One has to completely humiliate oneself to be what the Beatles were . . . . It happened bit by bit, until . . . you're doing exactly what you don't want to do with people you can't stand -- the people you hated when you were ten.

I think it's because all our music videos have chubby girls wearing crazy makeup and crazy gay dudes and trannies that are overly stylized and over-the-top. Being compared to John Waters and girl groups isn't a bad thing, though.

I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me - like food or water.

It's gotta be fun, if it's not fun it's not worth doing. Music is about having a good time feeling your soul, whether it makes you laugh or it makes you cry, just so long as you feel as much as you can. That's the mission of Pono.

A great song is a great song, whether it's on vinyl or CD or cassette or reel to reel or mp3. Then again, that might be an overly optimistic view, but I do think that great music will transcend the medium in which it is delivered.

Whatever I'm feeling, whatever I'm going through, whatever mood I'm in... If I'm feeling like dancing or clubbing, then it will be reflected in the music. If I'm feeling dark and vulnerable, then it will reflect in the music, too.

Yet half the beast is the great god Pan, To laugh, as he sits by the river, Making a poet out of a man. The true gods sigh for the cost and the pain-- For the reed that grows never more again As a reed with the reeds of the river.

I live neither in the past nor in the future. I am in the present. I cannot know what tomorrow will bring forth. I can know only what the truth is for me today. That is what I am called upon to serve, and I serve it in all lucidity.

A person whodoes not regard music as a marvelous creation of God, must be a clodhopper indeed and does not deserve to be called a human being; he should be permitted to hear nothing but the braying of asses and the grunting of hogs.

I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.

As much as I don't want to admit it, my fans are the only ones that can hurt my feelings when they're not pleased with what I'm presenting. I want it to be perfect for them. I want them to have a different sense of pride in my music.

In the phusical sense, 'playing a fret less instrument in tune' is an impossibility. Hence what we call 'playing in tune' is no more than an extremely rapid skilfully carried out improvement of the originally inexactly located pitch.

Music is inspiration, soulful inspiration. It inspires the human in us. Music is manifestation, fruitful manifestation. It manifests the divine in us. Music is satisfaction, supreme satisfaction. It satisfies the Pilot Supreme in us.

I tell my students, 'It's an important tradition and you have to go back and hear this music and learn its language all the way through. How are you going to know what's new to play, if you haven't listened to everything that's old?'

A guitar is a piece of wood, and if this piece is resonating in a period of 40 or 60 years, it kind of gets to know what it is after awhile... the reason violinists play violins that are hundreds of years old. The wood learns to sing.

I firmly believe that we have more latent musical talent in America than there is in any other country. But to dig it out there must be good music throughout the land, a lot of it. Everyone must hear it, and such a process takes time.

I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.

I've got a fierce passion for politics but I can't stand the smarmy, hypocritical upper-middle-class dictator nation that prevails and has always prevailed in this country. I'm up for petrol bombers, mate, and fighting in the streets.

Arthur Russell is very important to me on many levels, and when I read Tim Lawrence's biography on him, 'Hold on to Your Dreams,' one of the things I took away was: first thought, best thought. I live by that when I make my own music.

As some to church repair, Not for the doctrine, but the music there. These equal syllables alone require, Though oft the ear the open vowels tire While expletives their feeble aid do join, And ten low words oft creep in one dull line.

This guitar is such a pal. It's a psychiatrist. It's a doggone bartender. It's a housewife. This guy is everything. Whenever I find that I've got a problem, I'll go pick my guitar up and play. It's the greatest pal in the whole world.

One of the things about live music that's so incredibly important and can't be replaced and automated is the common focus of a room full of people having that human contact and being immersed in the sensory overload of a rock concert.

When I was studying... there weren't any black concert pianists. My choices were intuitive, and I had the technique to do it. People have heard my music and heard the classic in it, so I have become known as a black classical pianist.

If Antarctica were music it would be Mozart. Art, and it would be Michelangelo. Literature, and it would be Shakespeare. And yet it is something even greater; the only place on earth that is still as it should be. May we never tame it.

Jeff Beck is compelled by his inner artistic drive to keep evolving the instrument. He'll use the whammy bar with the volume knob and the tone control all at the same time - creating harmonics that no human being should be able to hit.

Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.

Lightnin' Hopkins taught us, "the rubber on a wheel is faster than the rubber on a heel" and Muddy Waters taught us "you don't have to be the best one; just be a good 'un" .. that just about says it all, always strive to be a good 'un.

It is becoming increasingly difficult to decide where jazz starts or where it stops, where Tin Pan Alley begins and jazz ends, or even where the borderline lies between between classical music and jazz. I feel there is no boundary line

People behind the Iron curtain have such an incredible image of America and jazz. I expected to find a Gerry Mulligan or Miles Davis on every corner...I almost expected a Shorty Rogers to deliver the milk, a Bud Shank to be the mailman.

Doom is a classic supervillain, akin to the Phantom of the Opera. It's not about revenge so much as, like, 'I'm back - now watch this!' It all boils down to the music. The mask is a slight theme for people to enjoy, and it adds mystery.

If there is a gratification which I envy any people in this world it is to your country [Italy] its music. This is the favorite passion of my soul, and fortune has cast my lot in a country where it is in a state of deplorable barbarism.

We not only grew up on Be-Bop; Be-Bop raised us. For my generation, Be-Bop came on like a light bulb going flash behind the eyes.For us, it was not only an intellectual movement, but a way of life. We walked, dressed, and rapped Be-Bop.

I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.

My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.

Together with a culture of work, there must be a culture of leisure as gratification. To put it another way: people who work must take the time to relax, to be with their families, to enjoy themselves, read, listen to music, play a sport.

These are bagpipes. I understand the inventor of the bagpipes was inspired when he saw a man carrying an indignant, asthmatic pig under his arm. Unfortunately, the man-made sound never equalled the purity of the sound achieved by the pig.

The trouble with this country is that everything is new. We don't have any consideration for the past... Just because something is old, you don't just rip it down. You can renovate it instead of ripping it down and building something new.

You don't have to say something directly to affect someone. You can make a piece of music without words that can capture a feeling of tragedy or struggle or anger or triumph. It's the translation of the human experience into another form.

Musically, New York is a big influence on me. Walk down the street for five minutes and you'll hear homeless punk rockers, people playing Caribbean music and reggae, sacred Islamic music and Latino music, so many different types of music.

It's just natural, it's not a great disaster. People keep talking about it like it's The End of The Earth. It's only a rock group that split up, it's nothing important. You know, you have all the old records there if you want to reminisce.

Musicians must make music, artists must paint, poets must write if they are to be ultimately at peace with themselves. What human beings can be, they must be. They must be true to their own nature. This need we may call self-actualization.

... When I heard "Pride and Joy" by Stevie Ray Vaughn on the radio, I just said "Hallelujah" .. he was just so good and strong and he would not be denied... he single handedly brought guitar and blues oriented music back to the marketplace

Softly, in the dusk, a woman is singing to me; Taking me back down the vista of years, till I see A child sitting under the piano, in the boom of the tingling strings And pressing the small, poised feet of a mother who smiles as she sings.

The standardization of world culture, with local popular or traditional forms driven out or dumbed down to make way for American television, American music, food, clothes and films, has been seen by many as the very heart of globalization.

When I’m creating at the piano, I tend to feel happy; but - the eternal dilemma - how can we be happy amid the unhappiness of others? I'd do everything I could to give everyone a moment of happiness. That's what's at the heart of my music.

I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.

Apple Music is trying to create an entire pop culture experience that includes audio and video. If South Park walks into my office, I'm not going to say, 'You're not musicians.' We're going to do whatever hits pop culture smack on the nose.

This world is not a platform where you will hear Thalberg-piano-playing. It is a piano manufactory, where are dust and shavings and boards, and saws and files and rasps and sandpapers. The perfect instrument and the music will be hereafter.

I never made it to the school choir because the music teacher didn't like my voice. I was pretty sad. But he was probably right; I did have a voice a bit like a goat, but my dad told me to never give up and to keep going, and it's paid off.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, there's a poetic truth to that. We are this vast people.

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