Quotes of All Topics . Occasions . Authors
I didn't write any music at all, and then, I remember Jon Anderson being very insistent saying that there were two kinds of musicians: the ones who wrote music and the ones who didn't.
Put you energy into music. If it fails you, you can become an accountant or a dentist. And then if you become a dentist or an accountant, it's too late to become a musician afterwards.
Even my family laughed at me because they thought this young guy who's always stuttering in front of other people should be in front of 100 musicians and talk to them and leading them.
I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
Of course, there are many, many musicians whose music gives me pleasure, but until I make contact with them, musically or personally, I never assume that anything wonderful will happen.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
I can't think of any musician or producer who has influenced me more than Brian Eno. From when he was in Roxy Music, producing Devo, the Talking Heads and My Life in the Bush of Ghosts.
I've never understood musicians who don't enjoy doing promotional interviews. I just can't believe it. I always think, 'Your life must have been so brilliant before you were in a band.'
I did a lot of writing when I was in college, and that's what I thought I wanted to do; saying that I wanted to be a writer seemed more reasonable than saying I wanted to be a musician.
It's always surprised me that mainstream America had the good taste to like R.E.M. It doesn't have the digestible quality the general public tends to look for in its favorite musicians.
What separates great jazz musicians from average ones is Taste. Those who have taste consistently choose notes, tempos, timbres and voicings that seduce and satisfy attentive listeners.
I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.
Music has always been a big part of Cheech & Chong's career, so it's just natural. You know, I was a musician before I met Cheech and had a record with Motown, and so I've got the cred.
I was a schooled musician. When I made 'Blue Velvet', I told everyone what to do. I was an arranger. I learned music in school I told the band to play this. I told the guitar to do that.
Being able to travel the world is pretty cool. There are places that I've always wanted to go to but being able to go there as somebody who's a musician and is recognised as one is cool.
I know I’m an African-American, and I know I play the saxophone, but I’m not a jazz musician. I’m not a classical musician, either. My music is like my life: It’s in between these areas.
Anybody who'd expend energy preventing people from hearing music seems not to understand the basic principal of making music in the first place. It's so antithetical to being a musician.
Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments.
I realized that I don't like touring. I'll never complain about it because no one wants to hear about a relatively successful musician complain about the hardships of staying in a hotel.
Reps once took chances on art, History's most treasured musicians were believed in and cultivated to reach their potential. Today, it would be difficult for those musicians to get deals.
Everybody can perform, there are so many outlets. Musicians are no longer limited. In the past, the record companies made most of the money. I for one am not sorry to see them fade away.
I just play the music that I love with musicians that I respect, and fortunately, I'm in a position where people are willing to play with me, and perhaps I can do something to help them.
I don't have any desire to do something that sounds explicitly rock. Like, I don't have a burning need to be a rock musician. I feel like I've taken that as far as I can take it, for me.
When the Negro musician or dancer swings the blues, he is fulfilling the same fundamental existential requirement that determines the mission of the poet, the priest and the medicine man.
Music is emotional, and you may catch a musician in a very unemotional mood or you may not be in the same frame of mind as the musician. So a critic will often say a musician is slipping.
Many rock musicians are excellent cooks, I've found, and those that are prefer to eat their own cooking in the studio. I encourage this behavior as I also enjoy the benefits of fresh food
I've grown to love California: It's the dream of every English musician to come here and work in the sunshine. To walk up Sunset Boulevard, knowing you're going to make music - that's it.
I always thought that pop groups were going to be made up in the 21st century. It wouldn't be four musicians, as such. Especially in the online world, with the worlds that are opening up.
Steve Lawson is a brilliant musician. I've known about him and listened to him for many years. He may not be one of the most famous bassists but he is definitely one of the most talented.
Only a small percentage of novelists, painters, musicians, scientists, anywhere in the world, are talented. But there are many more in Hollywood than one would expect from looking movies.
I'm a folk preacher. A folk therapist. A folk musician. I come from authentically that which is of my experience. Therefore, the music is strictly from the soul, strictly improvisational.
To gain confidence, constant practice is essential. Just as a musician needs to practice regularly to retain his touch, the watercolourist needs to be constantly in touch with the medium.
If you make money back from your record, you're doing it smart. It's an expensive hobby. I'm lucky enough to still make a living as a musician through live work and odd bits of royalties.
I always knew I wanted to be a musician, and I always knew I wanted to write, 'cause the people I was listening to all wrote. I never thought it was an option to sing anyone else's songs.
My secret dream has always been to be a jazz musician. I tried the saxophone for a year or two when I was younger, but unfortunately I had to face the fact that I was not really talented!
I feel quite sad for the young musicians coming up because they may never get to pay their rent properly. It doesn't matter what the genre; nowadays, it's so much harder than it ever was.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
Classical music gradually lost popularity because it is too complicated: you need twenty-five or thirty skilled musicians just to hum it properly. So people began to develop regular music.
And then the last album, "Get It", was done over a shorter period of time and I started using other musicians, as opposed to playing all the instruments myself like I did on the other two.
Music had been going on a long time before that. You have to remember that before rock n' roll there were a bunch of jazz musicians all doing heroin. That sh*t has been around a long time.
First of all I think that is true, if you are a musician, particularly on the comeback that you do have to end up in one of these musical centers somewhere to be viable, salable and so on.
I've always thought about myself as somewhat of a folk musician. I just write words. I don't think I'm even a musician. I don't play a lot of instruments, not really a soloist or anything.
Prime Minister Dmitry Medvedev can no longer attend concerts by his favorite group Deep Purple without having to fear that the musicians will wear T-shirts with Pussy Riot written on them.
I've never been really interested in music, classical or otherwise, where the craft is more important than the result. I realized quickly that I'd never be a technical electronic musician.
I don't listen to music, actually. Obviously I go to clubs; I stand in elevators; a lot of my friends are musicians; I hear music all the time. But I don't have my own collection of music.
The whole point of working and practicing your whole life is so that you're ready when that moment arrives; when the inspiration arrives, you are ready to be at the disposal of inspiration.
Every orchestra is different. Sometimes, you're blown away by a particular musician. If I'm playing the Brahms concerto, it's crucial to have a great oboe player, because we work in tandem.
I started out as a singer and a musician, and I was taught that your job is just to get out of the way of Brahms or Arthur Miller or Shakespeare and convey the brilliance that they created.
Do not trust people who call themselves musicians or record collectors who say that they don’t like Bob Dylan or the Beatles. They do not love music if those words come out of their mouths.
Growing around great musicians, you just can't help it. I identified with it immediately. It was something that was so natural to me that when I started singing, it was almost like speaking.