Laugh at yourself - a lot. My mum taught me not to take myself too seriously.

People always tell me, 'Reinvent yourself, re-this, re-whatever.' I haven't reinvented myself. It's an honest evolution. I've always been authentic.

Someone yelled at me once, 'You never write about yourself.' People used to get so mad at me for that. But my definition of myself is completely up for grabs. I'm everywhere, just like we all are.

It was always important to me to be confident and strong with myself. It didn't happen overnight, but I've learned that the only way you can start to control things is if you feel a certain way about yourself.

For me, acting is all about the aesthetic. I just want to keep honing my craft. Not that I'm taking myself too seriously, but every artist should consider himself Picasso. Otherwise, you're doing yourself an injustice.

I'm happiest on set because I'm not myself. I'm someone else. The moustache, the dinner jacket. It's not me. You're always this sort of double, and it's liberating. Imagine being stuck with yourself... all those doubts.

We're all unique as actors. To yourself, you are unique. You have to think, 'I'm me. I'm not going to bunch myself with other people.' Agents and producers have to get you into a box to accommodate their limited imaginations.

Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

You move to New York. You want to be the biggest, most fully realized version of yourself you can be. A lot of that is fueled by this desire to not feel small, and to make a name for myself and establish myself in a way that wasn't expected of me.

I know, for me, dance did inspire me. Not just in how I feel but that confidence of being able to hold myself and come into a room and just feel comfortable with my body and how I stand and how you present yourself and just how you wear clothes, even.

Some people who meet me might think I starve myself, because there's such an assumption that being thin involves putting yourself through torture and punishing your body, but I'm just naturally skinny - you should watch me demolish a ploughman's lunch.

I tried to surround myself with people who have accepted me for being me. And I want to create that image to my fans as well. And that's the advice I give to them. To be happy for who you are, and to surround yourself with people who are happy for being you.

A lot of people ask me, like, how the characters are different between Nitro and Morrison and Mundo, and the biggest difference is just the names. Like, wrestlers are usually a version of yourself, and the versions of myself haven't really changed that much.

When I hear someone, instantaneously, I'm like, 'Who's singing?' You're giving people so much of yourself, and my voice is the most natural, distinctive tool I have. It's up to me to express myself on a wider scale than just writing vocal melodies and lyrics.

It's okay to take yourself too seriously if you're a serious actor and you've got the scrubs on. And then with me, it's kind of like, well, I'm a comedian, I'm making fun of everybody and everything. And I'm making fun of myself. I'm having fun making fun of and for other people.

The idea is to keep reinventing yourself. Once you attain a certain status as an actor, your fans start expecting from you and you should be able to fulfill them. That's why I try to choose as many different kind of roles as I can so that my fans are not disappointed with me. It would also get boring for me as an actor to keep repeating myself.

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