Quotes of All Topics . Occasions . Authors
I think people like catchy and new types of music.
I always feel like young people are more emotionally in tune with new and timeless music.
My music is part of the quest I have to find new ways of telling stories, and also, I want to inspire people.
You know I want to sing for people, I want to jazz people up I want to make new music that they've never heard.
If anybody is excited about my music, that's all I care about. I care about people who are excited about new music.
People get caught up in recreating something, and that actually hurts the genre of music because there's nothing new.
When I come around people, I'm up to date on everything. I know all the new music that's coming out, all the stuff that ain't came out yet.
Constantly writing with new people is important. Also, listening to new music that's popular and that's making a splash - that's how I get motivated.
Whether we're talking about books, music or film, it's all about storytelling. You get a powerful new way of connecting with people once you hear their stories.
You're now getting a new breed of people like Il Divo and Andrea Bocelli and I think that's why people feel less intimidated by classical music than they once did.
Coming from New Zealand, all the music I listen to is not made by New Zealanders. People never come to New Zealand to play a show because it's in the middle of nowhere.
There's so many people that follow the trend, and then it gets to a point where it gets a little stale. So, in music; I mean, whoever's the new trendsetter, that's who people follow.
I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking.
I don't want to just do what people classify as 'neo-soul' 'cause everybody don't listen to neo-soul. I want to make music for everybody. I'm always trying to incorporate new elements into what I do.
I'm lucky. I've got my own studio. I can make my own music, but not many people can do that. I will always be making new music, because that's what I have to do; that's why I'm here. I will always do that.
When you get new people around you, the excitement is new because they have different take on your music. They play it in a different way, and that's always exciting to be around. It elevates everybody onstage.
We've never been a band that gets up on stage and says, 'OK, we're going to play our entire new album.' Of course we want to introduce new music, but we also want to play the songs people want to sing along with.
Clarinet is often associated with certain genres, like swing or folk music. I combine the old and new, using the clarinet as an expressive tool and not in one genre. I'm just happy that people are drawn to what I do.
The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.
Folk music - and what people are now perceiving as being folk music - is music that's quite close to the ground. The songs sound quite old, even if they're new. They sound like they've been sung by different people for years.
I guess the way people release music and the way people listen to it has changed and is changing constantly. We wanna get the music out as quickly as possible. We're sitting on a lot of stuff and constantly making new stuff as well.
When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
Everyone seems so excited by the fact that music is more accessible, people can find new artists more easily and it's cheaper, without focusing on the potential negatives, not least of which is that idiots can more easily listen to your favourite music.
There's no borders or lines you can't cross anymore. Everything is getting blended with everything. That's the dope thing about music now. Some people don't like it, more of the older people. They want to, you know, go back to old-school New York hip-hop.
My taste in both is pretty eclectic. I do encourage people to try new and different kinds of tea if they can - there are so many different sorts, and so many, flavored or not, and there's bound to be something you like. The same with choral music, really.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
I think sometimes when you speak about something like 'Indian classical music' and 'ragas,' and all of that's new to people, it can be quite intimidating, in the same way that I have sometimes found opera and Wagner intimidating - one doesn't know where to begin sometimes.
Jazz should be recognized as music of the people, based in a lot of accents and melodies. What is jazz but music that people danced to? Jazz has the dynamic thing. I don't think you have to be playing only Charlie Parker licks on your horn or whatever the new version of that is.
I've got my advanced scuba diving license. I'm playing tennis and exercising. I ride my bike everywhere. I've been finding new things. I've been more creative in music and doing different videos. And just meeting different people and being around and present. I'm wonderful when I'm just on nothing.
I've become kind of a haven for people who like pop music, but that's not the only thing they like. They also like music in general and want to be able to expand their own horizons. They haven't completely given up on music and are willing to have somebody mediate new things that are happening in music to them.
People don't realize how much it means to your music to record on tape, whether it be for new music or old music. People don't realize how much or how imperative it is to use actual hardware when making drums because those are actual percussion samplers. They're hardware instruments that are made to have the drum hit.
Talking about remixes, some people like to preserve what is original and some people give it a new meaning. Coming to Hip Hop, the biggest of the artists use sampling. You are changing the genre of the song and to be able to give old music in new package is also fair and people who have emotions attached to it - they are also not wrong.