The painter paints, the musician makes music, the novelist writes novels. But I believe that we all have some influence, not because of the fact that one is an artist, but because we are citizens.

I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.

My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.

I think my biggest musical hero growing up was probably Ian MacKaye. He set a great example for all of us local musicians. Still, to this day, I see him as the best example of a right-on musician.

My parents never really wanted me to be a musician at all, because in Peru you don't earn any money that way. But when they realised it was genuinely what I wanted to do, they supported me always.

There's no reason to stop. Who knows what's around the bend? To participate, meet new people. It's mostly other musicians and people like you, or anybody I meet who's in this, that keeps me going.

I've dated a couple of guys who were awesome, and the celebrity part of my life and the traveling part are hard to get around. You never get to see each other, especially if you're both musicians.

Sometimes when you meet a musician you are a fan of, and he or she isn't the friendliest person, you walk away from the experience wondering if you will ever be able to listen to their music again.

I think musicians like me are drawn to those older desks, not just because they're legend and lore but also because they do something really specific that is hard to emulate or re-create digitally.

I've always wanted to do a cutesy little song with a guy and girl singing back and forth and thought that Regina Spektor would be kind of cool for that. I love her voice. She's an amazing musician.

Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.

In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.

But when I was a teenager, the idea of spending the rest of my life in a factory was real depressing. So the idea that I could become a musician opened up some possibilities I didn't see otherwise.

I really had a great time working with 'Modest Mouse,' just because of the people. I loved writing songs with Isaac Brock, and Jeremiah Green is probably my favorite musician that I've worked with.

Once you're in a particular country, and you're surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.

Laughing and crying are really similar - what happens to your body. It's a very similar process in your diaphragm. Like a musician, you have to do your scales once in a while and warm up your voice.

Musicians have the power to influence people and along with movie makers, they can reach and influence more people than any group of people, more than scientists and certainly more than politicians.

It might be argued that genuine spontaneity is not really possible or desirable so long as printed scores of great works exist. All modern musicians are, for better or worse, prisoners of Gutenberg.

Strangely enough, through all those school years I decided at 13 or 14 I was going to be a musician and so school was just something to get out of the way, a waste of time and not to bother with it.

I feel like I'm struggling now, and nearly every musician I know feels that way - even the most successful ones. I realize that I'm very lucky, but I still feel like I could be doing so much better.

The musician - if he be a good one - finds his own perception prompted by the poet's perception, and he translates the expression of that perception from the terms of poetry into the terms of music.

The real test of a musician is live performance. It's one thing to spend a long time learning how to play well in the studio, but to do it in front of people is what keeps me coming back to touring.

Initially, when I was first starting as a musician, I was a very nationalistic figure and I used to believe in doing a lot of national songs. I would always have a national song in the albums I did.

I'm just lucky to have great parents. My sister's an actress. My brother's a musician. I found it hard growing up in such a... creatively driven family. I wanted to have this thing to create, myself.

In the musician, there is a tendency to have a narrowness. It's all compartmentalized. I am playing the violin; that's all I know, nothing else, no education, no nothing. You just practice every day.

Every young person is going to be inspired to be a maker from now on. It's like how everyone used to want to be a musician, an actor, an athlete -- but a maker is what people are going to want to be.

I didn't want to become a personality, I wanted to be a musician, but because I didn't have an album to stand by yet it was hard for people to see that. But now, two albums in, I'm happy with things.

At a certain age I just stopped arguing. I realized that there was no way [my father] could see, because for him to approve of what I was doing, he would have to have some belief in me as a musician.

There are so many different musicians I look up to for different reasons - from hip-hop to rock to pop. Some are Alanis Morissette, Michael Jackson, Aerosmith, Pink, Avril Lavigne, Beyoncé, Lil Wayne.

It's been important to me to be a good activist, a good thinker, a good musician, a good singer, and a good entertainer. You can't do it all, but I have walked those delicate lines as best I know how.

I was starting a group of musicians and we had a group of young composers in Finland back in the '70s, and the real conductors, the professional conductors at the time were not interested in our stuff.

To be an outstanding musician, you have to be very attentive to the smallest detail and willing to have infinite patience in the pursuit of your ideal. You require absolute control and professionalism.

I really practiced hard and got to a certain level of technical proficiency. I overcame some of my limitations. I was a hard-working, dedicated bassoonist, but I have to say I'm not a natural musician.

I never dreamt of being a musician for my livelihood. I certainly never would have wanted to be in the business that I'm in, meaning the fame and the glory, the glitter, the rock star, the famous part.

Not with the Rochester Philharmonic, but I formed my own orchestra, made up of musicians from the Eastman School, where I'm on the faculty now, direct the Jazz Ensemble and teach improvisation classes.

I always tell people that, just to be a bad jazz musician, you have to be better than most musicians. The worst jazz musicians are normally better than most musicians, because you have to know so much.

Western record companies haven't always dealt with African musicians in the best way. Giving them a lot of money and telling them they're going to be bigger than Phil Collins is the wrong way to do it!

There's so much excellent new music around that I can't afford to buy it all and I haven't the time to review as much as I'd like. I can't remember a better time to be a musician or to listen to music!

Ego cannot bring anything extraordinary into the world; the extraordinary comes only through egolessness. And so is the case with the musician and the poet and the dancer. So is the case with everybody.

I always loved rock guitar. I just never put it together that that's what I'd end up doing. I had no aspirations to be a musician, but I picked up a guitar for two seconds and haven't put it down since.

This is our culture, and I don't care who the musician is, if he avoids black people, then he is scared of something. He doesn't have confidence in himself or else he doesn't believe in what he's doing.

If I wasn't acting, I'd try and be a footballer. I wouldn't be a musician because I can't write my own music. Realistically, I'd probably do something with dogs, like a vet or something. I love animals.

Now, by and large, people are recording material to put on YouTube. I have a theory that YouTube is, in the end, the #1 media for musicians. Which is strange, because there's a visual associated with it.

Of course, I would be depressed sometimes, and my Mom would be worried about me because I would just sleep to escape. Cause I was so scared of being a musician or artist, or whatever you want to call it.

I like to read, especially nonfiction. I love learning, so I study languages, cook, learn basic HTML, and enjoy other activities that stimulate communication and the dark recesses of my musician's brain.

I'm more of an actor than a musician. I've made a little name for myself as an actor, but I also front this band. We have some great players out here, and we've found a little niche with L.A. Hootenanny.

When I was a kid, I wanted desperately to be a jazz musician. I would practice the trumpet for hours, but when I got braces, that messed up my ability to play, so all of a sudden I had all this free time.

I hope America sees I am a goofy guy andI'm kind a crazy, I hope they see that I am a musician aswell, that I have music all around my body - I'm just exfoliating music, and I just hope America sees that.

I have always dreamt of becoming an artist, and I have always pursued that dream. But I’ve had to realize, that I wouldn’t make it as a painter, a sculptor or a musician. I have tried, but only in private

For novelists or musicians, if they really want to create something, they need to go downstairs and find a passage to get into the second basement. What I want to do is go down there, but still stay sane.

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