Quotes of All Topics . Occasions . Authors
I have a really good relationship with a lot of people in the music industry from Detroit. They're very kind when it comes to us stepping into their field or what they do and they're really willing to help out and help you get better at what you're trying to do.
I know Becky G, Natti Natasha, and other Latina singers, we have been working many, many years and now we have the opportunity to show what we have, to show what we have been doing for many years. Great things are happening for women in the Latin music industry.
I used to read music books when I was 13. My mom was working at a library. She's a librarian. I would get my mom to check out any kind of books that had anything to do with the music industry. I read a lot about royalities, publishing, marketing, stuff like that.
I've always been making music, but I sort of went under the radar. I kind of disappeared... I was never really that comfortable with the music industry. I loved the idea of being able to express myself creatively - but the rest of it never really sat well with me.
My success set me up for life, and it meant that I could retire from the music industry at 27 to spend time with my newborn daughter and my wife. My time away from the spotlight allowed me to rediscover my love for music, and I'm doing it for me now and no one else.
I wanted to find raw talent and help build it from scratch. I wanted to build from rags to riches. That's the way Ear Drummers did it. We took over the music industry from my mom's basement. That's why my first album is going to be called 'Made It Out the Basement.'
I've been an educator all my life pretty much. It's important as a manager and also as a record label, to educate your artists on public speaking, how to build that connection, how to communicate effectively, to have a general working knowledge of the music industry.
I always wanted to be a musician from when I was kid. It was always a massive dream of mine. School was also really really important to me and having an education was top of my priority. So I really wanted to have a degree before I tried anything in the music industry.
I think overall, and this isn't specific to Spotify or any streaming service or any label... when you consider the overall value chain of the music industry and how important the songwriter is to the business - I think there needs to be another look at the value chain.
We grew up in the middle of nowhere. We didn't have a rich uncle in the music industry or some contact through someone that our dad worked with. And we went into the world blindly, and just through believing, dreaming, and working hard, Good Charlotte came to fruition.
I've never worried about how a new release will be received. I simply try to do the best I can and leave the rest to the gods. The music industry in those terms is something I loathe and detest. It conjures up images of a gigantic factory spewing out parts of the machine.
I've been interested in hip-hop since it first appeared: the fact that it was born not in the music industry but on the street, the idea of using a turntable as an instrument, singing vividly about reality instead of typical love songs, and its links to graffiti and dance.
For the first ten years of my career, I felt suffocated. People constantly stood over me while I tried to create. And in 2009, I hit rock bottom. I couldn't find myself because I was looking to be defined by the music industry or by being number one on the Billboard charts.
When you grow up in the music industry, trying to be Britney Spears because that's what sells records and then you realize, 'All I have to do is be myself? I should have thought of that a long time ago,' it feels good to have success come from what's actually inside of you.
Having had polio never held me back as I got older. Although having one leg smaller than the other isn't much fun, I could always get about without any trouble. Luckily, in the music industry, everyone was only interested in my singing and playing and not the size of my legs.
The fact that people still know us is, in my opinion, a result of our music and of the big money that runs the music industry today. The people who control the industry are accountants who recycle everything in new, nostalgic packages, and everything else, to make more money.
Since the music industry cracked and fell apart, gasping for the cash flow it had come to expect, much re-thinking has been the order of the day. It is a fine time to be a musician. Like walking through Sodom and Gomorrah while it is still smoking, on your way to the next gig.
People like Pedro Infante, Jorge Negrete, Antonio Aguilar, Pedro Fernandez, Vicente Fernandez - these are probably all names that many people don't know, but they are very popular in the music industry. They were people that I grew up listening to and aspiring to be like one day.
I think that when you're making your way up in the music industry, you have all these heroes and the reasons why they are your heroes. As soon as you get into the industry, your guidelines change a little bit. For me, my heroes now are great people first and great artists second.
You know, it's very easy to have a few beers with people in the music industry and suddenly be friends for life - 'Let's work together!' All of a sudden, you're trying to form a super group with a few people you've met in a club. I'm not into that, myself. Those aren't your mates.
The more people are listening to music and experiencing it, the more value for both the music companies and the artist, especially when their financial model is built around that . With the music industry, everybody is starting to understand that doesn't begin with a piece of music.
My part of Brooklyn has always been a very warm neighbourhood, even before I had anything going on in the music industry. When I step out of my house to go for coffee on Saturday mornings, I might say hi to 20 people before I get to the cafe. I think they feel they own me, in a way.
I realised that you can never legislate away from piracy. Laws can definitely help, but it doesn't take away the problem. The only way to solve the problem was to create a service that was better than piracy and at the same time compensates the music industry - that gave us Spotify.
I have four older siblings and one younger, and all three of my brothers are in the music industry. My dad was really involved in music, too, with the disco, and he also started Radio Caroline and was the one who invented pirate radio, if you like, off on a coast in England on a boat.
I love getting into a studio with a bunch of friends. When the day's done, we've made something. We recognize that we're from different walks of the music industry, and there's no reason we shouldn't be collaborating. That's what I'm trying to create with thenewno2 - a sense of community.
I think people can just make things now. It's kind of what happened with the music industry. Before, a band couldn't afford to go into a nice studio, or if they were going to go into a nice studio, they had to record twenty-five songs in two days. That's not a healthy workflow for anyone.
Mick Jagger has produced some great films and brought us stories about the music industry that have changed the way we think about how music is made. I never thought I would actually call him my boss, let alone meet Mick Jagger or have any reason to say my name in the same sentence as his.
One of my dad's friends from the music industry came over to our house one time and heard me sing, and he said, 'She should audition for this role I have!' So I did! It was a movie called 'The Gospel,' which I did when I was five. That was when I was like, 'I want to do this acting thing!'
A lot of people of color in the music industry are still more interested in embracing things that are considered white canon, and looking radical. Like when people point to punk in the indie world: If you point to the history of punk as what you see as your legacy, that's more prized and praised.
Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.
Everything's changed. The technology is the big thing changing now, the way movies like 'Alice' or 'Avatar' are made. And technology on the other side, the audience side. Word spreads so fast now on a movie, with the Internet, and piracy is something coming down the line like in the music industry.
I think this industry can be tough on everyone. You have to surround yourself with supportive people and know when to put your foot down and do what's best for you and your family. The first few years in the music industry can be a steep learning curve, and I've definitely developed a thicker skin!
I initially wanted to work in the music industry more on the A&R side. While I was in school, I began working in the New Business department of an advertising firm, and very quickly I was responsible for roughly 70% of their business, so you could say I had a natural knack for the advertising world.
There are half a billion people that listen to music online and the vast majority are doing so illegally. But if we bring those people over to the legal side and Spotify, what is going to happen is we are going to double the music industry and that will lead to more artists creating great new music.
The reality of the music industry is that I was a 22-year-old college graduate who was able to walk into boardrooms and be the one in charge. It's incredibly empowering. I wasn't ready - I definitely was not ready - but I was prepared as I possibly could have been because I had studied the music industry.
I'm just basically trying to make music that feels good. Right now in the music industry there's a real lack of intimacy. You don't really connect with the artist as much anymore, and you don't really understand where they are. I'm basically doing music that illustrates who I am and where I am in my life.
I actually think that bass is probably the instrument that has evolved in a quantum leap compared to other instruments. It's the instrument that's evolved the most, especially with how it's perceived. And even how it's played, and how it's viewed from a point of view of commerce, like with the music industry.
I do not believe that people should steal music, but I think that fans need a better alternative, hence why I am such a fan of Apple, where you can simply buy a song for $0.99; it is very easy, it is a value-packed service... and this is a result of the shakeup... something has to happen in the music industry.
When I was first starting out in the music industry, I was always coupled in the same sentence with Jessica Simpson, Britney Spears and Christina Aguilera - and I was probably the worst of them. I think a lot of people back then thought, 'Mandy Moore... she'll probably go back to where she came from in a year.'
If you have good songs and a real desire to make music, the next thing to do, instead of approach record companies, is to get yourself a really good manager because then it allows you to focus on your profession of being a musician. Then they can focus on the darker art of the record label and the music industry.
I didn't expect to have music as my main thing. I always thought I was going to be a lawyer. When I graduated, I was doing really well with my music in Malaysia. I had stable income, and I had really good momentum in the music industry, so I had to make a decision whether to stop that and continue being a lawyer.
The music industry is changing. You only hear a sprinkling of big names, but there are a lot of really wonderful young musicians with great voices and lyrical content who have refined their sound. They're up in here, so don't think they're not. There's this wealth of talent below the surface that's ready to explode.
I decided right away that whomever was going to advise me had to be fundamentally interested in music. This protected me from the skullduggery common to the music industry then and that still exists today. Of course, using this method meant that some things we didn't know and just had to learn how to do it together.
I always say this to people: 'If Shaq can be in the NBA for 19 years and dominate for 19 years using his body, why can't I be in the music industry for 50 years using my brain when my brain is way stronger than anyone's body?' I have to have a successful record company, more hit records. I want to dominate the game.
To be in the music industry, to be in any kind of entertainment industry, you really, really have to be passionate about it and love it and persevere, because if that passion isn't there, it's easy to give up. If you really want it, the ambition is there, it'll come. It's definitely harder work than some people think.
The music industry is something that I'm still trying to understand. With acting, I've been doing it for so long that I understand every aspect of it for the most part - there are obviously still more aspects that I need to learn - but I have a grasp on it. With music, I'm still learning. I'm still getting used to it.
The music industry is more singles-driven, and the attention span of culture becomes shorter and shorter, but we still grew up in the era where buying an album, looking at the artwork, putting it on and listening to it top to bottom, those were the experiences that really changed our lives. That's what we aim to make.
The music industry used to be able to control a single dance on the very smallest level of when people are supposed to hear it, and when they're supposed to start liking it, and when they're supposed to start buying it. And that's trashed, you know, that big machine that takes control and works albums for a long period.
The history of the music industry is inevitably also the story of the development of technology. From the player piano to the vinyl disc, from reel-to-reel tape to the cassette, from the CD to the digital download, these formats and devices changed not only the way music was consumed, but the very way artists created it.
The business side of film has goofed up so many things, but even that's changing. It happened to the music industry and now it's happening to the film studios. It's crazy what's going on. But artists should have control of their work; especially if, as I always say, you never turn down a good idea and never take a bad idea.