on celebrating lone heroic path-finders, but even the most admired and the most successful inventors are part of a more remarkable supply chain of innovators who are largely ignored for the simpler mythology of one man or one eureka moment.
Presumably all obsessions are extreme metaphors waiting to be born. That whole private mythology, in which I believe totally, is a collaboration between one's conscious mind and those obsessions that, one by one, present themselves as stepping-stones.
I'm only interested in science fiction that's used as a literary device, a shortcut into something more exploratory or universal about our experience. That's why I think it was invented and why mythology was invented; it's a tool, not an end to itself.
I was big into mythology when I was a kid - Arthurian legends and Greek mythology, that was kind of my passion. I hadn't heard of the books, but I was told they were very popular amongst the kids, so I got a hold of them and read them. I totally got it!
Because of ignorance, I wasn't a big fan of Marvel. I hadn't read the magazines. They were not as big in Europe as they are in the United States. They're more a part of modern American mythology. I know more about the original Thor than the Marvel Thor.
Our grandkids will lead the lives of the gods of mythology. Zeus could think and move objects around. We'll have that power. Venus had a perfect, timeless body. We'll have that, too. Pegasus was a flying horse. We'll be able to modify life in the future.
In our national mythology, we seem to include only one-way migrations to the great capitol cities. The journey from the small Wisconsin town or Minnesota city to Chicago or New York or Los Angeles. Certainly for some people, that journey is a round trip.
I think there's a mythology that if you want to change the world, you have to be sainted, like Mother Teresa or Nelson Mandela or Archbishop Desmond Tutu. Ordinary people with lives that go up and down and around in circles can still contribute to change.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
I've had it up to my ears with the personal mythology. It's getting kind of personally sickening. The personal stuff just turns out to be misinterpreted. I've had such an earful for so long, it's gotten tedious. I figure if you stay away from it, you're safe.
There's something about the superheroes and the idea behind their relationship with humans, whether it's a metaphor for the better part of ourselves, or the more flawed part of ourselves. So it seems to really be our own pop-culture version of Greek mythology.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.
At a young age, when I was fascinated with China, I read 'The Travels of Marco Polo' and learned about this exciting, dramatic world he captured and reported on. He's so little known, but yet this mythology has survived that's so misrepresentative of his story.
I think it's really hard to draw a hard-and-fast line and say 'Grimm's Fairy Tales' doesn't count as science fiction or fantasy. Or at what point do we say mythology is not fantasy, so reading mythology when you're young does not count as an exposure to fantasy?
Mythopoeia has taken off in the Indian diaspora because there has been a change in readership from a mature audience to a younger one. This lot has a desperate yearning to reconnect. They want to consume mythology but in a well-packaged and easily digestible way.
Here's the deal with 'Bastard.' I loved that show, and for me, it was such a palate cleanser, going from writing urban vernacular and crime to, essentially, iambic pentameter. I loved the mythology of that world based on history, but what it came down to was money.
Matangi's mantra is aim, which is MIA backwards. She fights for freedom of speech and stands for truth, and lives in the ghetto because her dad was the first person in Hindu mythology who came from the 'hood, but had gained enlightenment through not being a Brahmin.
We tried to approach this as though there's never been a Superman movie before, but at the same time respecting the canon and mythology. There are the pillars that you have to respect, and I'm not about to break them. But it is fun for me to bend them and mess with them.
I think the art world is one of the last bastions of this kind of sexism where there is a mythology about a woman not being able to be both and artist and a mother: that some very important creative crystal inside a woman would be shattered by the idea of having a child.
If you look at 'The X-Files' generally, we did 202 episodes. About 80% of them are not 'mythology' episodes, which tend to be the epic episodes. They deal with the big conspiracies, the search for Mulder's sister. They deal with what I would call the 'saga' of 'The X-Files.'
Fracking has been used for more than 60 years to successfully drill over a million oil and gas wells in the U.S. Nonetheless, the prevailing mythology on the radical left is that the technology is 'poisoning our children' by polluting the water we drink and the air we breathe.
I never minded giving my opinions. They are just opinions, and I had studied music and I had strong feelings. I was happy for my opinions to join all the other opinions. But you have to be prepared for what comes back, especially if you don't agree with the dominant mythology.
'FlashForward' is definitely not a sci-fi show. It doesn't have the mythology of 'Lost.' We have one major event that happens that you are asked to buy into. After that, you're dealing with very human ripple effects - how people deal with it and how they come to terms with it.
The stuff that I learned on 'Sons,' the education of how to tell stories, was part of that mythology. It's hard to look at it and go, 'Oh, if I knew this, I would have done it this way,' because the fact is I like to think that all that sort of unraveled as it was supposed to.
I'm not a fan of endless mystery in storytelling - I like to know where the mythology's going; I like to get there in an exciting, fast-paced way - enough that there's a really clear, aggressive direction to where it's going, to pay off mystery and reward the audiences loyalty.
The more that you travel the more you get the sense of the word as a larger place and the more you get a sense of the variety of history and mythology. And when you know about these things you can incorporate them into what I feel is a more rich and more large tapestry of fantasy.
I was born to play Hercules. I have loved and honored the mythology over the years - since I was a kid. When I first broke into Hollywood, 'Hercules' was one of the movies that I - not chased, because I didn't have the power to chase anything - but always had in the back of my mind.
The popular mythology of creative genius depends on beloved stereotypes of the artist in youth and old age: the misunderstood upstart who forces us to see the world afresh; and the revered sage who shows us depths of insight attainable only through a lifetime of hard-won experience.
Israel is too attached to America, too influenced by America. It should be connected to Europe. America is based on mythology - the free man, the individual, the open frontier. Europe is more conscious of history. Take Britain and Shakespeare. You shape your identity through history.
Steve Jobs was rare: a C.E.O. who actually had a huge impact on his company's fortunes. Contrary to corporate mythology, most C.E.O.s could be easily replaced, if not by your average Joe, then by your average executive vice-president. But Jobs genuinely earned the label of superstar.
For Gore 2000, I was a formal campaign adviser: contrary to RNC mythology, my brief was not 'wardrobe,' but rather policy on women's issues, and messaging. I was also married to a Clinton speechwriter, and observed the message decision-making process from the perspective of a spouse.
Do you know what a skin walker is? It's a thing in Indian mythology. There are certain people born with this gift, and they're able to actually get inside you and mess with your feelings and with your mind. And if a skin walker chooses to get a hold of you, there's not much you can do.
I don't think working in superheroes is slumming it. I'm proud of this form. I like this. There's nothing inherently masculine about power fantasies. There's nothing inherently masculine about superhero comics. There's nothing inherently masculine about mythology. About science fiction.
Contrary to popular mythology, the best and most durable relationships are based not on vulnerability or passion but on a conjugation of positive attributes, a meeting of mind, body and soul that is all the more powerful as it is not weighed down with neediness and unreasonable expectation.
I'm really proud of all the stuff we've built with Green Lantern - from Larfleeze to the different corps. The universe has expanded and will live well past my run. It was more than just telling another story, but really giving back to the character by expanding and adding to their mythology.
As a reader with next to no knowledge of classical mythology, I approached 'The Aeneid' just as I would a contemporary poem or novel - and, despite my ignorance, I was rewarded with a rich and affecting portrait of, among other things, the memorably doomed love affair between Aeneas and Dido.
Contrary to popular mythology, not all NFL cheerleaders are bimbos or strippers or bored pretty girls looking to get rich. The Ben-Gals offer proof. Neither a bimbo nor a stripper nor a bored pretty girl would survive the rigorous life of a Ben-Gal. The Ben-Gals all have jobs or school or both.
In the story of Thetis and Achilles, it's clear this isn't really a safe environment. She's gone down to the River Styx - the dead are being ferried across in the background. There's something in this mythology that says that if you want invulnerability, if you want immortality, you pay a price.
There's a ton of stuff in mythology and folklore that is loaded with wonderful creatures that I haven't drawn yet, but that's kind of my retirement plan. Theoretically, I won't be doing comics any longer, and I'll just be drawing and painting whatever the hell I want. Most of that will be monsters.
In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.
I would never call myself a cancer survivor because I think it devalues those who do not survive. There's this whole mythology that people bravely battle their cancer and then they become survivors. Well, the ones who don't survive may be just as brave, you know, just as courageous, wonderful people.
'Trolls' was a blank slate - there was no world, no mythology. We talked a lot about the Grinch and we liked how they showed his heart growing, but how do you show a photographable device like that for the Bergens? We ended up using color for a lot of that: desaturating and then pulling the saturation up.
My college roommate gave me her copy of 'Lord of the Rings,' and I read that probably five or six times - not because I think it's the greatest thing ever written, though some people certainly think it is - but the world he creates is so vivid. So real that he designed its own languages, history and mythology.
Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them?
I took physics, and lo and behold, there's a lot of physics in 'Lost.' I think for most people, liberal arts educations are more abstract, but for me, it's been a chance to apply the things I've learned more directly. I also took some Folklore and Mythology classes, and I think that a lot of that influenced me.
As we were developing 'Umbral', and I was delving into the mythology and legends, I had a sudden realisation. 'Wasteland' is about people who fervently believe new myths and legends, but they turn out to be false; whereas 'Umbral' is about people who reject ancient myths and legends, but they turn out to be true!
Studios are so used to digital now, and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors; everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital, and it's gorgeous, beautiful to look at.
One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.
I love mythology and folklore, and I respect the time, money, and opportunity that a film gives to an audience. It's a chance to empathize, reflect, and learn, so I really want to understand before I sign onto a project: 'What's the potential of this thing? What are we seeing and learning? What are we empathizing to?'