I was interested in music and making movies about musicians, but my own experiences, and doing what it felt like for me to be a drummer? Nah, I wasn't interested in that.

In January of 1995, my family and I moved to Seattle. Pearl Jam did the first of their live radio broadcasts, Monkey Wrench Radio, along with many other Seattle musicians.

If you give me a bass guitar and you ask me to improvise something, or even be with some musicians and follow them, I wouldn't be able to do it. And I want to change that.

There's a fairly extensive network of musicians on tour who are all trying to stay sober, and we generally reach out to each other and offer support when and where we can.

I never tried to emulate The Beatles, and I never really wanted to be like The Rolling Stones. I never really felt that I had the look or the demeanor of veteran musicians.

I don't think people go to musicians for their political points of view. I think your political point of view is circumstances and then how you were nurtured and brought up.

How do we keep it up? Because that's what we do; we're musicians, and we love to play and make music. And with every album, we get better, and with every tour, we get better.

Whenever I felt happy about having discovered something, the first encounter, not only with the public, with other musicians, with specialists, etc, was that they rejected it.

A lot of young musicians get the money at the wrong time. They get it for something they don't feel great about, and it'll make you feel so bad it'll destroy you and kill you.

I was a 'Big Brother' fan. I thought they were better musicians than their detractors claimed, but more to the point, technical accomplishment was not something I cared about.

After the war, once the bop revolution had taken hold, there were all kinds of young musicians, talented young musicians, who were ready for this fusion of classical and jazz.

We're not getting paid. We have these great musicians with us and it gives us a real charge. And the audience gives us a charge, because they keep it interesting all the time.

I love art, and it plays a huge role in my life. It's definitely one of my greatest joys, and I'm a bit fanatical about certain painters and poets and musicians and sculptors.

Lou Reed's music has been in the lives of millions of people all over the world for decades. He had a truly universal presence and was respected by musicians across all genres.

All musicians start out with ideals but hanging on to them in the face of media scrutiny takes real integrity. Tougher still is to live up to the ideals of your dedicated fans.

When we came into the studio I became more and more me, making the tracks and choosing the musicians, partly because a great deal of the time during Bridge, Artie wasn't there.

All I know is, I play the guitar, beat it out, and sing a song that has some damn resonance that we feel as musicians. We send it out and people get it, and that's a good thing.

What 'jazz' means to me is the worst kind of working conditions, the worst in cultural prejudice. The term 'jazz' has come to mean the abuse and exploitation of black musicians.

You can have all sorts of relationships, but there's something with musicians working together where you can have relationship that can just continue to grow in a beautiful way.

Musicians of any era - whether it be The Beatles, the Rolling Stones, Rage Against the Machine, or, of course, Madonna - will inspire fashion. And we, in turn, will inspire them.

I realized that improvisers should probably always have time off. But musicians are always gigging and never have a chance to stop for a minute - unless something drastic occurs.

Most musicians count at the beginning, and never count and talk to their musicians after that. They only talk to them at the end of the song. But I would count with them and talk.

We were brash young fellows'. I was always hanging with the older crowd anyway. The musicians were the Hip Cats, and I was hanging with them anyway. I Just started out real early.

I don't like that, because there are a lot of people whose works I admire as actors or actresses, or musicians. And you know, I've been a big fan of different musicians or actors.

We are in the entertainment business. This should be fun. We are musicians; we don't save lives. We shouldn't... we shouldn't take ourselves too seriously or be revered that much.

But between sets I'd sneak over to the black places to hear blues musicians. It got to the point where I was making my living at white clubs and having my fun at the other places.

You should have something to say, an idea you want to get out, and if you don't, just get out of the way, 'cause there's so many great musicians and writers that are in the queue.

This weird thing that musicians have... it's got something to do with approval, and not feeling good enough, and therefore going out and being great somehow makes your life valid.

I think one of the reasons musicians keep doing what they do and writers keep doing what they do, is that we're totally unsuited for anything else. And I for one am much too lazy.

Liverpool was an industrial town, a poor town. The people fought hard for what they wanted to achieve and there was a hunger there, and that hunger has remained with the musicians.

There's no doubt that prog rock has an image problem: many musicians hate the label, and too many people associate it with 10-minute drum solos and the weirder bits of JRR Tolkien.

New Orleans cats don't play a lot of solos unless they got something to say. It's not an ego thing like it is with some other musicians. You say what you gotta say and then shut up.

There is an apprenticeship system in jazz. You teach the young ones. So even if the musicians weren't personally that likable, they felt an obligation to help the younger musicians.

Selfishly, I make music for me. I like to make music. I like looking for songs. I like working with interesting musicians. I like producing records. It's something I will always do.

The thing with me. I can't stick musicians. I've thought about this. I can't stand them, and being stuck in a studio with them I think that's my strength I can hear what they can't.

Canada is a country of ingredients without a cuisine; we're a country with musicians without an indigenous instrument; Toronto's a city that doesn't even have a dish named after it.

Jazzy Jeff is somebody who taught me what I really wanted to do for other people. He has the big ol' house where musicians can come there, stay for a while, create music, eat, reset.

Musicians are probably the most uncomfortable people in themselves in the world. Happiness, I think, only exists when you're a child and once you go past 11, unfortunately it's gone.

Music's always been a big part of my life. Because of my father, I was always surrounded by music and musicians, and in school, I was in the chorus, and I played various instruments.

Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.

People had this idea about becoming rock stars packing stadiums instead of having the goal of becoming what musicians used to be in terms of how they would perform and connect people.

We always feel pretty creative as far as writing songs. We write them together; we just get in a room, or on occasion in Flea's garage. We just sort of improvise, like jazz musicians.

I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.

You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.

I've never understood musicians who don't enjoy doing promotional interviews. I just can't believe it. I always think, 'Your life must have been so brilliant before you were in a band.'

I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

I have met so many of my idols - like Ray Charles, Brian Setzer - all these cats that are legendary musicians. If they had said to me, 'Hey man, I'm busy,' it would have crushed my soul.

Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.

I can't really say enough about Chris Potter. He is one of the greatest musicians I have ever known, and every second I have been on the band stand with him has been an absolute pleasure.

My primary influences were the best jazz players from the 50's and 60's and later some of the pop people from the same time period along with the better of the well known blues musicians.

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