Quotes of All Topics . Occasions . Authors
Various different people have inspired me throughout my career. From Francis Bacon to Vassareli, Coco Chanel to Christian Dior, Cecil Beaton, musicians, architects... the list is endless.
I feel quite sad for the young musicians coming up because they may never get to pay their rent properly. It doesn't matter what the genre; nowadays, it's so much harder than it ever was.
I think musicians oftentimes have the right skill set to be good actors. And with Rihanna, I noticed her and knew of her obviously, and was very taken with her charisma and her confidence.
Many rock musicians are excellent cooks, I've found, and those that are prefer to eat their own cooking in the studio. I encourage this behavior as I also enjoy the benefits of fresh food.
I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
And then the last album, 'Get It', was done over a shorter period of time and I started using other musicians, as opposed to playing all the instruments myself like I did on the other two.
The great thing about being the son of Maya Angelou is that I had the good fortune to grow up around some of the greatest black artists, dancers, singers, musicians, and actors of our time.
Although my dad was a doctor, we weren't necessarily a super-artsy family. We were just a classic, traditional family who got to take a lot of piano lessons and became a bunch of musicians.
I mean, I could just go round and use session musicians for every song, but I don't find that helps when it comes to setting up a band for live. Derrick has been with me for donkey's years.
I think that the world is full of really, really good musicians, but that's not necessarily my motivation for having people involved. It's more how they contribute to the scene as a person.
I've always had money because of my early success with Cream, so I tell young musicians to aim to write their own material, because owning the composition rights makes a very big difference.
I was raised in Topanga Canyon. It's an eclectic community up in the Santa Monica mountains. A lot of musicians lived there - Joni Mitchell, Neil Young - as well as artists and craftspeople.
One way and another I was having a ball - playing gigs, jamming and listening to fine musicians. Then came a crisis at home. My stepfather fell sick, and it meant I had to support the family.
We grew up with musicians coming over jamming. We had tons of instruments. So holidays were always like, 50 people would come over, and there would be a jam session with everyone playing jazz.
Once I took a bus from my home in Maryland to Philadelphia to live on the streets with some musicians for a few weeks, and then my parents sent me to boarding school at Andover to shape me up.
The thing about hip-hop producers, and the thing about hip-hop musicians, is that we listen to everything. And we're inspired by everything. I'd say even more so than any other genre of music.
My father was the proprietor of a music shop on Forty-third Street, where many of the finest performers and musicians of the day would come to shop. He knew the classical repertoire inside out.
If you do something, you should do it because you love it, and you should follow your heart and make it how your heart wants it to be made. But it's a difficult world, especially for musicians.
Musicians are at the bottom of the creative pyramid and authors are at the top, and many people think it's unacceptable for someone to attempt to jump from the bottom to the top of the pyramid.
There's a lot of variety of musicians in Korea. I cannot say they are the best in the world, but I can say that Korean artists are really dynamic artists, so I am going to show that from now on.
It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.
I try to devote my afternoons to making music in my home studio, but it's a lot more fun hanging out with musicians and friends, and trying subtly to influence a band than making your own stuff.
I'm fortunate I have this coterie of musicians around me to help take music to next level. Being surrounded by so much creative energy, so many creative people really feeds that creativity in me.
What I try to do is produce an atmosphere where musicians want to invest in what they do and give to the recording. I hire those musicians who I know will play something creative and interesting.
Jodi Melnick is hotly self-absorbed. Her onstage musicians are much too loud, and like so many narcissistic performers, she goes on much too long: She's interested in herself; why wouldn't we be?
Film is the only art form where we feel we have to title our stuff literally. Musicians don't have to title their songs literally. It can be more about what's conjured up when you think of a word.
We travel so much as touring musicians and artists that sometimes, when you hear a great song that you really think could be on your project, you go ahead and record it instead of try to write it.
I've dated a couple of guys who were awesome, and the celebrity part of my life and the traveling part are hard to get around. You never get to see each other, especially if you're both musicians.
Once you're in a particular country, and you're surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.
The Blues scene now is international. In the '50s it was purely something that you would hear in black clubs, played by black musicians, especially in America. But from the '60s onwards it changed.
I like to follow my favorite team and talk sports with my band or fans. You won't believe how many musicians are sports fans. We have so much time on tour that we need these outlets for relaxation.
In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.
Jazz was the beginning of rhythm music, which developed into rock and roll. But what the jazz musicians lost because they were so far from their homeland was the intricate rhythms of African music.
It might be argued that genuine spontaneity is not really possible or desirable so long as printed scores of great works exist. All modern musicians are, for better or worse, prisoners of Gutenberg.
I loved the atmosphere of the dance studios - the wooden floors, the big mirrors, everyone dressed in pink or black tights, the musicians accompanying us - and the feeling of ritual the classes had.
An entire generation of talented people - engineers, artists, scriptwriters, musicians, programmers - have been busy creating a whole new art form for us. The name of this new game is interactivity.
I grew up in a house that was always happy, and my family was always music, music. I started playing percussion very young, because I had some uncles who were musicians and all my aunts were singers.
I hung at the studio. Myself and James Booker and several other musicians, as kids, we just literally hung at the studio, hoping somebody would get sick or get hurt and that we'd get to sub for them.
We spent a month in LA using a pool of musicians, a string arranger called Benjamin Wright, some great backing singers, and it gave tracks like Dynamite, which was written there, that kind of flavour.
My family is all musicians - my dad plays drums, my mom plays flute, my older brother plays drums, my little brother plays drums and piano. For some reason, I didn't get the memo, so I just play bass.
I don't have actors as friends. There's no actor who's my 3 A.M. friend. There are a couple of musicians whom I can call friends, and I have a close knit group of friends whom I feel comfortable with.
I think that musicians should never forget about the intimacy of bringing two people together, and the aesthetic transference where you're almost vicariously involved in a romance between other people.
I have lots of friends who are musicians and it is such a huge victory to survive in music, period - but if you get sick or injured and don't have the kind of coverage we get in Canada, you are doomed.
Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.
You'll find little schools of musicians experimenting with different ways of making music in Brooklyn, all through Manhattan, in Queens, in Jersey, you know? The city is still bubbling with creativity.
There's always the joy of the performance and fine-tuning new interpretations. Over the years, we've all grown as musicians, so obviously there is a lot of subtlety that wasn't there in the first place.
I understand that, because there are so many musicians, you have to make artists into brands, but I sometimes feel like I have to be some kind of non-human icon in order for people to listen to my music.
It has always seemed slightly uncomfortable, the idea of politicised musicians. Very few of them are clever enough to do it; if they're good at the political side, the music side suffers, and vice versa.
Historically, musicians know what it is like to be outside the norm - walking the high wire without a safety net. Our experience is not so different from those who march to the beat of different drummers.
I would advise dancers, musicians and others in the entertainment industry to take up yoga, as it clears the mind and creates a sense of balance and stillness which is important for any performing artist.