My training as an engineer has enabled me to design the stuff, but the reason I do it is not to make music but for the opportunity to work with musicians.

You always feel like rock critics are frustrated musicians. I envy musicians their ability to live their art and share it with an audience, in the moment.

Pop artists work really hard, and they might not work for the same things that indie artists do, but they're still musicians, and they're still making art.

I'm inspired by artists and musicians. There are so many wonderful and talented people in the world. I love discovering new music, new writers, or new art.

When I was recording from '70 to '82, I always played piano and laid the tracks down. But I used to talk to the other musicians while the track was playing.

I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art.

Musicians always come off sounding a little bit pretentious, and a little bit... I don't know, hypocritical, from what they do, talking about strong issues.

Jazz musicians don't make any money, so I might as well make some on the market. I pick my own stocks - Microsoft, Dell - the tech stocks, the breadwinners.

THE GODS was my first professional band and I learned a lot during that time. It was very cool playing with so many great musicians as it helped me to learn.

It's a wonderful thing to play with symphony orchestras - I've played with many - but it's really special in Israel because you have so many great musicians.

I wasn't sure if I wanted to try the retro style in the first place, because many musicians have left masterpieces in the genre, and I felt burdened by this.

It would have been more obvious to go into film, based on the generation before me, but the generation before them were all composers or classical musicians.

You had many jazz musicians who lived in the United States, who had a hard time being accepted over here and had to play in sort of these inferior type dives.

Some musicians feel they have to provide what their audiences expect. They lose the distinction between an artist and an entertainer. I am not an entertainer.

Bobby Darin was one of the first to take black musicians on the road with his band, and there were places that didn't want him to play, and he stood up to it.

I have seen great jazz musicians die obscure and drinking themselves to death and not really being able to get any work and working in small, funky jazz clubs.

I've got lots of friends who are musicians, so if they ask me to do things, I'll go and do it for a laugh. I don't want to be a pop star or anything like that.

When I hear music that parents hate, or older musicians hate, I know that's the new music. When I hear older people saying, 'I hate Rap or Techno' I rush to it.

Some artists and indie musicians see Spotify fairly positively - as a way of getting noticed, of getting your music out there where folks can hear it risk-free.

There are a lot of musicians I've met on Twitter where it was like, 'Hey, I like your music' - and then I ended up meeting them and it turned into a friendship.

Tom Petty and the Heartbreakers were really great. I saw them live in the '90s; they were really, really good. The music is great, and the musicians are amazing.

It's a very subjective, personal, instinctive approach as musicians of saying, 'We don't want to replace what's around; we just want to widen the possibilities.'

I guess fortunate that I'm still around and I emphasize I guess because you never can tell what musicians would be playing had they been around as long as I have.

There's Eddie's conviction and his lyrics and his ideals, and he can just rock straight out. His vocals are incredible. And we all are really competent musicians.

Why do musicians give so much time to charitable causes? The most humanitarian cause that we can give our time to is the creation and performance of music itself.

At the risk of sounding hopelessly romantic, love is the key element. I really love to play with different musicians who come from different cultural backgrounds.

To not be modest about it, you'll find that with only a couple of exceptions, most of the musicians that I've worked with have done their best work by far with me.

In 'Heart of Gold' at one point, there were 23 players on the stage with him. And part of what's magic about Neil is the way he interacts with the other musicians.

I've worked with lots of musicians - like Tina Turner - and I love when they go in front of the fitting mirror and do their thing, pose, dance. I love that moment!

I meet many people, I talk with them, like a TV show host. I show what's going on with Greenpeace, interesing political things, I have artists, musicians and bands.

Musicians and journalists are the canaries in the coalmine, but, eventually, as computers get more and more powerful, it will kill off all middle-class professions.

Glenn Hughes is one of the most naturally talented musicians, but he's still copying Steve Wonder to this day, so I can't call him a bona fide member of Deep Purple.

I always dream about other musicians. And they're never interested in hanging out with us. It's like being at school and the bigger boys don't want to play with you!

The good thing about working alone is I get a lot done and I can experiment more. The bad thing is I miss out on the gregarious, social way that most musicians work.

It was by listening to Goodman's band, that I began to notice the guitarist Charlie Christian, who was one of the first musicians to play solos in a big band set-up.

I was lucky enough to first meet Elvis at his house in Bel Air and he used to invite different artists, singers and musicians, to come and jam with him at his house.

Somebody might get criticized for doing some movie that totally sucks, then turn around and be incredible. Every actor goes through that, not just musicians who act.

I don't like to travel as much as I have in the past, but it's good for my soul to get to pick, especially with these good musicians and these guys that play so well.

There are musicians who wait all their lives for this award while for me it came with my first album. People have started acknowledging my work because of the Grammy.

The world is full of musicians who can play great, and you wouldn't cross the road to see them. It's people who have this indefinable attitude that are the good ones.

The shows are so different from each other, depending on whether I play with my band, Nine Stories, other musicians, an orchestra, only one or two members of my band.

What Spotify pays me is not even enough to pay the musicians playing with me or the people working on the discs. It's not working. Something is going to have to give.

I enjoy reading about the lives of musicians, and find many similarities in their ideas of preparation and their utter devotion to this great, eternal language: music.

We singers have a different level of responsibility from other musicians. We have words that we must convey; we have meanings that we must convey through these lyrics.

We're all players and musicians and we sure all get along good. We just clicked right off the bat. We started playing and then we almost immediately started recording.

Visible Faith is an expression of my Christian faith which must be visible to be real! I gave the name to the collection of musicians who worked with me on the record.

I always seem to have a vague feeling that he is a Satan among musicians, a fallen angel in the darkness who is perpetually seeking to fight his way back to happiness.

When you keep the caliber of musicians very high in the band, people are going to come and go. Some of them will be people who have to try various things, it's natural.

I grew up with all these old jazz guys in the '70s in L.A., and they grew up idolizing Charlie Parker, Charles Mingus, Lester Young - all of these incredible musicians.

I don't know if you have ever seen the Woody Allen film 'Annie Hall,' but it is, in a way, to Los Angeles and 'Hollywood' what 'This Is Spinal Tap' is to many musicians.

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