Quotes of All Topics . Occasions . Authors
It's like people call me a rock star or this or that. And I go, 'Don't call me that. I don't think of myself in those terms. If you have to call me anything, call me a chameleon.
If I had rolled along with the strip's popularity and repeated myself for another five, 10 or 20 years, the people now 'grieving' for 'Calvin and Hobbes' would be wishing me dead.
I never thought of myself as a strong person until I wrote my first book, and people started to say, 'You're a survivor. You're such a strong person.' It never ever occurred to me.
I myself have never been able to find out precisely what feminism is: I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat.
While growing up in Birmingham around a lot of West Indian people, reggae and calypso were big influences early on but Otis Redding was the one person who made me wanna sing myself.
The key to me recovering from drug addiction was figuring out why I was so upset and why I hated myself so much. I realised it was all to do with the way I was viewed by other people.
I knew there were, in myself, the souls of millions of people who lived centuries ago; not just people but animals, plants, the elements, things, even, matter. All of these exist in me.
I didn't necessarily intend it for myself, but it just happens with Instagram and Twitter; people come up to me and call me Emrata; they don't call me Emily. That's my brand, my identity.
I've never paid too much attention to what other people have said or to what other people have tried to make me be. I've always just tried to be myself, which is such a weird thing to say.
Orchestra had a little brass ensemble on two tracks as well, but the rest was me. I knew I couldn't continue in this direction, even if people liked it, because I can only duplicate myself.
Twitch is something I never thought I'd enjoy and I never saw myself doing. But actually I really enjoyed it. For the people that follow me, I think it's the closest you can get to the real me.
The greatest compliment I get about my writing is when people say, 'How did you know so much about me?' And of course, the answer is very simple: 'I just observed myself without sentimentality.'
I know now that most people are so closely concerned with themselves that they are not aware of their own individuality, I can see myself, and it has helped me to say what I want to say in paint.
When it comes to how I portray myself online, I'm trying to be as real as I can and show people every side of what I do and not just put up selfies online of me in full done-up make up and stuff.
Only lately, like within the last few years, have I had people actually do an impression of me to me, which weirds me out to think of what they have picked up on, without ever realizing it myself.
People haven't seen enough of me. My fights haven't gone the distance, and people have a lot of questions. I want to find out for myself as much as the people do. I want to find out what I can do.
I guess I just like to challenge myself and push myself harder to do things that I don't think I can, to do things that other people do not think I can. It pushes me. I push my own personal limits.
I've been studying the Constitution for myself but also as a way for me, as a Democrat, to comprehend the Right. I think it's important that people who are politically active understand both sides.
When I first heard from my manager, who asked me, 'There's this Disney 'Mulan,' do you want to audition for it?' I'd heard that so many people were auditioning. So, I asked myself what I could bring.
I hadn't performed by myself in a while. It feels very natural to me, and I assume people come for the very same reasons as they do when I'm with the band: to be moved, for something to happen to them.
Some nights it was a melee, literally, where I'd be standing trying to defend myself for what I was doing. People would be screaming at me to do my old act, and getting actually violent and angry at me.
KWMR is my radio station, and I intend to have a job there as I get older. That's what I'm lobbying for. They don't need me. They've got plenty of people. But let's see if I can make myself indispensable.
I, myself, have tried following people around me, and I've got lost and ended up feeling emptiness rather than a sense of accomplishment. I'd like everyone to find their own role models within themselves.
I think most people don't know that I really write everything myself. No help. There's nobody in the studio except for me and the engineer. A lot of people don't think I'm a singer. They think I'm a rapper.
Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
Now and then, someone would accuse me of being evil - of letting people destroy themselves while I watched, just so I could film them and tape-record them. But I didn't think of myself as evil - just realistic.
I don't think of myself as being troubled as a human being, but I guess I'm quite extreme, quite big and quite loud, and maybe people pick up on that when they cast me. I'm certainly not the quiet reflective type.
Sometimes it might seem like I'm using my songs to give other people pointers. But mainly, they're for me, just little notes to myself that I collected, and the wisdom that I've read. I give myself a lot of advice.
High school was hard for me. I tried really hard to fit in and said the things I thought people wanted to hear. But I was unsure of myself. I was self-conscious, and I didn't really know my place or where I fit in.
I would never ever want to be an actor playing anyone other than myself. I can't do voices or anything. No, it's not for me. There are lots of people who are trained actors and I feel it's offensive for me to do it.
Somewhere around the fifth or seventh grade I figured out that I could ingratiate myself to people by making them laugh. Essentially, I was just trying to make them like me. But after a while it became part of my identity.
The media circus got a bit twisted when I was in London. It became a bit of a joke, really. In Paris, they're so serious, I can take myself really seriously, too. I can get really morbid without people telling me to cheer up.
I've had five surgeries that could have ended most people's careers. But because of the fact that I'm resilient and have a lot of pride, I refused to let myself go out except on my terms. An injury is not going to take me out.
Reading about myself on public platforms makes me uncomfortable. I don't like it. I read other people's interviews or articles, but when it comes to myself, if I see something about myself then I immediately turn over the page.
I use my hair as a tool for portraying characters. When I'm auditioning for a role, when I'm putting myself on tape for something, I always consider what the hairstyle is going to be because it changes the way people perceive me.
My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
What humility does for one is it reminds us that there are people before me. I have already been paid for. And what I need to do is prepare myself so that I can pay for someone else who has yet to come but who may be here and needs me.
Some parts stay with me for weeks afterward. It's these people that I play. They get under my skin, and I just can't let go of them. I have immersed myself into their lives and into their beings so much that they feel like a part of me.
I'm a competitive guy, very. I don't like saying that about myself but people in the locker room say that about me. But I'm a competitive person and the GM, the coaches, those guys, they wouldn't like it if I was happy not to be playing.
I'm very proud that I can be myself. I'm not trying to be Arabic, I'm just being me, and I happen to be Arabic. I think that might be refreshing to some people, and it's a bit more realistic than these pantomime villains we've seen before.
I've been doing everything I can to reach out and understand why people voted against me. They were trying to send a message. I have to be more sensitive in the way I express myself, and I have to be more thoughtful in the positions I take.
Before I published anything, I dreamed of publication, but I didn't actually write for it. I imagined that writing for an audience was something for fancier people. I aspired, but mostly I wrote for myself. I wrote because it made me happy.
If I were to do some outlandish role, I always made sure I'd be on Johnny Carson to show that I wasn't that person that I played. I'd be myself. And so people got to know me, I think, and I think they know that I'm honest and truthful and real.
See I'm used to seeing myself with hair now, so it's not a big deal. Now when I see pictures of me bald I'm like 'ew.' But people are used to seeing me bald so when I'm walking around without the hat on, I see people doing a lot of double takes.
I honestly thought that since I didn't associate myself with any people or groups who were outwardly racist, and I didn't act in a way that struck me as racist, that this meant that I myself was not a racist, and that racism wasn't a huge issue.
You have to keep a strong sense of who you really are - and I have a pretty strong sense of myself. It gets me in trouble when I say this, but I don't think of myself as a politician. I've always tried to be honest when communicating with people.
What feels most productive to me isn't to think so much in terms of how I can be alternative, but how I can be subversive in a way that feels organic, how I can connect with people, and how I can just be myself, which may be the hardest thing to be.
It used to be that whenever I introduced myself to people and told them I was a psychologist, they would shrink away from me. Because, quite rightly, the impression the American public has of psychologists is, 'You want to know what's wrong with me.'
I've been asked about the glass ceiling a lot, and I don't think of myself as some kind of crusader going around smashing glass. I don't feel like I had to - and that is a very, very strong flag showing the people around me made it, so I didn't have to.
I think my becoming a writer had much to do with spending a chunk of each year sitting by myself out in a tent without radio, without newspapers, without a whole lot of people to interact with, without anybody having any sort of similar background to me.