Maybe it's old-fashioned, but I've always preferred to see players with my own eyes than on a video or going on somebody else's recommendation. If that means getting up early and taking a flight, then so be it. Our success at Everton came from having a great recruitment team who I made sure were out watching the players.

I feel blessed that I haven't seen or felt real pain to be immune to it. But I am dreading the time it comes. I feel blessed to have everything going fine. My parents' health is good, my brothers are well-settled, I have a great brother-in-law and my own career is doing fine. I hope and pray that I am fit and fine always.

A director will always tell you, when you go in to do a scene, 'You go as big as you want, and I'll tell you when to come down.' And I found that on 'Shameless,' you can't follow that rule because they will never tell you to come down. So, I've had to find my own balance with when it makes sense to get this upset or angry.

I have a way of filming things and staging them and designing sets. There were times when I thought I should change my approach, but in fact, this is what I like to do. It's sort of like my handwriting as a movie director. And somewhere along the way, I think I've made the decision: I'm going to write in my own handwriting.

I felt cheated by the way grown-ups told me that the future of the world was bleak when I became a teenager in the 1970s. The pollution explosion was unstoppable. Global famine was inevitable. I genuinely want the next generation, my own kids, to know that actually it's possible that the future might be better than the past.

Some of the songs are inspired by personal things that have happened. Others have been inspired by other people's stories, you know, like someone that witnesses something and so I tell the story through my own eyes. And some songs are just about how I feel about the world and others about the places that we have travelled to.

It was, like, two mobile games I released. They did pretty well, and after I made those two games, I was like, 'Man, I want to make another game, but I want to make this game for PlayStation and Xbox and PC.' I was like, 'You know what? Forget making the video game for Xbox, PlayStation and PC. How about I make my own console?'

The thing that separates Sophie from the music I do for other people is that it's 100% written by me. In the past, I've written my songs and then asked friends if they could record the vocals. I didn't want to use my own voice, because other people have much better voices. I was hearing the music with a voice that I don't have.

I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.

I was 11 and living in Kosovo. I knew I wanted to perform but didn't feel like I could do it there. So I moved back to London on my own at 15, carried on going to school, and started posting cover songs online. I had no idea how I was going to become a performer, but I felt like I had so many more opportunities being in London.

It's important to underscore that it is not mediocre test scores that have caused the major problems in the U.S. It has been unnecessary wars, ranging from Vietnam to Iraq, and unfair financial practices on Wall Street. And these were brought about by 'the best and the brightest,' many of whom were educated at my own institution.

Don King is my promoter, and I want to fight for him. I want to fight in the big fights, and hopefully he can see by me promoting my own show, beating a quality opponent, and bringing a crowd in, that he needs to use me again. The end goal is I want to be thrown in the deep end by Don King. If I'm not good enough, let's find out.

It's just insane because, as a longtime WWE fan, I still have all of my action figures in storage. Now to have my own, and to see my nephews play with them, to see kids tweet me pictures with them, and to see people are actually going out of their way searching all of these stores trying to find them, it's really cool and humbling.

I wrote an episode for 'thirtysomething,' and a producer said, 'That's really good, but what is it about? What does it say about you? What questions are you asking yourself?' I had never thought about that. This comment changed who I was, because it made me look at my own soul, the dark corners in my soul, and accept that dark side.

'Hard Hit,' a YA collection of poems, explores the country of grief and survival. Mark, a 16-year-old boy and skilled pitcher, must confront the coming death of his beloved father with the help of his friends, family, baseball, and an idiosyncratic belief in God. I used my own experience of my parents' deaths to inform this journey.

What I've been doing with my misfit, so-called acting career in film from day one on my first film, 'Spanking The Monkey', is, I've kind of made a concerted effort to hijack my acting career to turn it into film school, because I've always had the blasphemous idea of becoming a reasonably competent filmmaker in my own right some day.

For each project I do, I try to surprise myself, do the unexpected, and change my own status quo. From the One Laptop Per Child, the Herman Miller Sayl, or the latest Movado watch collection, there is always an insecurity about being able to do something important. I think each of those projects makes me feel like we have progressed.

I was a boy with one dream and one dream only: I wanted - no, strike that, I was desperate for - a room of my own. You see, in those days I shared a room with my little brother, Jesse, and it wasn't pretty. He was the Oscar to my Felix: messy, careless, and just a little bit sticky - exactly the way a kindergartner is supposed to be.

I admired and wanted to be a lot like Angie Martinez. As I got older, I realized that I had a soft monotone voice and that being a DJ may not be the career for me. However, I was so in love and infatuated with hip-hop that I still wanted to be a part and give back the community, so I decided to carve my own path and make my own lane.

One reason most people never stop thinking is that mental frenzy keeps us from having to see the upsetting aspects of our lives. If I'm constantly brooding about my children or career, I won't notice that I'm lonely. If I grapple continuously with logistical problems, I can avoid contemplating little issues like, say, my own mortality.

I feel some need to represent where I'm from. But ultimately, I think my only real responsibility is to - as much as possible - interrogate my own truths. This is to say not merely writing what I think is true, but using the writing to turn that alleged truth over and over, to stress-test it, in the aim of producing something readable.

I was lucky enough to create my own dress, deciding on every single design detail. But, even if you don't have a custom dress, you can still create a signature wedding-day look with personalization - a belt, altering the sleeves, etc. But, when creating your bridal style, the most important thing to remember is to make it feel like you.

I was raised, myself, by extremely strict but also extremely loving Chinese immigrant parents. To this day, I believe that their having high expectations for me, coupled with love, was the greatest gift that anyone's ever given me. And so that's why, even though my husband is not Chinese, I try to raise my own two daughters the same way.

I carry my own film guys with me now. People think that's a huge expense, but with technology like it is these days, it's not. You can film videos and everything with a Canon Mark II, and shoot a movie. They're doing it for next to nothing, by comparison. I can do ten videos for a project for the price of one mainstream video in the past.

The reason why I started the clothing line Licious is because I had trouble finding clothes for my body type. I figured if I'm having trouble finding clothes for me, being curvy, I know girls with my body type are probably facing the same issue. And so with the help of my designer, I came up with the idea of creating my own clothing line.

Yes, I am very unhappy, extremely anguished at human rights violations against Kashmiris in India or against Rohingyas in Burma or, for that matter, Christians in Orissa; but obviously, I am going to be more concerned of violations taking place in my own house because I am closer to the people who I live with. I have more passion for them.

I've been trying to learn how to not be so conflicted about things like my own anger. I've always had a place in my music for my anger as a way of compensating for not having a mechanism to express it in my everyday life. So I've been trying to be more true to myself, and that helps me to chill out a little bit. But politically, uh-uh. No.

I have no personal experience in the military. All I know about it is what I've seen in movies and read in books and watched on television. My knowledge is probably no more or no less than the average person's. 'A Brief Encounter with the Enemy' was created by taking bits and pieces from here and there, and then putting my own spin on them.

When I'm travelling, I always take my little notebook and scribble things down as I watch them; I'm very much geared to everything that's happening. Whereas, the diary I keep is just about a record of a day I've spent. When I'm filming, I'm looking quite intensely at everything I see and trying to get my own eye on what we're going through.

I'm very happy with the way I look. I wake up some morning, catch myself in the bathroom mirror, and go, 'hey girl, you're alright'. But on the other hand, I find the website stuff, and the polls, something completely removed from my own personal life. You can't take anything like that too seriously, otherwise you'd end up in the loony bin.

I love drafting like I love eating ice cream or having sex; I love revising like I love doing logic puzzles; I love line-editing like I love perfectly organizing a bookshelf; I hate reviewing copyedits and the second round of proofreading because, by then, I'm getting pretty tired of my own words. They all have their own challenges, though.

I'm releasing a single. It's called 'Live it Up.' It was based on my Euro trip. I only write my own music. I don't let other people write it at all. So I've been working on that a lot. There's three singles coming out. The producer of The Fray who did their double-platinum album 'How to Save a Life,' I'm working with him. He's producing me.

I definitely shut down sometimes. I always just go into my own little cocoon and write, and I surround myself with as much music as possible. The last girlfriend I had, when we broke up, I remember being in a room for days on days on days with my music cranked up, playing songs like Kanye's '808's & Heartbreak.' That playlist just was long!

The whole - it's the economy's bad. It's bad for everybody. I have my own comedy club. I opened it three years ago in a horrible economy. I created jobs. And we just started breaking even after a year and a half, barely. For that entire time, I have had to pay the difference of what we owe in rent and taxes and everything out of my own pocket.

In my own life, I found that whenever I wasn't sure what to do next, I would go and learn a lot, read a lot, talk to experts. I don't know how the human brain works, but it's almost magical: when you read enough or talk to enough experts, when you have enough inputs, new ideas start appearing. This seems to happen for a lot of people that I know.

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