Quotes of All Topics . Occasions . Authors
Anyone thinking me treating myself affects my snooker doesn't know what they're talking about.
Reminding myself that listening is just as important a creative act as thinking is key for me.
When I wrote 'Help Me Make It Through the Night,' I was on an oil platform out in the middle of the Gulf of Mexico and was just thinking of myself.
I never find myself even catching lyrics until something in the sound has taken me captive. Thinking about anything else is just the pleasurable byproduct of wow.
I like to write books that I would have liked as a child, that would have got me thinking and imagining beyond the words on the page. In a way, my audience is always how I remember myself as a child.
On the first album I was saying, that's just one part of me. And then I was thinking, well, am I going to hide the rest of me now just because I'm afraid of something? No. I'm just going to be myself.
I said to myself, I have things in my head that are not like what anyone has taught me - shapes and ideas so near to me - so natural to my way of being and thinking that it hasn't occurred to me to put them down.
After 9/11, I had just become an American citizen, and I remember sitting in front of my TV set watching the news of the attacks, in tears. I remember thinking to myself, 'Nothing is ever going to be the same in this country for people who look like me.'
Anything I shouldn't laugh at makes me laugh. I mean, I'm bad at that, when somebody is singing something terribly and I'm thinking to myself, 'If I laugh now, this is the absolute worst thing I could ever do,' and then I start laughing and I can't stop.
As I bent over the washboard and looked at my arms buried in soapsuds, I said to myself, 'What are you going to do when you grow old and your back gets stiff?' This set me to thinking, but with all my thinking I couldn't see how a poor washerwoman was going to better my condition.
It's hard to mix with a crowd when you're walking down the hallway and everybody else is a foot shorter. I remember hanging out with my friends, like at the mall, and thinking people were staring at me and talking about me. It made me turn inside myself. I became more shy and quiet.
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
I'm never going to write a book like Anthony Sher did, you know, 'The Broadcaster Prepares.' I'm only talking to myself. I'd have liked to be a writer, or a journalist, but if things don't come easy to me I don't do them. I think if you're always thinking how difficult something is, you shouldn't be doing it.