People can't just listen to the music and have their own imagination and take them where they wanna go.

Sometimes people talk about music, whether blogs or magazines, in a strange way where it doesn't seem like they're actually listening to it.

N.E.R.D. was also from - not too far from where I was from growing up. For a lot of people who make music, that was a huge influence in teen years.

I'm a seeker of transcendence through music, and that's kind of where I'm at with the live shows - wanting to help people get out of their heads a little bit.

The Silverlake Conservatory is a nonprofit music school in Los Angeles where we teach music, mostly to kids, but to people of all ages - people who are old, people with beards, all kinds of people.

Where I came from in the country, there was no place to hear pop music like Little Richard and people like that. Later, I heard James Brown, Otis Redding, The Drifters, The Four Aces, The Ink Spots.

Music was segregated in the '80s, and then in the '90s the boundaries started to break down, and rock kids got into electronic music. But then you got this reverse snobbery where people would only listen to electronic music and not rock.

Dub has been a big influence in terms of production. It's inspired so many people and so much music - in terms of music where mixing desk was the instrument. Central to that is the echo chamber, and I think there's a little bit of a romantic thing there.

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