Quotes of All Topics . Occasions . Authors
For me, Los Angeles, New York, where I don't know my neighbors, where people don't necessarily care if they know their neighbors, I'm missing things that truly fed my soul when I was younger, the exchanges between people, the caring and the shared history with people.
I am genuinely into soul, R&B and hip hop - all these genres that get slapped under the 'soul' genre. That spoke to me more than it did to my punk-rock friends. And punk spoke more to me than it did to my soul friends. I basically didn't fit comfortably in either world.
I tend to be one who just speaks from my soul, and so what comes out sometimes is rather harsh. In that sense, I'm very much a part of the tradition of a Frederick Douglass or a Malcolm X who used hyperbolic language at times to bring attention to the state of emergency.
I'm always a big fan of a big pot of chicken soup. I like to make a big pot of that, and I keep it in my freezer so when I come off the road and I just want to sit in my pajamas on my couch and catch up on the DVR and dig into a nice big bowl of chicken soup. It feeds my soul.
It's not like if I play in big places I won't be happy. But I don't want to start adapting to what's in style to make my music. I want to stay true to my roots, to keep making the music I love, that comes from my soul. And if there are people who want to listen to it, I'm happy.
It's usually a big kind of vent of frustration or anger or sadness that puts me in the right frame of mind to write. It's such a cliche to say that artists write when they're down, but it's true for me. It's a relief to get out what's eating away at my heart or my soul or my head.
I have often thought with wonder of the great goodness of God; and my soul has rejoiced in the contemplation of His great magnificence and mercy. May He be blessed for ever! For I see clearly that He has not omitted to reward me, even in this life, for every one of my good desires.
I remember specifically a couple of performances that I saw when I was young - River Phoenix in 'Stand by Me' and also Michael Jackson, in particular his ability to command such power and love while maintaining such deep vulnerability. It really moved my soul from a very young age.
What crushed my soul was hanging out with bitter, desperate comics backstage. They're a different breed than the bitter yet eager psyches in the wings of an improv theatre. Struggling stand-ups have externalized self-loathing into an art form. They're a hunching, quaking, unshaven lot.
Acting is fun and I refuse to get involved in the semantics and the politics of strategy and breaking out of something or doing something because you need to do something else. For me it's all about what fuels my soul and if I'm passionate about a screenplay then that's what I'll do next.
There's a magical energy and power from the ocean. I was born in a room overlooking the sea, in the middle of a storm. Perhaps, then, it's not surprising that shores touch my soul. Science might disagree, but I think there's a difference in the air on a coast - the positive ions, perhaps.
I was rejected for couple of adverts for sounding too sad. One was for Diet Coke, but it's a good thing it didn't happen because it probably would have been a big blight on my soul. It also happened with a fabric softener called Downy, and I guess the way I sang 'Only Downy' made people weep.
I care what my reader thinks. There is no fancy recommendation you can give me that would matter to me as much as Mary Jane from Youngstown writing me a letter. There is not one. Don't need it, don't want it, don't require it, does not fill up my soul. It's about her, not about the rest of it.
I think theater probably remains my favorite, sort of where my soul lives. It takes a lot of discipline, and you have to show up eight shows a week, no matter how you feel physically, mentally, emotionally - there's nobody to cut around that: you've got to tell the story yourself for two hours.
When I sing, I go somewhere else. Every time after I sing, I'll ask, 'Did I do OK?' Because I feel like it's like my soul squeezing out of my vocal chords. I don't sit there and think about 'I'm gonna do this next...' I just sing. I sing from my heart, and my heart's got a little lonesome in it.
I've been writing all my life, and playing bass came later on, when I was about 26. What I recognized with poetry and music that I had a different voice - there were things I wanted to express that I could not as an actor or even as a director. It was another avenue of expression that my soul needs.
'You'll Accomp'ny Me' is a song I've always really cherished. The guy in that song is just so courageous. He's saying this to the girl, 'I know you've got to go do your thing, but eventually, we'll be together. I feel that strong, and I know it in my soul.' And there's something really cool about that.
I was a young boy when I met the Surrealists and the Dadaists. I admired them, and that is what they taught me: to admire. Admiration is very important. People who are unable to admire others lose an important part of their soul. My soul developed from a very early age through encounters with admired people.
High maintenance means a lot of care. My relationships are high maintenance, my body is high maintenance, and my soul is high maintenance. I really care about my friends and my family; I eat good; I pray a lot. So it's like, I really care about my relationships with my family, my friends, my body and my soul.
I had just come off my third consecutive failed television series. I had sworn off doing TV for a while. I was going to go to New York, sublet an apartment, and find my soul again. Before I got on the plane, my agent sent me the script for 'Psych.' I read it on the plane and realised it had a lot of potential.
When you're a mass-market writer, people think that you can just decide 'this happens, this happens, this happens', whereas with literary writers it's coming from their soul and their core. But with me it does come from my soul and my core, and my soul and my core often go AWOL, and then I've nothing to write.
To join or not to join films was the biggest choice I had to make. I'd done two years of biogenetic engineering, was an economics graduate and a gold medalist. I had also been a Bharatanatyam dancer from age five, always won the best actress award in school. Finally, I decided to do things for my soul, chose to act.
It's really important for me that the people who listen to my music get something that can hopefully help them get through whatever they're going through. Music is the only thing that's able to help sooth my soul in that way, and my goal is to always put things out there that that do the same thing for other people.
I wasn't present for my own life for a long time. I wasn't there; I wasn't in my relationships; I wasn't in my band; I wasn't in my soul - I was disconnected from all of it. I would let myself live in a miserable situation forever, mostly of my own making. I made my own misery and made the people around me miserable.
I think there are three kinds of songs; it's only my theory: psychological, emotional, and spiritual. When you write psychologically or intellectually, you have a tune in your mind, and you re-write it. It's an intellectual approach. The emotional is my favorite because it comes from my kishkas; it comes from my soul.
There will always be times where you think, 'What went wrong? Why wasn't that one more popular?' You can't always figure that out, especially if you think you've done the best job you can do and was interesting to you. I mean, 'My Soul to Take,' I thought should have done much better, and I still like that film a lot.
'Boom' is my heart. The 'kack' is my soul. Apparently when I choreographed I didn't realize that I said 'boom-kack' 'boom-kack.' I had no idea I was doing it and then I realized that it's every time I felt like the fight in my soul - the boom and the kack - was like my heart. It was like the love of it - my heart and soul.
I'm doing things that feel good to my soul. I've had plenty opportunity to do other things, but it didn't feel right, and it wasn't right. And if it feels like work, then it's work. But if you have that opportunity to do what you love, and you can make a living out of it, then that's a blessing and I never take that for granted.
Put it this way, people in my position in the UFC, their coaches couldn't tell them to sweep the mats because some people feel like they're better than that. I'm not one of those people. No matter how I am on camera, people who really know me, who know my soul, know I keep that same energy. So ain't nothing change but the change.
To keep the edge, you just keep doing something new. I'm not gonna say that working is easy, but while I'm doing it, I'm just a happy little moron - that's how my girlfriend describes me. The fact that nothing might happen with those things is not the point. The point is, I'm doing new things, and I have a good feeling in my soul.
I was 15 when Hugo Chavez came to power in 1998. At the time, I lived in Vargas State, which borders the Caribbean. In 1999, torrential rains caused flash floods that left thousands of people dead. I lost several friends, and my school was buried in the mudslide. The importance of resilience has been etched into my soul ever since.
When I turned 45, I lay in bed reflecting on all life had taught me. My soul sprang a leak and ideas flowed out. My pen simply caught them and set the words on paper. I typed them up and turned them into a newspaper column of the 45 lessons life taught me. When I hit 50, I added five more lessons and the paper ran the column again.
This career essentially chased me down while I was on the spoken-word scene in New York. I kept hearing that my delivery of my poetry - which was very personal and cathartic at the time- was very moving to folks. People thought that I was an actress because of my delivery, when I was just dropping into the work and really pouring out my soul.
When I took the habit, the Lord immediately showed me how He favours those who do violence to themselves in order to serve Him. No one saw what I endured... At the moment of my entrance into this new state I felt a joy so great that it has never failed me even to this day; and God converted the dryness of my soul into a very great tenderness.
Early on in my life, I had a broken soul. I was abused by my father, abandoned by my mother and ended up in a destructive first marriage. By the time I was 23, I was broken in my soul. I didn't know how to think right. I felt wrong about everything. But God stepped into my life, and I came out on the other side and didn't even smell like smoke.
