Quotes of All Topics . Occasions . Authors
The first time I shared music was on Myspace. Then SoundCloud came along. The difference with SoundCloud is that people can comment on stuff, which was more frightening but also way more fun - especially if they liked it.
If you knew me before Myspace, you'd probably thought I'd have been a scholar teaching philosophy in a university my whole life. If you met me before college, you'd probably have thought I'd be a musician for my entire life.
MySpace gives our members the ability to reach such an incredible range of people and have direct contact with them. I'm not sure how that devalues friendship so much as it expands the range of potential friends you can have.
I've been on, like, the forefront of social media. I run all my own pages, and this is back to MySpace and answering my own emails in, like, 2006. Even before that, I always had websites with emails that dropped directly to me.
America is an unsolvable problem: a nation divided and deeply in hate with itself. If it was a startup, we'd understand how unfixable the situation is; most of us would leave for a fresh start, and the company would fall apart. America is MySpace.
Like with MySpace and everything, my dad didn't even know what that was. And then all of a sudden, Twitter came around and he was taking pictures of my new tattoos and posting them and I was like, what's going on? I've never seen this happen before!
I've literally never seen a crowd react to a band the way they react to the Polysics. Signing them to MySpace Records was an obvious choice. I wanted to be the person to bring this seasoned band to a new culture and audience. I'm really proud of them.
MySpace is like a bar, Facebook is like the BBQ you have in your back yard with friends and family, play games, share pictures. Facebook is much better for sharing than MySpace. LinkedIn is the office, how you stay up to date, solve professional problems.
I joined MySpace in September 2003. At that time no one was on there at all. I felt like a loser while all the cool kids were at some other school. So I mass e-mailed between 30,000 and 50,000 people and told them to come over. Everybody joined overnight.
I was kind of a MySpace kid in high school, and people thought since I had so many MySpace friends that they didn't need to be nice to me in real life. They were like, 'You get enough attention online,' or they were jealous or something. I don't really know.
I created my MySpace page in eighth grade, because that's how all my friends talked to each other, so I made one, too. Then, all of a sudden, my friends started putting my songs on their profiles, and then their relatives, their friends in different states did.
It's just madness. First email. Then instant message. Then MySpace. Then Facebook. Then LinkedIn. Then Twitter. It's not enough anymore to 'Just do it.' Now we have to tell everyone we are doing it, when we are doing it, where we are doing it and why we are doing it.
Unlike the messier MySpace, Facebook has a cleaner and easier-to-customize interface and is much more, as Zuckerberg once described it to me, 'utilitarian.' I would call it useful and more relevant than other competitors, and a white-label version would likely be a hit.
I once wrote on my MySpace profile that music is never authentic. It was a reaction to constantly reading the word 'authentic' in connection with bands. But what does that mean? A baby crying after being pushed out of its mother's womb, now that's what I'd call authentic.
Remember all of the 'me too' social networks built just to have a social feature Facebook and MySpace didn't have? I built one for political discussion called Essembly. It enabled unique and potentially transformative social interactions, but only 20,000 people ever used it.
I would hate to be in high school now. Psychologists talk about the 'imaginary audience' that teens seem to feel they have around them and that makes them think they have to keep up their image all the time. Now with Facebook and MySpace and 24/7 online access, that imaginary audience has become real.
Do we value privacy in any real way? Thinking about blogs, Twitter, Facebook, MySpace... all these suggest we value exposure rather more. And instead of challenging this transformation, as they are supposed to - certainly at the more thoughtful edges of the art - novelists are buying into it wholesale.
I basically use Facebook and Twitter and MySpace to communicate with the fans. I don't think it's necessarily about advancing my career, but I do want to be able to connect with my fans. They are so important to me, and a lot of them have stuck with me since the very beginning, and that means so much to me.
I was involved with MySpace and Facebook and everything at a very young age because it's so casual now, and I'm into texting, obviously. But I've never been involved in any type of chat room. My parents are pretty cautious about it and know all my passwords and know who my friends are and who I'm talking to.
I truly believe that what we're seeing with online dating is very similar to what happened with the Myspace-Facebook era, where Myspace was once this place for online connecting for a very select group of young people. And then Facebook kind of hit at this moment where it was acceptable for everybody to do it.
Newscorp has always been, for us, very easy to work with and they respect our opinions and let us run the site we wanted to. And, in fact, they wanted to keep us on. They weren't saying, hey, let's throw these guys out. They were buying into what MySpace was and the founders, and so it's been very good for me.
We saw a need to develop a community for artists to get their music out to the masses. With MySpace, when they went out on tour, they could actually tour nationally. The band might have 20,000 friends on their list and send out a bulletin saying, 'I'm going to be in Austin on Tuesday night. Come see our show.'
I guess Twitter is the first thing that has been attractive to me as social media. I never felt the least draw to Facebook or MySpace. I've been involved anonymously in some tiny listservs, mainly in my ceaseless quest for random novelty, and sometimes while doing something that more closely resembles research.
When I worked with M.I.A., who was, like, the coolest person back then, she was just a girl I met on the Internet. Or even when I met Azealia Banks on Myspace, I never thought, 'Oh, she's cool.' I just loved what she was doing. So I've always been like that. And I think, as a producer, that's what you've gotta do.
I think that I identify with Philadelphia for a lot of reasons. Without even thinking about it, I called myself 'Philly's Constant Hitmaker' when I first got a MySpace, before I had any real hits. It was kind of just a funny slogan, basically lifted from the Rolling Stones' first album, 'England's Newest Hit Makers.'
A friend of mine told me a bunch of stuff on Buddhism and about Avicii being the lowest level of Buddhist hell, and it just sort of got stuck in my head. Later on when I went to setup a MySpace, I tried a bunch of names and they were all taken so I just kind of ended up with Avicii and then I got really attached to it.
I was on Facebook. I was on MySpace. And somebody said to me, You should check out this thing called Twitter. I knew five people that were on it, so I started following those people and seeing what they were doing, and then I applied my own sensibility to it. The more that I shared, the more people started following me.
Users socialize to figure out what they're going to do on the weekend. They use MySpace to discover new music and post events. Musicians upload their music. People use it for entertainment purposes or to sell goods in the classified area. MySpace makes what they do in the offline world a) more efficient or b) more interesting.
I spend up to two hours a day on correspondence. Hearing from fans on the Internet and being able to directly respond to the fan base is exciting. You can cut out the middle man like the fan club... before a recent appearance in Tyler, Texas, I had fans reaching out on MySpace offering their lake house, Mavericks tickets. It was amazing.
In the early days, a Georgia college kid named Chris Putnam created a virus that made your Facebook profile resemble MySpace, then the social-media incumbent. It went rampant and started deleting user data as well. Instead of siccing the F.B.I. dogs on Putnam, Facebook co-founder Dustin Moskovitz invited him for an interview and offered him a job.
