Quotes of All Topics . Occasions . Authors
I have a music video I was in coming out for M83 for their song 'Claudia Lewis.' It's directed by Bryce Dallas Howard, and I play opposite Lily Collins. It's a pretty edgy intergalactic music video.
I wrote 'Wish U Were Here' for Cody Simpson, and he invited me to perform with him on tour and be in his music video. He was shy at first. I think it's the surfer boy in him that makes him so mellow.
I've always had a fascination with pirates. You know, I've written a song completely inspired by I want this to feel like pirates, you know, fighting together, made a music video about it, yada, yada.
My music video for 'Go Fish' is really fun. Just like the card game, if you're dealt a crappy hand, play it the best you can and you can always pick another card and try again. It's my little message.
I'm doing a music video for a group called 'Die Antwoord.' That's fun, but yeah, I'm trying to get a live-action film off the ground, and that could take anywhere from a few months to the rest of my life.
I find a lot of inspiration through visuals. When I was 12, I saw Aurora's 'Runaway' music video. Something inside me clicked, like, 'That is what I want to do, no matter whether it goes anywhere or not.'
And my idols in music videos are people like Michel Gondry and Spike Jonze and Johnathan Glazer and David Fincher and that's always kind of been my reference point in music video and commercial directors.
You get to actually see the music video on the TV in the pilot and we have the soundtrack playing at this big party. I thought that was sort of a cool moment, to actually have the A-Ha video is pretty cool.
The music video, Lil Nas X, he asked me to be in the 'Panini' music video. It was crazy. I was just listening to the song and I was like, okay, this is going to be my first music video but it was really fun.
There's only one music video that had an emotional impact on me, and that's 'Hurt' by Johnny Cash. That's exceptional. There is no music video I can think of apart from that one that really reaches you inside.
The first musical thing I remember someone recommending to me is probably Ludacris - the one where he has massive arms in the music video. 'Get Back.' It was recommended to me by my cousin, who's now my manager.
I really like 'Wish U Were Here.' It's about being on tour, but really missing someone and wishing she was there with me. I shot the music video at different places all around the country, where I've been on tour.
Actually, I would love to make a music video. Maybe it would finally put to rest those persistent rumours that have followed me throughout my career - particularly when I was on camera performing - that I had died.
'Wii Music' elevates the scope of music video games by moving beyond commentary on what music is - as 'Rock Band' and 'Guitar Hero' do - to suggesting what it could be. Yet I'm still left wondering: Couldn't it be more?
I remember being obsessed with Christina Aguilera's 'Stripped.' That was her peak, and she is such an amazing singer. Plus, I was a little gay boy, and the music video for 'Beautiful' existed, so obviously I was affected.
When I was 17 years old, Frank DiLeo saw my very first music video and flew to my hometown of Las Vegas to meet with my family and me. Frank told my dad, 'I am coming out of retirement to manage one last big act: Manika.'
The 'Work Hard, Play Hard' video shows how much a part of music the fans can really be. With the help of SanDisk, we were able to create the first-ever music video to be made using fan videos shot only from their mobile phones.
I ended up having my first girlfriend when I was 13, and she was obsessed with Justin Bieber. I remember watching the 'Baby' music video and being so jealous of him. So I posted a cover of 'One Time' on YouTube, and she loved it.
When I found the 'Human Nature' music video as a teenager - I've been a drag queen since 15 - I just loved that music video so much because it's such a celebration of her femininity and her sexuality. I thought it was so powerful.
When we were trying to come up with a concept for our music video for 'The Stage' we basically run through a lot of different ideas, and ultimately, I sat and studied the lyrics that Matt had written - and they really resonated with me.
It's a music video but she was real specific on the character that Mary J. Blige was playing, and that I was playing in this video and I told her whenever you get to jump to the big screen I'd love to come with you and she honored that.
Sometimes I'll watch a music video of a great performer like Beyonce and try to follow her choreography. Yeah, maybe I look ridiculous, but dancing gets your energy up a lot better than running on a treadmill or pedaling a stationary bike.
The music video director really wanted to incorporate the imagery of guns into 'Nega Dola' because the lyrics are very aggressive. It kind of portrayed a very strong image. So that's how we connected weapons and the imagery of a dangerous atmosphere.
Acting in a music video is basically about lip syncing songs and giving expressions that represent what the song is about. While acting for the silver screen, you have to deliver dialogues, remember them, and you have to be in a certain frame of mind.
When I graduated from college in early 2010, I decided that I needed to create a calling card, some kind of business card that people can link to my name and face. So I did this 'Mad Men Theme Song... With a Twist' music video. I released it just as I moved to L.A.
I've come up through art school, through painting, through graphic design, through advertising, through TV commercials and music video. I've designed books, built billboards, matchbooks, corporate identities. I continuously paint, I've done conceptual art pictures.
When I was younger, my dad was making a music video for a band in Montreal. I was goofing around and being a ham. An agent was there and she was telling me, 'Hey, do you think you'd want to go out on auditions?' I was like, 'Yeah, what's an audition? Sure, I'll do it.'
My wife Juliana and I first saw Eurovision while on our honeymoon in Greece in 2006, and we were amazed by it. They basically recreate a music video onstage, and pyro cannons, LED video screens, background dancers, fireworks, costume changes, and wind machines are their tools.
All true artists in the world from all countries and all genres are influenced by Michael Jackson. There were music videos before Michael Jackson, and there were music videos after Michael Jackson. He brought such a huge change in the marketing and positioning of the music video.
Two things - one is obvious: always keep making. The second thing, with regard to music videos specifically - the music video industry can be a place that takes advantage of young freelancers and filmmakers. Make sure you're making stuff that you're proud of and you can get behind.
It's a weird thing. Rick Springfield wrote 'Jessie's Girl,' and he probably gets sick of talking about 'Jessie's Girl.' The thing is, I didn't write 'Blurred Lines.' I didn't direct the music video. I'm really happy for the success, but it is kind of a funny thing to follow me around.
I got a little bit lost in the writing process: like, that moment in the 'Fight Song' music video where I'm throwing the crumpled paper on the bed, that was really true life. I was filling journals with different possibilities of lyrics for the first verse. And none of them felt right.
Music videos are notoriously long, not fun, grueling. You are known there as a dancer and it's kind of sad because dancers, in a lot of ways, are under-appreciated and kind of under-respected when it come to that so they don't necessarily treat you in a nice way when you do a music video.
Producing just one video is a long process. First, you decide your song, then you have to figure out the arrangement of the song; will you play it on the guitar? Will you make it a music video? Once you figure that out, you record it and then edit it, which can take two to five days to finish.
I'm from Milwaukee, Wisconsin. I moved to L.A. when I was about eleven years old. I always go back to Milwaukee whenever I can. Just chill with my grandpa and my grandmother and just be with family, be with people that were there before I got a million views on YouTube because of my music video.
If I can have the opportunity to go into an editing room, it's like the golden ticket for me. All I want is to learn about everything else in the filmmaking process. I just directed a music video which just came out and that'd sort of be the area of the field that I'm going to move into, I hope.
The pop-music video is one of the most powerful communication tools we have. Most people have access to a phone, and you can click a video and absorb it in three minutes. If it's potent enough, you can take in the message or have some sort of experience in multiple dimensions, the music with the image.
It was a privilege to direct the music video for Adele's beautiful, heartbreaking song, 'Hello.' When I first heard it, all the images appeared clearly in my head - and her trust and generosity allowed me to work with abandon artistically and emotionally, like she always does. It made me extremely proud.
When I wrote 'Monsoon,' I always imagined the music video being shot in India. The song had so much to do with my time in India with my mother as well as leaving her in India during the monsoon season to visit my family in N.Y. It really was a dream come true when I was given the opportunity to shoot in India.
When I create a song, I immediately think about what I'm going to wear when I perform that song. I think about the music video treatment and about how I'm going to look on stage when I perform the record. The connection is so obvious that it's a single package. An outfit, to me, is almost a tool to express the music.
I directed my first music video for Sara Bareilles. I like writing and directing. I co-wrote '21 Jump Street' and I'm in that. To me, they all inform the other one. I think writing makes you a better actor, acting makes you a better writer, directing makes you better at both. To me, I'm just trying to learn as much as possible.
In 2011, I released my first album called 'International Villager.' I had no support, and whatever money I had made, I put it all in the album. I shot the music video for 'Brown Rang' with one lakh dollars. I spent so much money, as I just wanted to put it up on YouTube, as I knew that my market was there, and it became a huge hit.
I was in Calcutta and my parents had an offer for me to feature in Falguni Pathak's music video, produced by Universal Music. I was in Class 9 then, and pleaded to decline the offer because I was too shy. My parents explained that it was a once-in-a-lifetime opportunity. I was in tears because I was too shy and conscious in front of the camera.