The more I separate myself from my upbringing, the more I appreciate what it's done for me.

Sometimes I feel as if sections of my ballets were done for me - that I didn't do them myself.

For me, my career has never been about what I've done. But it's been about becoming, achieving, and pushing myself further.

I've done a lot of collaboration over the years, but right now I'm enjoying writing by myself and just being me again for a while.

I have three assistants, but there isn't a head assistant. All the important drawings I do myself. Every single character is also done by me.

Enjoying myself is something very important for me because that is why I play when all is said and done. And it also allows me to have an engine.

I think as an action director; it comes kind of naturally to me to a certain extent, because I've done so much action myself - as my MRIs would suggest!

I can assure you that it feels even stranger to me than it probably does to you to have seen so much written about me when I have done so little to paint a picture of myself.

As a director, nobody told me I'd be talking to people all day. I'm naturally reclusive - I feel myself peek out at a certain point and go, 'All the extrovert in me is done! I'm on reserve!'

I used to sort of consider myself a feminist, an environmentalist, and I still have some of that in me, but I've done so many offensive comedies, I'm now worn down to a little nub of... nub of an activist.

I don't get angry very often, but there have been times when I have been frustrated with myself, maybe after playing a bad shot, after getting out, I have done some damage to some equipment of mine. Once or twice in the course of 20 years - I think you can allow me that at least.

I don't want there to be this separation between the rich and poor. I may be part of the three percent because I've been fortunate and done well for myself, but I will never forget about the 97 percent. That was me growing up. I was so poor I dreamt about being just 'regular poor,' not 'poor, poor.'

'MAD Magazine' put out a book that was a collection of Trump cartoons, and they asked me to do the forward because they knew that I was a fan because I'd done stories and tweeted about 'MAD.' So I did the forward and asked them if I could do a cartoon. They let me, and I did caricatures of myself and Wolf Blitzer.

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