Quotes of All Topics . Occasions . Authors
I've always dreamed of doing a music video.
I was an extra in a Tia Carrere music video.
Shooting a music video sometimes can be a job.
A music video is so different to doing a movie.
Shooting the 'Torn' music video was a dream come true.
I was very fortunate to be at the vanguard of music video.
To be honest, my usual makeup is the same as in my music video looks.
Music video played a huge role in developing my sensibility as a director.
'Runaround Sue' was a big record for me, as well as the music video for it.
I've never been one to talk analytically about a music video or whatever I do.
Some of white middle America haven't seen a black gay guy in a music video before.
Shooting the music video for 'Party' on Thailand's Ko Samui Island was such a blast.
I'd like to be able to recall every J. Lo music video dance routine ever, naturally.
My fantasy had always been making a music video and performing with music that I had created.
I am a hardcore VH1 lover and always have this dream of featuring in an English music video of VH1.
I've always wanted to make a music video with skating and different imagery, something very artistic.
I love animals. Even if you go back to my music video days, I can't tell you how many animals I used.
Whenever I'm writing a song, if I have an idea for the music video, that's how I know it's a good song.
My favorite artist in the world is Michael Jackson, and he revolutionized the music video aspect of music.
I'd love to make short film videos pushing the conventional standards of what a country music video can be.
My work is entertainment, and I look at what entertains people, whether it's a selfie video or a music video.
I wanted to go on a project which shows the mixture of Chae rin and CL, not just CL on stage or in a music video.
Commercial directing felt like a very natural transition from my comedy, sketch, music video directing experience.
As a music video director, I have about 4 billion hits on my music videos on YouTube, and I'm really proud of that.
'Shelby Star' is going great. We shot a music video, and I'm building an app and some other things for the project.
Whether it's a TV show or a music video, the seed of the idea is what's driving my decisions, not the format or the outcome.
I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
I think the key to directing a great music video is in making sure the song is great, and if it is, then it becomes really fun.
My first music video was Falguni Pathak's 'Meri Chunar' when I was 15. Then came 'Shake It Daddy,' which brought me a lot of recognition.
I really believe you'll get a music video one of these days that I shot with an iPad because it's that consistent and that good. It's HD.
Part of the fun is finding out how elastic that box is and, you know, test the limits of what TV shows can do or what a music video can do.
When I was doing music videos, everybody was very snobbish about music video directors doing commercials. It was all guys from ad agencies.
I like 'Glee' because I love all the singing. It's like an hour-long music video. Those kids are so talented, and I love 'The Glee Project'.
My favourite outfit is a giant bunny suit. I wore it in a music video for 'Are You One?' by the Chanteuse & the Crippled Claw and got to keep it.
I'm very conscious that a music video is beyond just a promotional tool for a song. It takes a song to the next level and it gives a song a new life.
I would love to work with Karlie Kloss and model for Chanel. And I would love to be in a music video with Lady Gaga or Taylor Swift, my two favorite artists.
For me, every music video is a hurdle. Every time I do a music video, I'm constantly fighting to get my point across. As a gay woman, that's also a big hurdle.
I want to master every style of music. I want to master every way of performing. I want to master every artsy music video style and just be the greatest of all-time.
My first professional acting role was a small part in a television series called 'The Wizard.' I later had the opportunity to work on Michael Jackson's Moon-walker music video.
My new music video, 'My Life' featuring Eminem and Adam Levine, the only person in the actual video who you can physically make out besides myself and Adam Levine is Andre Dirrell.
I was 10 years old when I first heard Ginuwine. I remember being at a friend's house, and the music video came on. I was just like, 'What is that?' I was just kind of drawn from there.
When I started making music, I just wanted to be the producer who sang the hooks. I wanted to be Pharrell, honestly, the one who made the beats and was in the music video with the girls.
Holy Ghost! wears its influences proudly: Look no further than the duo's video for 'I Will Come Back,' a shot-for-shot remake of the music video for New Order's 1983 single, 'Confusion.'
I've known about hip-hop for a long time. The first time it intrigued me was when I saw this music video by Tyga on television. I was intrigued by the whole aesthetic. It was very unique.
I am really proud of where me and Ghastly's track 'Crank It' ended up. It was our first music video and big label release. It was such a dope experience working with OWSLA on that record.
All of a sudden, my picture's in the paper, or I'm making a music video, and it's still the most surreal experience. I thought you could learn, and you would acclimatise, but I really haven't.
Music video directors, who conceive, write and direct these works, enjoy no creative rights, receive no ongoing financial benefit from the sale of our work, and many times are not even credited.
We were so fed up with how we had to be the stereotypical girl who looks perfect in the music video: she's coming out of the water in a bikini with her long tan legs. Not all of us are that girl.
All I wanted to do was to perform my music, so I never really thought about photo shoots or music video shoots or interviews. You can't anticipate those things - you just can't plan this as a job.
Fueled by Ramen was maybe the first company to see YouTube as a place where music videos would go. The music video, which could never quite find a place on TV, has found its final form on YouTube.