I played 'Eruption' two times for the record, and we kept the one that seemed to flow ... there's a mistake at the top end of it whenever I hear it, I always think, Man I could've played it better ... but I like the way it sounds. I'd never heard a guitar sound like that before.

In pop music, people take a stand. When you look at a Beyonce or a Kendrick Lamar, they are going to tell you what they think. And audiences totally get it. They totally love it, and they are totally hungry for it. But in our conservatory training, I think it's a little lacking.

I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.

It's important that Oasis are rude about everybody and that they get drunk...Fair enough. It's nice, isn't it? But it's nothing to do with me. They came to see us in Manchester and they were very pleasant boys. Very nice. I'd like to see that as a quote. Oasis are very nice boys.

Hip-hop is not something we do, it's something we live. It's the way we dress, the way we talk... everybody bobbing to the same beat. It's a culture, and you have to find your own place in that culture. Top 10 or Top 40 can't dictate that. They can only dictate what's marketable.

For me, I need to listen to music in the morning, and after, it's kind of like a shower, you know what I mean? It's kind of getting rid of everything. I always play music after I act. It's not a conscious thing, like, 'Oh finally, I need to do this,' it's kind of a constant need.

After conducting a concert in a small town, I once received the following note from a farmer who had attended the performance: "Dear Sir, I wish to inform you that the man who played the long thing you pull in and out only did so during the brief periods you were looking at him."

Feelings aroused by the touch of someone's hand, the sound of music, the smell of a flower, a beautiful sunset, a work of art, love, laughter, hope and faith - all work on both the unconscious and the conscious aspects of the self, and they have physiological consequences as well.

In music, on stage and on screen, fairy tales have always been guaranteed moneymakers. It's no wonder then, that in these difficult economic times, there are fairy tales everywhere you turn. From 'Once Upon a Time' and 'Grimm,' to 'Mirror, Mirror' and 'Snow White and the Huntsman.'

It was Vivaldi's Mandolin Concerto, Francesca Abraham realized as the radio alarm went off. Lively, unrelentingly upbeat, it was the perfect tempo in which to start the day. Covering her head with a pillow, she reached out blindly and urgently, desperate to shut the damn thing off.

The whole thing died in my mind long before the rumpus started. We used to believe the Beatles myth just as much as the public and we were in love with them just the same way. But we were four individuals who eventually recovered our individualities after being submerged in a myth.

A blown-out tube ripped some of the grind from the amplifier, throwing us into a momentary tizzy. The unusual sound led me to play unusually, and the recorded take turned out to be a keeper. Insriration can come from the most unlikely places ... keep your head on and your ears open.

Jazz is not a game of chance. Its sonorous disorder is only an appearance. It is an organized force obeying obscure laws, conforming to a secret technique, codified or not, and we discover that no one can become a virtuoso on the spur of the moment in this orchestra of 'noisemakers.

I realised that you can never legislate away from piracy. Laws can definitely help, but it doesn't take away the problem. The only way to solve the problem was to create a service that was better than piracy and at the same time compensates the music industry - that gave us Spotify.

Music is like a mirror in front of you. You're exposing everything, but surely that's better than suppressing. You have to dig deep and that can be hard for anybody, no matter what profession. I feel that I need to actually push myself to the limit to feel happy with the end result.

In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.

You can do beautiful things with your friends; you can do beautiful things when you are all alone! In togetherness, listen to the music of the crowds; in solitude, listen to the music of the silence! Be neither afraid of the crowds, nor of the loneliness, because both are blessings!

I think one of my favorite things to do is just lock myself up in a small room and listen to music and watch films for a day. Also I just like seeing my friends. We have pizza parties which means I get four friends round, we eat a pizza and we're really lazy and we play PlayStation.

My faith is the grand drama of my life. I'm a believer, so I sing words of God to those who have no faith. I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colors for those who see none.

I think of myself as a serious artist. Sometimes you can get in your head too much about that and forget that you have to have fun. I've been guilty in my career about that at times. But the more I thought about it, the more I thought I didn't want anybody else to have a hit with it!

Michael Bloomfields' musical understanding was broad and deep, and he knew how to turn that understanding into communication .. his influence was phenomenal ... his story is about those kinds of things and about the people he knew and the audiences he thrilled and the times he had...

I think it's a very important collaboration between the conductor and the orchestra - especially when the conductor is one more member of the orchestra in the way that you are leading, but also respecting, feeling and building the same way for all the players to understand the music.

Music does bring people together. It allows us to experience the same emotions. People everywhere are the same in heart and spirit. No matter what language we speak, what color we are, the form of our politics or the expression of our love and our faith, music proves: We are the same.

We worked the medley on side two of "Abbey Road" out carefully in advance. All of those mini songs were partly completed tunes; some were written while we were in India a year before. So there was just a bit of chorus here and a verse there. We welded them all together into a routine.

My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.

Thinking should be like musical meditation. Has any philosopher pursued a thought to its limits the way Bach or Beethoven develop and exhaust a musical theme? Even after having read the most profound thinkers, one still feels the need to begin anew. Only music gives definitive answers.

The cause of freedom, in music as elsewhere, is now very nearly triumphant; but at a time when its adversaries were many and powerful, we can hardly imagine the sacred bridge of liberty kept by a more stalwart trio than Schubert the Armorer, Chopin the Refiner, and Liszt the Thunderer.

When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.

I was just a punk kid, trying to get a sound out of a guitar that I couldn't get off the rack, so I built one myself ... I wanted a Gibson type of sound but with a Strat vibrato .. I went to town painting it and I put three pickups back in, but they don't work - only the rear one works

I stream this radio station, Radio Nova, that's based in Paris. They curate a beautiful set that's really all over the place - they'll play blues or some West African music, then A Tribe Called Quest, then funk from Ethiopia, then James Brown, and then the Beatles. It's an amazing mix.

I look out the chair while eating my pillow. I open the wall, I walk with my ears. I have ten eyes to walk with and two fingers to look with. I put my head on the floor to sit down, I put my bottom on the ceiling. After eating the music box, I spread jam on the rug for a great dessert.

When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'

It's like if you plant something in the concrete and if it grow and the rose petal got all kinds of scratches and marks, you ain't gonna say, 'Damn, look at all the scratches and marks on the rose that grew from the concrete.' You're gonna be like, 'Damn, a rose grew from the concrete?'

For me to be able to reach out to other people throughout all this has been great, people want to hear from me and hear my music right now so it keeps me happy. I cherish every moment. I have a different perspective on everything now. In the end, I think it will make me a better person.

Thus, if a composer wants to produce music that is relevant to his contemporaries, his chief problem is not really musical, though it may seem to him to be so; it is a problem of attitude to contemporary society and culture in relation to the basic human problem of learning to be human.

My policy is not how fast you play, it's not how much you play but it's what you play and where you play it ... play for the commercial side of the music ... the word I still use today is called "simplicity" .. it is so important that you use simplicity in your playing and in your music.

We live in a post-authentic world, and today authenticity is a house of mirrors. It's all just what you're bringing when the lights go down. It's your teachers, your influences, and your personal history. At the end of the day, it's the power and purpose of your music that still matters.

On one level, of course, the notion of judging films or books or music against each other is completely ridiculous. Who's to say '12 Years A Slave' is a better film than 'The Wolf of Wall Street'? Or that one album in a certain genre is better than another in a completely different genre?

I don't necessarily think the way people do, but that's not my problem. My problem is not to reinforce or destroy any ideas anyone might have about me, how I do what I do, what my intentions are, the way that I do it. My only job, as far as I can see, is to do the music that I want to do.

Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements.

Musical training is a more potent instrument than any other, because rhythm and harmony find their way into the inward places of the soul, on which they mightily fasten, imparting grace, and making the soul of him who is rightly educated graceful, or of him who is ill-educated ungraceful.

You've got to care about the music...You'd better not be doing it for the publicity, the fame or the money. And you'd sure better not be doing it because it's a way to make a living, 'cause that ain't always going to be easy. You got to believe it, believe in the music. You got to mean it.

Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.

God created us so that the joy He has in Himself might be ours. God doesn't simply think about Himself or talk to Himself. He enjoys Himself! He celebrates with infinite and eternal intensity the beauty of who He is as Father, Son, and Holy Spirit. And we've been created to join the party!

I anticipated all the changes in jazz because they were all problematical things, that I was dealing with myself. In New York in the late '50s, there were a lot of experiments being made on how to avoid playing popular standards and how to get improvising out of those constricting formats.

Every generation has had some sort of focus for their unrest and discomfort with growing up. But today, the music that's in the charts is probably liked by their parents as well, and I think it's a part of youth that you need something that isn't liked or understood by the older generation.

The times you lived through, the people you shared those times with — nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.

Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.

A man in Mali told me that there are seven senses. Everyone has five, some can use their sixth. But not everyone has the seventh. It is the power to heal with music, calm with color, to soothe the sick soul with harmony. He told me that I have this gift, and I know what I have to do with it.

And I'll dance with you in Vienna, I'll be wearing a river's disguise. The hyacinth wild on my shoulder my mouth on the dew of your thighs. And I'll bury my soul in a scrapbook, with the photographs there and the moss. And I'll yield to the flood of your beauty, my cheap violin and my cross.

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