Quotes of All Topics . Occasions . Authors
I'd always loved watching YouTube videos, and that's what inspired me to make them myself. Initially I was drawn to makeup tutorials - I learned everything I know about makeup from YouTube.
Well, I really don't like heights. I don't get on the top deck of a double-decker because that's a bit high for me. I always feel that I'm going to hurl myself off, so heights are a problem.
I'm really not an actor of any kind. I've always seen myself as an entertainer, someone who makes people laugh. That's all I've ever wanted to do. 'Doctor Who' has always just been me, really.
My friends kidded me about going so far on such modest talent. I always agreed with them. I had no illusions about my films, nor did I consider myself anything special as an actor or a singer.
I always want to set myself a challenge by doing something no-one would expect me to do! But, having said that, I don't feel as a musician you can steer too far away from what you normally do.
Genuinely my big thing and the reason I'm in 'The Miser' is because I always ask myself one simple question when I'm offered anything: Will it get me nearer to being 'Doctor Who' or further away?
Musically, I always allow myself to jump off of cliffs. At least that's what it feels like to me. Whether that's what it actually sounds like might depend on what the listener brings to the songs.
I think I'm just always myself, and I think that's what's most important to me. Just be genuine. Be authentic. Be who you are and who you were meant to be. And celebrate that. Celebrate all of that.
People do notice me - I'm always so surprised. When I dyed my hair blond for 'Suburgatory,' people would still recognize me from 'The Last Song,' when I had red hair, and I didn't even recognize myself.
Naturally, I've always felt more like a writer myself, and I've always written. I have people who are writers who've been promoting that side of me. I also draw, too. Those things I feel most comfortable in.
I criticise myself an awful lot. I do worry to the point that I don't think it's very healthy. I'm always picking my flaws. It's a terrible anxiety I have. I wish I could pretend nothing fazes me, but it does.
I don't have Facebook or Twitter accounts yet. Being a compulsive storyteller, I always make up for myself discouraging stories about how such accounts will get me into embarrassing and time-consuming situations.
I grew up in Orange County, without a team. I never affiliated myself with the Chargers, south of me, or the Raiders, north of me. I've always followed the Dallas Cowboys. I've been a huge fan since the early '90s.
The producing side is always a hard thing for me. I look at Flying Lotus and see producers dropping instrumentals, and I think I should do it myself. I just try to be an artist for myself. That way, it's a lot easier.
People are always asking me for pictures, signing autographs, everywhere I go. Before, it used to irritate me, but I've learned to handle the situation. I cannot run away unless I lock myself in my room and never go out.
I always like to look at things and think, 'Would I be proud to bring my grandma and grandpa to come see me in this?' And if I wouldn't want them to see it, then it's not something that I should immortalize myself on film in.
If you look at all the top shooters in the NBA, guys that might be specialists like how I see myself, they're always 40 percent and above. So, that's a personal goal for me to get into that elite three-point shooting percentage.
I suppose I'm always trying to break down the wall between my characters and myself. I'm trying to make the film as expressive and personal as I can, even if I can't explain, for example, how important it is for me to be Jewish.
I don't have a lot of shame. That doesn't mean I can't feel bad about the way someone reacts to me or about something I read about myself online. But I don't have a lot of guilt, no. I've always been this way. I'm missing a chip.
I have a strong sense of myself. That gives me a sense of security, you know? If I define myself by things that are always changing, like the public's opinion, or what I'm wearing, or what job I'm doing, there's no stability in that.
Whenever anyone says I've taught them things by me being myself, I'm always like, 'Really? I just thought that was like, Wednesday for me. I was just wearing a kilt and a sleeveless top in a Rotary Club, it wasn't that big of a deal.'
For me, Philadelphia was always kind of that city you traveled to as an independent wrestler. I traveled there once or twice a month, doing that seven-to-eight-hour drive from Cleveland to Philly just to try and make a name for myself.
I just always wanted to study human behavior because every psychologist that I would talk to would tell me I was bipolar, and I know I'm not bipolar, so I had to perform a psychoanalysis on myself to find out that I have unresolved grief.
I take my dog, Fideo, out for a hike in Runyon Canyon three times a week. It's about 45 minutes round-trip with a variation of super steep hills and flat areas. He's always running ahead, which helps me push myself, especially up the hills.
One reason I didn't trust my writing for so long was that I always considered myself a serious dramatic actor. But people would always laugh when I shared my writing with them. It took my husband to help me see that I really am part humorist.
I always knew I wanted to go to NIDA. I think I was very fortunate, and I do doubt myself often, but I didn't see any possibility of me not going to NIDA. I believed in myself, and I believed that, if you really do want something, you get it.
I've always questioned the way dancers, myself included, must do the same role year in and year out. It's important for me to be able to say to myself, 'O.K., I don't want to be a prince anymore. I want to put on a leather jockstrap and pose.'
Initially, I know that I handled it worse than she did and I think partly because I've always been... every bit of adversity I've faced up until the last year and a half is adversity I brought upon myself - or the opposing teams have given me.
You have to keep a strong sense of who you really are - and I have a pretty strong sense of myself. It gets me in trouble when I say this, but I don't think of myself as a politician. I've always tried to be honest when communicating with people.
I want to thank the Arsenal fans who've always supported me. But I can't apologise for my decision to leave. I want to get more out of myself. I felt the main thing was taking myself out of my comfort zone. That's why Liverpool shouted out for me.
I was never a big guy in pubs. I was never the main kind of aggressor or anything like that, but I found myself in trouble because I always had a mouth that would come back with something, and there was just never anyone who could make me be quiet.
I always thought that I was a terrible writer. And I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role because, of course, it's really not me.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
I had fears going into television that it might become boring to me, and I always like to be challenged, push myself. You do a film, and you know where you're going; you have this material to stretch and play with as much as possible because you know how it ends.
When I was 16 or 17, anyone could have had me if they sang the right song and recruited me in the right way. Which is why I've always had a sneaking understanding for people who took the wrong route. That doesn't mean to say I took it or even contemplated it myself.
So many people always try to help me carry my luggage and help me do things I can do myself. If I can do it myself, I'm going to do it myself. I'm not going to let other people do it for me, and I think that's a big part of where I came from. I'm not a real prissy girl.
I grew up having to do manual labor because people always told me that I was an ugly girl. I've never had the permission to be myself except for when I'm doing manual labor. Because in manual labor, it's about, 'Can you pick this up, can you move this here,' and I could.
The coolest Christmas present I've ever received is probably socks. My grandma always gets me socks - every year - and that's something that I've probably never bought for myself. If Christmas wasn't around and my grandma didn't get me socks, I wouldn't own any, probably.
I've always been a bit shy, especially in new situations. But I have that other side in me too. Cricket demands that you grow up fast. Playing in domestic tournaments as an overseas player, you're expected to score runs and bring a lot to the group. And I expect that of myself.
Before I left for the bubble, a couple days prior I started taking notes on everything I was doing, how my workouts were and stuff like that. I just did it throughout the bubble. It does help me for sure. It keeps me locked in, just always reminding myself of what I need to do.
I'm not a camp, throwaway queen; I'm not in Neverland. I'm not Jennifer Lopez with three people to pluck my eyebrows. I've made myself what I want to be - not everybody's cup of tea. And people wanna have a look at me. I fully accept that. People have always wanted to have a look at me.
I went through a few phases of finding myself: I dabbled in musical theater, chess club, dance troupe, splatter-painting, school mascot (go Wildcats), babysitter, photojournalist, drill team girl, emo kid - and not one of them defined me, but every single one will always play a part in who I am.
I have always promised myself and my wife that when I don't enjoy it anymore, or I can't handle the stress and the pressure that comes with having such a high-profile and top job - or my energy levels starts to fail me, or my enthusiasm starts to be dented - I won't prolong my career longer than I feel I should.
I've always considered myself a Libertarian. While I was running for governor of New Mexico, the Republicans were totally inclusive of me; the party was open-armed, but they never thought I'd win. I delivered in a really big way; I exceeded their expectations and think I'm still highly regarded by the GOP in New Mexico.
I'm certainly aware of the fans. I'm always hoping that what I'm doing is something they'll like, because I do appreciate them. But, no, when I get into the studio, it's all about what I like. It's the same thing that led me to the possibility of making that first Boston album, which was to divorce myself from all other influences.
It did not matter whether it was preseason, regular season, my first playoff game, or the Super Bowl, I was nervous. And all that meant was that it always mattered to me. Anytime I was putting myself on a line, it didn't matter what it was, it was okay to be nervous because it was important to me. It was important to do my job well.
I made sure that instead of people making fun of me, like every comedian probably says, I made fun of myself first so they would get distracted and just laugh. I was pretty brutally picked on for a while growing up. It was always the really pretty girls, the hot girls and then there was me. So I had to do something to get any sort of attention.